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Todd Barkan: Early days of Keystone Korner
by Todd Barkan
In the summer of 1972, at the age of 25, I was working by day as a Customs Broker for the venerable San Francisco firm of Hoyt, Shepston & Sciaroni, and by night as a jazz pianist and arranger for an Afro Cuban jazz band called Kwane and the Kwandito's, which played a lot of the ...
Montreux Through The Decades: Jazz Recordings, Part One
by Ian Patterson
To celebrate Montreux Jazz Festival's 50th edition in 2016, and as a posthumous tribute to the festival's founder, the late Claude Nobs, All About Jazz is launching a new column entitled Montreux Through the Decades, which will periodically present reviews of officially released live recordings from MJF, from its first edition in 1967 to the present. ...
Allison Miller's Boom Tic Boom at the Philadelphia Art Alliance
by Asher Wolf
Allison Miller's Boom Tic Boom Philadelphia Art Alliance Ars Nova Workshop Philadelphia, PA May 13, 2016 Allison Miller's Boom Tic Boom plays jazz, but the woman herself is hardly a jazz drummer. Though she can swing and improvise like nobody's business, Miller seems equally at home with the grooves of ...
The Dan Trudell Trio: Dan Trudell Plays the Piano
by Angelo Leonardi
L'aver privilegiato a lungo l'Hammond B3 non ha indotto Dan Trudell ad abbandonare il pianoforte, strumento in cui s'è formato e diplomato alla North Texas State University. Trasferitosi a Chicago nel 1990 ha iniziato ad affiancare il ruolo di pianista a quello di organista formando un organico col batterista funk Clyde Stubblefield e iniziando un'apprezzata atività ...
Danny Mixon: Pass It On
by Chris M. Slawecki
You'd think that a pianist who's solidly served as sideman for such pillars of the jazz community as Charles Mingus, Betty Carter, Kenny Dorham, Grant Green and others (including Afro-Cuban firebrands Pucho & His Latin Soul Brothers), would be at least somewhat famous. But since his first performances in the mid-1970s, pianist Danny Mixon has maintained ...
India to Italy, Brazil to Slovenia–Where WON'T Jazz Go?
by Chris M. Slawecki
Avataar Petal Self-Produced 2016 While growing up in the Northern Ontario mining town of Sunbury, he was known as “Sam." But in his early twenties, Sundar Viswanathan reconnected with his Indian name and heritage, and, through several conservatory courses spanning North Indian classical to Turkish maquam music, dove ...
Jazz-Rock Renegade Dean Brown Unleashes Expansive, All-Star Roller Coaster "ROLAJAFUFU"
Guitarist and composer Dean Brown has always done things his way. Nowhere is that in greater evidence than on ROLAJAFUFU, his fifth album as a leader. The title is a playful acronym that encompasses rock-latin- jazz-funk-fusion, the universes Brown explores on this diverse, kinetic recording. Brown’s fiercely independent streak is also exemplified by the fact that ...
Gideon King: New York and Music
by Sammy Stein
Gideon King is a New York City boy. He was born and raised in the city. He is a composer, guitarist and producer and has worked with some of the finest musicians. He has been involved in projects which cover a range of music genres including pop, funk, jazz and fusion and has produced and collaborated ...
Shauli Einav Quartet: Beam Me Up
by Dave Wayne
Beam Me Up is Shauli Einav's fifth album as a leader, but his first as a new father. This is worth mentioning because jazz is, as we all know, something that is lived. How could such a momentous change not manifest itself in one's music? Here, it's quite evident though nothing about the album itself speaks ...
Big Ears Festival 2016
by Mark Sullivan
Big Ears Festival Knoxville, TN March 31-April 2, 2016 Since its beginning in 2009, the Big Ears Festival has always been willfully, unapologetically eclectic. Their own self-description is “a dynamic, interactive experience that explores connections between musicians and artists, crossing all musical genres while interfacing with film, performance and the visual arts." ...
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