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Wes Montgomery: Maximum Swing: The Unissued 1965 Half Note Recordings
by Mario Calvitti
La Resonance Records, etichetta californiana legata a un'organizzazione non-profit dedita a preservare l'arte e l'eredità della musica jazz, prosegue instancabile la sua attività di archeologia musicale pubblicando questo doppio CD di Wes Montgomery col trio del pianista Wynton Kelly al famoso club di New York Half Note nel 1965, all'incirca nello stesso periodo delle esibizioni raccolte ...
Coltrane, il frastornante riflesso dell’universo
by Libero Farnè
John Coltrane--Tranesonic o il riflesso dell'universo Aldo Gianolio e Piercarlo Poggio 129 pagine Tuttle Edizioni 2024 Bisogna ammettere che negli ultimi anni l'offerta editoriale italiana di argomento jazzistico è tutt'altro che avara di proposte. Merito del lavoro lodevolissimo e disinteressato di tante case editrici, per lo più piccole e amatoriali ...
Louis Cole: Quality Over Opinion
by Scott Lichtman
Louis Cole is a chameleonic genius--merging beats, samples and catchy tunes across styles ranging from “metal-funk-fusion" to “pastoral falsettos." His loose incorporation of jazz traits, including syncopation, funk keys and sophisticated horn arrangements, has yielded new validation with a Grammy 2024 Best Alternative Jazz Album nomination for Quality Over Opinion (originally released in 2022). Cole plays ...
When is a Jazz Festival (Not) a Jazz Festival?
by John Kelman
This article was first published at All About Jazz on May 20, 2011. It's becoming almost pandemic for jazz festivals around the world to be challenged for deciding to broaden their programming into areas either peripherally related to jazz... or, in some cases, away from jazz entirely. Festivals like the near-iconic Montreux Jazz Festival, ...
John Patitucci Trio At The Jazz Forum
by Scott Lichtman
John Patitucci Trio The Jazz Forum Tarrytown, NY February 9, 2024 Elite bassist John Patitucci brought his trio to Tarrytown, NY, on Friday night. Known for his eclectic work over four plus decades with artists including Chick Corea, Wayne Shorter, and scores of others, Patitucci, pianist David Virelles and drummer Adam ...
Rich Halley: Fire Within
by Troy Dostert
The cover and title of Rich Halley's latest, Fire Within, have a menacing edge, alerting us to the incendiary qualities that are always a part of the tenor saxophonist's music. But one of the remarkable things about Halley's output is that it is never one-dimensional; there are abundant nuances and surprises to keep a listener engaged, ...
Will Regnier: Traces
by Dan McClenaghan
Montreal-based drummer & composer Will Regnier's recording debut, Traces, paints an atmospheric soundscape. It could be a score for a science fiction Western movie, the accompaniment for scenes of a rider under an alien lavender sky, his mount a sturdy quadruped species, neither equine nor bovine, but something different. Low vegetation rises in prickly clumps in ...
The Modern Beat Combo: Soul-Jazz Reflections
by Jerome Wilson
The Modern Beat Combo is a British group with an affinity for American mainstream jazz and jazz fusion, which they demonstrate through the swinging, supple grooves they consistently put out on this album. Their skill at fusion is shown best by their version of Miles Davis' “It's About That Time" where Steve Harding's electric ...
Eddie Henderson: Everything Changes
by Ian Patterson
Eddie Henderson made his name in Herbie Hancock's Mwandishi band in the early 1970s, at the dawn of jazz-fusion--a new frontier. It was undoubtedly a launching pad that saw the New York-born trumpeter go on to play with Art Blakey and The Jazz Messengers, Elvin Jones, Archie Shepp, Pharoah Sanders and McCoy Tyner. Yet ...
Interview with Joe Lovano
by Mark Felton
This interview was first published at All About Jazz in 1996. All About Jazz: The author of the liner notes of your latest release Quartets suggests that the current trend in jazz is towards a dialogue between the avant-garde and the tradition. How do you interpret that? Joe Lovano: Well, I don't ...
