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Isaiah Collier, Anna Webber & Nexus
by Maurice Hogue
What's in this episode of One Man's Jazz? Music from new releases by the greats (Wayne Shorter & Miles Davis) by rising stars (saxophonists Isaiah Collier & Anna Webber) by the vets (pianists Tonino Miano & Russ Lossing and Nexus, the long-running band from Italy led by drummer Tiziano Tononi & saxophonist Daniele Cavallanti) and by ...
Top Ten Sci-Fi Jazz Albums
by Chris May
On The Launch Pad Robert Frosch, head honcho at the National Aeronautics and Space Administration from 1977 to 1981, wrote that at cocktail parties he was sometimes asked whether NASA had some gizmo or other that had recently been brought to fictional life in a sci-fi book or movie. If Frosch's answer was “No," the next ...
Vibration Black Finger, Caixa Cabo, Kokoroko, Raw Odoni, Cruisic, And More
by Tony Poole
Tony Poole selects his favourite tracks from the latest new releases and pre-releases. This week's featured artist is the London-based spiritual soul jazz collective Vibration Black Finger with their soon to be released third album Everybody Cryin' Mercy. Producer Lascelle Gordon provides another “complete listening experience" on the back of their last project from 2020, Can ...
Daniel Carter / Adriano Camacho / Federico Ughi: Trabajadores De Energia
by John Sharpe
Jazz must be one of the most cosmopolitan art forms going. A case in point would be American multi-instrumentalist Daniel Carter and Brooklyn-based Italian drummer Federico Ughi, the twin founders of NYC's esteemed 577 Records imprint, met with Mexican bassist Adriana Camacho in Italy in Spring 2023. The title of the resultant Trabajadores De Energia, “Power ...
Gerald Cleaver: The Process
by Mark Corroto
Will the latest offering by Gerald Cleaver quiet the haters and jackals? Listeners accustomed to his drum work with Craig Taborn, William Parker, Daniel Carter, JD Allen, etc. etc., might believe they have to make a choice, one similar to the historic divide Miles Davis created when he went electric. Starting with Cleaver's recordings for Positive ...
Ritratto di Adam O'Farrill
by Angelo Leonardi
Il trentesimo compleanno del trombettista Adam O'Farrill coincide con la pubblicazione di HUESO, il suo settimo album da leader/co-leader prodotto in una carriera singolarmente lunga e prestigiosa. Il primo importante riconoscimento pubblico gli giunge all'età di 21 anni nel 2015, con la vittoria di Bird Calls al critics poll di Down Beat, un album ...
The Sound of the Fender Rhodes, Part 1
by Len Davis
Cannonball Adderley, Miles Davis, Joe Zawinul and Freddie Hubbard. Classics from the '70s featuring the Fender Rhodes. This show was inspired by Chris Mays' outstanding article, Ten Supreme Fender Rhodes Albums. Playlist The Cannonball Adderly Quintet “Mini Mamma" from Why Am I treated So Bad (Blue Note) 00:00 Miles Davis “Splash" from The Complete ...
Bevan Manson featuring Tierney Sutton with The Hollywood Studio Orchestra: Talking to Trees
by Nicholas F. Mondello
Bevan Manson is an artist who has a creative duality. As a pianist, composer/arranger and educator, he's been successful in classical and jazz environments. With Talking to Trees, Manson provides an array of both originals and jazz standards, most with an arboreal tint, as the title indicates. The work is a validation that his pen, guiding ...
John Fedchock: Justifiably J.J.
by Pierre Giroux
The accomplished trombonist John Fedchock has released Justifiably J.J., a heartfelt tribute to one of the most innovative figures in jazz, trombonist J.J. Johnson on the occasion of his centennial. Recorded live at The Jazz Kitchen, Indianapolis, Indiana, on March 3, 2024 (Johnson's hometown), Fedchock was accompanied by three top players: pianist Steve Allee, bassist Jeremy ...
Worth the Wait!
by Troy Hoffman
Many historical, live jazz performances have graced the past and thankfully were caught on recording; being released shortly after. For example, Art Blakey Quintet's A Night at Birdland, which is regarded as one of the best live jazz shows ever recorded. The performance is from the winter of 1954, and it was soon released on record ...
