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Sam Newsome: Tubes
by Mike Jurkovic
Tubes, a riotous investigation into the sonic by outlaw soprano saxophonist Sam Newsome and provocateur bassist Max Johnson, burps to life with “Dust" and proceeds assuredly down its own peculiar byways and highways. It is a real treat. The track closes with Newsome's prepared horn pondering like a bluesman on his lone, lonely harp. It is ...
John Surman: Words Unspoken
by Mike Jurkovic
Hypnotic and many of its antonyms--stimulating, arousing, reviving--are old school hyperbole which very often separates the hack from the veteran of critical science. But sometimes those everyday words are exactly what need to be said to tell of music unlike everyday and most others. Words Unspoken is just that. Blowing free and unhindered since ...
Eddie Henderson: Witness To History
by Mike Jurkovic
Make no mistake: it is the hot buttered soul, “Shaft"-like theme of “Scorpio Rising" that first snags one's attention. But once snagged, the old cool sets in and Witness To History, trumpeter Eddie Henderson's self curated soundtrack, unwinds with a wicked fervor. A deep, wicked joy. Henderson--who has pretty much seen it all from ...
Moppa Elliott's Acceleration Due To Gravity: Jonesville
by Mike Jurkovic
Whatever 'script renegade bassist/composer Moppa Elliot takes on a daily basis, he should be made to share with the rest of the world. Whatever that tonic, whatever that pill, whatever that gumbo scented elixir is, let us have it now. Elliot may not want to open up his private stash to the public, but ...
Vijay Iyer: Compassion
by Mike Jurkovic
As the title track of Compassion gets conjured up on a rubato tumble of Tyshawn Sorey's cymbals, bassist Linda May Han Oh begins her work which--on all of Compassion--is herculean. Vijay Iyer ushers in, and a quiet thing of beauty gets underway. It is one of the album's monster tracks. And eleven more tracks follow.
Matthieu Bordenave: The Blue Land
by Mike Jurkovic
Getting across the great open land beneath big sky country is full of epic moments. The Blue Land, French saxophonist Matthieu Bordenave's second for ECM, is that migrant's diary. As he so skillfully rendered on his 2020 ECM debut La Traversée, Bordenave again enters the studio conjoined with the assertive mood swings of bassist ...
Francisco Mela & Zoh Amba: Causa y Efecto, Vol. 2
by Mike Jurkovic
Causa y Efecto, Vol. 2 avalanches into a tidal surge of Francisco Mela's terrestrial rhythms and saxophonist/flautist Zoh Amba's unhinged, Albert Ayler like howls. Explosive from the onset and unencumbered by composition, “Causa y Efecto" roils without contrition; setting the stage for the firestorm to come. Mela's incantations--both verbal and percussive--open the magic door through ...
اسم [ism]: Maua
by Mike Jurkovic
Where would the world be without the clang and the clamor of sensory heightened free-jazz blowing purposeful and wild throughout the realm and surrounding tenements? This is an unsung understanding understood by fellow wayfarers, handed down by the elders and experienced by all who listen. Pianist Pat Thomas understands all this and reassures you ...
Micah Thomas: Reveal
by Mike Jurkovic
A drop mic, double plus good treatise by three very ballsy players--pianist Micah Thomas, bassist Dean Torrey, and drummer Kayvon Gordon--Reveal wastes no time stating its case, taking centerstage, and holding that promised land's glories tight. Recorded in one seven-hour session, Thomas's second far-flung outing as a Blue Note leader and his third overall (the self-produced ...
Kinga Glyk: Real Life
by Mike Jurkovic
Throughout daredevil bassist Kinga Głyk's Real Life there are several moments which border menacingly on mainstream Euro-pop and wanna-be fusion. Fortunately those (intentional or unintentional?) moments are heavily outweighed and outnumbered by thrillingly incandescent moments which lend themselves to that old catch-all street phrase of the '60s, '70s, and '80s: “Man this is some really high ...
