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Henry Robinett Quartet: Jazz Standards Volume 2: Then Again
by Pierre Giroux
Guitarist Henry Robinett is a patient man. In April 2000, when he was between gigs and bands, he brought together several top players from Northern California and, in two days, recorded two albums the first of which was called Jazz Standards, Volume 1: Then (Nefertiti 2019) . Now with the release of ...
Dave Liebman: Placing Free Jazz and the Avant Garde in Musical and Historical Perspective
by Victor L. Schermer
Like free jazz, this interview arose spontaneously from an informal how are you doin'" telephone conversation between saxophonist Dave Liebman and All About Jazz contributor Vic Schermer. Schermer phoned Liebman to compliment him on his new e-book The Art of Skill: Establishing the Mindset for Unleashing the Music Inside You published by Michael Lake, and how ...
See Through 4: Permanent Moving Parts
by Chris May
Composer and bassist Pete Johnston, leader of Toronto's See Through 4, cites Lennie Tristano and Eric Dolphy as primary reference points for the quartet's music. As a listener, you may feel such connections are tenuous. Whatever his strengths, Tristano was not known for playfulness, a quality which runs through Permament Moving Parts. Plus, the contrapuntalism to ...
Khruangbin: The Sly Art of Containment
by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb, I hate jazz." If you choose to engage, the key is to tread lightly and tailor an approach that considers the tastes and sensibilities of the other person. The So You Don't Like Jazz" ...
Sizeable Outfits, Enviable Outcomes: Large Ensembles In Pursuit Of Excellence
by Dan Bilawsky
Perhaps nothing better symbolizes dogged persistence than the proliferation of large ensembles in every corner of the jazz world. To take on this kind of work can and should be considered injudicious for the rationally-minded, as the investments--time-wise, organizationally, financially, mentally--are beyond compare. But just because the dollars and sense don't add up doesn't mean it's ...
Saxophone Colossi: An Alternative Top Ten Banging Albums
by Chris May
Miles Davis once said you could tell the history of jazz in four words: Louis Armstrong, Charlie Parker. You might want to add John Coltrane, you might even want to add Davis. But however you cut it, saxophones and trumpets have been the flag bearers of the music. Trumpets got things rolling and saxophones came into ...
Gustav Lundgren: Live At Fasching
by Chris May
If the Norway's Eivind Aarset is one side of Scandinavian fretboard virtuosity, Sweden's Gustav Lundgren is the other. Aarset works with experimentalists such as Jon Hassell and Jan Bang. Lundgren is more straight-ahead, evoking Jack Wilkins and Pat Metheny. Both guitarists, however, are lyrical players. If you enjoy the linear melodism of Lundgren's Live At Fasching, ...
Andrea Balestra: A Rich Sicilian Odyssey
by Jim Worsley
Guitarist Andrea Balestra makes a cerebral investment with every note he plays and with all of his compositions. A lot of guitarists like to jam. Balestra isn't one of them. Substance is preferred over droning speed. His highly intensified music is born of traditional Italian music...being from Sicily perhaps a factor...a deep integration of blues, a ...
David Angel Jazz Ensemble: Out on the Coast
by Troy Dostert
Every now and then one runs across musicians or composers who are well-known by their peers, or who have carved out loyal followings regionally, but who at the same time have for whatever reason escaped the notice of the wider jazz community. Los Angeles-based saxophonist/bandleader David Angel would certainly fall into that category, despite a career ...
Chick Corea: The Passing Of A Giant
by Doug Hall
The passing of a giant in all categories of jazz. Chick Corea, NEA Jazz Master, 22-time Grammy Award winner, keyboard virtuoso as pianist, composer and arranger has earned, by contribution and breadth of musicianship, all the accolades, awards and recognition. If ever the title applied: a legendary figure in jazz. Beyond Corea's range of solo compositions ...


