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Take Five with Markus Rutz
by AAJ Staff
Meet Markus Rutz Markus Rutz plays trumpet with bluesy, soulful style and a tone that has been called gorgeous. He composes music from his home base in Chicago, Illinois where he also performs modern jazz. As described by Downbeat's J.D. Considine, with his “big, dark tone and a fluid ease to his phrasing," trumpet player, composer ...
Give the Drummer (More Than) Some! Part 3
by Ludovico Granvassu
More music featuring projects lead by drummers. Drums for civil rights, solos and duos, and poetry drumming. Happy listening! PlaylistBen Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Terri Lyne Carrington “If Not Now (feat. Maimouna Youssef)" Waiting Game (Motema) 0:16 Host talks 5:42 Max Roach “Driva' Man" We ...
20 Seattle Jazz Musicians You Should Know: Christopher Icasiano
by Paul Rauch
The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and '30s. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the ...
Strata-East: Seizing the Time
by Chris May
Operating on minimum finance and maximum passion, Brooklyn's Strata-East label was a pivotal platform for the spiritual-jazz movement that emerged during the Civil Rights struggle of the 1970s. Its closest contemporary comparator was Chicago's Association for the Advancement of Creative Musicians. Both were non-profit organisations. The AACM was non-profit by design. With Strata-East, co-founder Charles Tolliver ...
Jazz in the Time of Pandemic
by Karl Ackermann
The first week of April 2020: images crystalized the daily news reports; a dystopian Times Square; Piazza Navona in Rome, emptied of tourists, Barcelona's Basílica de la Sagrada Família standing like an abstract ruin, makeshift morgues in hospital parking lots. The jazz world is small but still a microcosm of society with interdependencies that run deep. ...
A Jazz Immuno-Booster: Part 1
by Ludovico Granvassu
We may still be months away from developing vaccines to tame the threat that COVID19 poses to our bodies. But given the centrality of the mind-body connection for our physical well being, we should not forget that we continue to have music to support our minds during these challenging times. So I have reached ...
It Takes Two to Jazz: Part II
by Ludovico Granvassu
Second part of this week's exploration of the duo format with a special emphasis on duos featuring saxophonists as well as drummers. For the first part of this show click here PlaylistBen Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Vincent Peirani, Emile Parisien “Egyptian Fantasy" Belle Époque ...
Four Masters and More
by Marc Cohn
After a segment of 21st century music from Andy Fusco, Matt Criscuolo, Wycliffe Gordon and Fred Hersch, we go into celebration mode--saluting Sonny Rollins (with Max Roach) because he IS Sonny Rollins, Charlie Parker and Dave Brubeck (with some gorgeous Paul Desmond on the rarely played 'Jazz Goes To College) on their centennial, and 2020 National ...
Tyshawn Sorey, Marilyn Crispell: The Adornment of Time
by Giuseppe Segala
Se si focalizza l'attenzione sui duetti di pianoforte e batteria, balza subito alla mente il titanico Historic Concerts, che vide protagonisti Cecil Taylor e Max Roach nel dicembre del 1979, ormai più di quarant'anni fa. L'accento della musica era centrato sulla comune natura percussiva dei due strumenti, pur con tutte le differenze organologiche e tutte le ...
Results for pages tagged "Max Roach"...
Max Roach
Born:
Maxwell Lemuel Roach is a percussionist, drummer, and jazz composer. He has worked with many of the greatest jazz musicians, including Dizzy Gillespie, Charlie Parker, Duke Ellington, Charles Mingus and Sonny Rollins. He is widely considered to be one of the most important drummers in the history of jazz.
Roach was born in Newland, North Carolina, to Alphonse and Cressie Roach; his family moved to Brooklyn, New York when he was 4 years old. He grew up in a musical context, his mother being a gospel singer, and he started to play bugle in parade orchestras at a young age. At the age of 10, he was already playing drums in some gospel bands. He performed his first big-time gig in New York City at the age of sixteen, substituting for Sonny Greer in a performance with the Duke Ellington Orchestra. In 1942, Roach started to go out in the jazz clubs of the 52nd Street and at 78th Street & Broadway for Georgie Jay's Taproom (playing with schoolmate Cecil Payne)
