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Artemis: Arboresque
by Mike Jurkovic
The virtuoso musicians of Artemis--pianist Renee Rosnes trumpeter Ingrid Jensen saxophonist Nicole Glover bassist Noriko Ueda, and drummer Allison Miller --get down to business quick on their third for Blue Note Arboresque. A testament to collaborative intuition and instinct, Arboresque may vary more in tempo and mood than its acclaimed predecessors--2023's ringing In Real Time and 2020's standard-setting debut Artemis--but it ...
Anthony Stanco: Stanco's Time
by Jack Bowers
Anthony Stanco. Keep the name in mind, as you are likely to hear it mentioned soon enough as the most recent link in a chain of renowned bop trumpeters that started with Dizzy Gillespie and has numbered among its illustrious members Clifford Brown, Miles Davis, Lee Morgan, Freddie Hubbard, Donald Byrd, Carmell Jones and a host ...
From Fad To Phenomenon: The Lasting Legacy Of Record Store Day
by Kyle Simpler
Despite its growing popularity, some still view the vinyl resurgence as a passing trend that will eventually fade. Articles frequently appear in newspapers and magazines almost celebrating any dip in vinyl sales. In late 2024, for example, several headlines noted that vinyl sales were down 33%--somewhat ironic, considering that an LP spins at 33 1/3 RPM. ...
Jon Irabagon: Server Farm
by Dan McClenaghan
"The times they are a-changin.'" Bob Dylan said that in 1964. He was right. In 2025, they are still changing, perhaps most notably with the emergence of artificial intelligence. That previously slow creep--outlined so accurately in Arthur C. Clarke's novel 2001: A Space Odyssey in 1968, paired with Stanely Kubrick's movie of the same name--will build ...
Keiji Haino / Natsuki Tamura: What Happened There?
by Mark Corroto
Unexpected one-off collaborations in creative music have often thrilled and captivated listeners, yielding results as unpredictable as they are unforgettable. Consider Embraced (Pablo Live, 1978) by Cecil Taylor and Mary Lou Williams, the genre-spanning brilliance of Duke Ellington & John Coltrane (Impulse!, 1963), or the boundary-pushing sonic landscapes of My Life in the Bush of Ghosts ...
Seattle Jazz Fellowship: A New Age In A New Space
by Paul Rauch
The Seattle Jazz Fellowship, a 501(c)(3) non-profit supporting jazz and jazz culture primarily at the local level, came to life in a backroom bar in the city's arts district on Capitol Hill in October 2021. The city, the nation, the world, was just beginning to fully climb out of the social slumber imposed by the COVID-19 ...
Jon Irabagon: Server Farm
by Mike Jurkovic
Warning! Warning! Heads up! Spoiler alert! Server Farm has the potential to take your head to some random places. Some alarming (as all artists should be these days), Some cacophonous. Some claustrophobic. Others freeing, fleeting, fervent. Server Farm, saxophonist/composer Jon Irabagon's heatedly precise and prescient head-on clash with the threat of AI blisters the ...
Kenny Garrett Speaks Through The Soul of His Jazz
by Dean Nardi
Mental bungee-jumping may not be their sport of choice, but a cerebral ledge exists that sooner or later every jazz musician must leap off. One day, ready or not, tuning up or shaking down their instrument, they will glance in a mirror, hug a pregnant mother-to-be, second-line a funeral, walk in the deepest, dark woods, chance ...
Matt Panayides: With Eyes Closed
by Richard J Salvucci
This is a charming recording: reflective, tranquil and built around the compositions of some of the most distinguished players and composers of what ought to be called the American Jazz Songbook. Here you have music written by Wayne Shorter, Joe Henderson, Woody Shaw, Cedar Walton and Chick Corea, to name only the figures in one strain. ...
The Irv Grossman Sextet: Sound Advice
by Pierre Giroux
Trumpeter Irv Grossman has assembled a stellar sextet that delivers a compelling session of straight-ahead jazz steeped in tradition and camaraderie under the title of Sound Advice. Surrounding himself with a dream team of musicians, including tenor saxophonist Sam Dillon, alto saxophonist Andrew Gould and, on several tracks, trombonist Jimmy O'Connell. The horns are supported by ...
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