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Barry Adamson, Michael Formanek, Elliott Sharp & Rokia Traoré
by Martin Longley
Barry Adamson Rough Trade March 21, 2016 Hot on the heels of SXSW in Austin, Barry Adamson turned up for a lower-key solo show at NYC's Rough Trade store. His reputation was made as a bassist with Magazine and Nick Cave, but in the three decades since then he's ...
9th Annual Red Hook Jazz Festival To Be Held Across Two Sundays In Brooklyn's Urban Meadow, June 12 & 19 From 1-6pm
“The Red Hook Jazz Festival exists contentedly on the margins, like its namesake neighborhood and much of the music on its bill…The mood in the audience was neighborly, with a higher ratio of small children to youngish adults than I’ve seen at any musical event not expressly pitched as a kids’ show.” —Nate Chinen, New York ...
Michael Formanek / Ensemble Kolossus – The Distance (Album EPK)
Featuring the music of Michael Formanek
Duration: 4:47
Michael Formanek’s Ensemble Kolossus: The Distance
by Dan McClenaghan
Here's a surprise. Bassist Michael Formanek is probably best known for his two recent ECM Records dates, Rub and Spare Change (2010) and Small Places, a couple of modernistic quartet sessions featuring saxophonist Tim Berne, pianist Craig Taborn and drummer Gerald Cleaver. These are tight and intense sets, architecturally solid, free-like outings that may have helped ...
ECM Records Releases Michael Formanek's "The Distance"
Michael Formanek Ensemble Kolossus is: Loren Stillman (alto saxophone); Oscar Noriega (alto sax, clarinet, bass clarinet); Chris Speed (tenor sax, clarinet); Brian Settles (tenor sax, flute); Tim Berne (baritone sax); Dave Ballou, Ralph Alessi, Shane Endsley (trumpets); Kirk Knuffke (cornet); Alan Ferber, Jacob Garchik, Ben Gerstein (trombones); Jeff Nelson (bass trombone, contrabass trombone); Patricia Brennan (Marimba), ...
Michael Formanek’s Ensemble Kolossus: The Distance
by Mark Sullivan
Jazz composers writing for large ensembles have often avoided the label “big band," going back to the Jazz Composer's Orchestra in the '60s, not to mention Sun Ra's Arkestra and the many Swing Era bands that called themselves orchestras. It's an understandable choice, given the unavoidable--and potentially limiting--stylistic associations that come with the big band name. ...
Winter Jazzfest 2016: ECM Records Stage
by Bob Kenselaar
Winter Jazzfest--ECM Records Stage The New School Tishman Auditorium New York, NY January 15 & 16, 2016 There's a very modern feel at the Tishman Auditorium at The New School University Center, the site for a two-night showcase for ECM Records at the 2016 Winter Jazzfest--with the Escher-esque stairs that ...
NYC Winter Jazzfest 2016
by Dan Bilawsky
NYC Winter JazzfestNew York, NYJanuary 13-17, 2016 If you make the rounds in New York City on any night of the week, during any week of the year, there's always an abundance of quality jazz to hear. But when NYC Winter Jazzfest takes hold, the cup truly runneth over. This massive ...
Mette Henriette Martedatter Rølvåg: Mette Henriette
by Karl Ackermann
In her debut recording with the large Norwegian ensemble Torg on Kost/Elak/Gnäll (Jazzland Recordings, 2015), the playing of saxophonist Mette Henriette Martedatter Rølvåg may well have been lost in the pack. That Bugge Wesseltoft produced album was an unrestrained mashup of genres, styles and techniques in an octet that didn't easily lend itself to individual performance ...
RelativE ResonancE: RelativE ResonancE
by Budd Kopman
With RelativE ResonancE, composer and drummer Devin Gray has staked out new, exciting and different territory than that explored in his highly acclaimed previous album, Dirigo Rataplan. Whereas the earlier band (saxophonist Ellery Eskelin, trumpeter Dave Ballou and bassist Michael Formanek) emphasized improvisation within group and compositional boundaries, the music for the new group ...
