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Article: Year in Review

Troy Collins' Best Releases of 2012

Read "Troy Collins' Best Releases of 2012" reviewed by Troy Collins


Considering the quantity of recordings released in a year's time, attempting to compile an end of the year list mentioning every first-rate session would be difficult at best. The ten titles included below are among the most exceptional new jazz albums I've heard in 2012. Jason Robinson Tiresian Symmetry Cuneiform Records

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Article: Album Review

Living By Lanterns: New Myth/Old Science

Read "New Myth/Old Science" reviewed by Troy Collins


First premiered live at the 2011 Chicago Jazz Festival, the material presented on the studio recording New Myth/Old Science was originally commissioned by Experimental Sound Studio. As one of the Windy City's most prominent scene leaders, drummer Mike Reed was given unprecedented access to audition over 700 hours of tape from Sun Ra's El Saturn Audio ...

35

Article: Album Review

Mike Reed's People, Places & Things: Clean on the Corner

Read "Clean on the Corner" reviewed by Troy Collins


Originally founded in 2008 to commemorate the lesser known “people, places & things" that have historically supported Chicago's progressive jazz scene, Mike Reed's ensemble of the same name continues to ply its bold interpretations of lesser known covers and swinging originals on Clean on the Corner, their fourth recording for 482 Music. Although this session breaks ...

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Article: Album Review

Mike Reed: People Places and Things: Clean On The Corner

Read "People Places and Things: Clean On The Corner" reviewed by Mark Corroto


The fourth installment of drummer Mike Reed's People, Place & Things project departs from his original modus operandi of paying tribute to the Chicago jazz and improvised scene circa 1954-1960. Despite this, Reed could not divorce himself of his heritage; Clean On the Corner bristles with the legacy of Chicago's broad sounds and the inspiration of ...

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Article: Album Review

Greg Ward: Phonic Juggernaut

Read "Phonic Juggernaut" reviewed by Mark Corroto


Greg Ward's trio Phonic Juggernaut can be loud, it also can be fast, but it can never be described as out of control. The twenty-something saxophonist's take on the modern jazz sax/bass/drums lineup adheres to the traditions of jazz, not as a regressive act but as a forward-thinking, innovative sound. This Chicagoan-turned-New Yorker can ...

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Article: Live Review

AACM Great Black Music Festival

Read "AACM Great Black Music Festival" reviewed by Kurt Gottschalk


Ars Nova Workshop's AACM: Great Black Music FestivalPhiladelphia, PA June 4-13, 2011 It's been a hot half decade for the Association for the Advancement of Creative Musicians. Nicole Mitchell's tenure as co-chair (with Ernest Dawkins) came at a time when her star as a flutist and bandleader was also rising. Co-founder Muhal Richard ...

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Article: Album Review

Arrive: There Was...

Read "There Was..." reviewed by Mark Corroto


It is astonishing to consider just how many differing ensembles in which a modern jazz musician might participate. Take, for instance, the players heard in alto saxophonist Aram Shelton's Arrive. Besides his own band Rolldown, vibraphonist Jason Adasiewicz can be heard in seven other bands, including those of Rob Mazurek, Mike Reed, and Nicole Mitchell. Likewise, ...

Album

Stories and Negotiations

Label: 482 Music
Released: 2010
Track listing: Song of a Star; Third Option (for Art Hoyle); El is a Sound of Joy; Wilbur's Tune; The And of 2 (for Ira Sullivan); Door #1 (for Julian Priester); Urnack; Lost and Found.

Album

About Us

Label: 482 Music
Released: 2010
Track listing: It's Enough; V.S.#1; About Us; Big and Fine; The Next Time You Are Near; Big Stubby; Flat Companion; First Reading: Paul's Letter; Under the Influence of Lunar Objects; Days Fly By (with Ruby).

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Article: Album Review

Jason Adasiewicz: Sun Rooms

Read "Sun Rooms" reviewed by Nic Jones


It's clear from Sun Rooms, perhaps more than from any of his previous efforts on record, that Jason Adasiewicz is offering something pretty personal. Sure, it's possible to name check both '60s-era Bobby Hutcherson and Walt Dickerson as points of reference, but they serve simply to highlight the fact that Adasiewicz is--for want of a better ...


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