Results for "Microtonal"

Hilary Jeffery

Born: September 29, 1971

Hilary was born in 1971 in Surbiton, England. Following studies at Dartington College of Arts, University of York and with James Fulkerson at the European Dance Development Centre in Arnhem, Hilary embarked on a colourful musical journey playing throughout the world in many settings including theatres, jazz clubs, cathedrals, night clubs, festivals, dance studios, bars, cinemas, galleries, streets, forests and mountains.

As well as composing Hilary plays trumpet, trombone, tuba, euphonium, piano and electronics. He is currently based in Berlin where he works with Eleni Poulou at Berlintune Studio and plays in many groups including Etude (Ensemble Treffen Um Die Ecke), Mullet, Organza Ray, The Kilimanjaro Darkjazz Ensemble and Zinc & Copper. He has played with Apa Ini, Chicks On Speed, Chora(s)san Time-Court Mirage, Germ, Jimi Tenor (Big) Band, Inconsolable Ghost, Lysn, Mouse On Mars, Sand, Tonaliens, zeitkratzer and has composed music for David Kweksilber Big Band (Amsterdam), Slagwerk Den Haag, the Acousmonium (GRM Paris), Zagreb Experimental Ensemble and for his own ensembles.

Christian Klinkenberg

Born: January 3, 1976

Christian Klinkenberg (b. 1976) is a composer of jazz, avant-garde and a multimedia artist. Klinkenberg's artistic interests stem from contemporary composition concepts, jazz and improvisation. Ensembles across the European Union have performed Klinkenberg's music. In 2001 he founded his Jazz ensemble "Christian Klinkenberg Orchestra." Klinkenberg is a member of the East-Belgian based ensemble “KL-EX” where he serves as one of the ensemble leaders, composer and creative collaborator. Studies: Master's degree June 2007 @ Koninklijk Conservatorium Brussel - Composition (jazz department) Master's degree June 2011 @ Koninklijk Conservatorium Brussel - Composition (classical department) PhD May 2020 @ Vrije Universiteit Brussel

Seppe Gebruers

Born: May 9, 1990

Oblivious to traditional high-performance standards, Seppe Gebruers (1990) was never one to win the Tour de France. To that end he misses a solid training scheme and a sense of calculating opportunism. Instead, Gebruers is more of an attacker than one to dominate the entire race. Furthermore, he rather surrounds himself with a group of equal leading partners than a supporting team of helpers. Playing at half-force is not an option though, as anyone who has witnessed his physical playing style will testify. Each concert is a classic in its own right, not to be set against another hypothetical future ride