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Harold Land: Westward Bound!
by Peter J. Hoetjes
One can't help but wonder how large the stage may have been for tenor saxophonist Harold Land had he not tethered himself to the west coast for the majority of his career. In 1954 Land moved from Santa Monica to Los Angeles and quickly earned himself a place in the immensely popular Clifford Brown/Max ...
Half Nelson: Cool Perfection
For those who don't quite get East Coast cool jazz or why it's special, I have two words for you: Half Nelson. The song, credited to Miles Davis, was first recorded for Savoy in 1947 by the Miles Davis All Stars, featuring Miles Davis (tp), Charlie Parker (ts), John Lewis (p), Nelson Boyd (b) and Max ...
Jeremy Monteiro: No Black Tie Required
by Ian Patterson
Jeremy Monteiro has been Singapore's unofficial jazz ambassador since the late 1970s, carving out a pioneering path around the world. The first South East Asian to perform at the Montreux Jazz Festival and the first S.E. Asian to record for the Verve label, Monteiro has made a habit of playing with the very best, from James ...
Harold Land: Westward Bound!
by Pierre Giroux
Until 1954 Harold Land was a relatively unknown tenor saxophonist. He experienced a surge in his standing with the release of Clifford Brown & Max Roach (Emarcy 1954) when he was part of this high-profile, but short lived, bebop quintet (1954-56). A decade later, this hard-bop player was recognized for his engaging ideas and robust tone ...
Julian Siegel Jazz Orchestra: Tales from the Jacquard
by Chris May
Reed player Julian Siegel has been an important part of the London jazz scene since the late 1990s, when he cofounded Partisans, a high-energy quartet completed by guitarist Phil Robson, bassist Thad Kelly and drummer Gene Calderazzo. The band is pretty much beyond category, although it is usually billed as jazz-rock. Unlike normative jazz-rock outfits, however, ...
Clifford Brown’s Trumpet and One Summer in Atlantic City
by Arthur R George
Part 1 | Part 2 For 22-year-old trumpeter Clifford Brown, the summer of 1953 in Atlantic City, New Jersey, was transformative. Playing with bebop elders, he cumulatively opened the door for what came next: a groove-oriented swinging style, in which small groups used structured arrangements like big bands, with room for improvisation, but less ...
The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66
by Skip Heller
Louis Armstrong officially returned to small band leadership May 17, 1947 via a triumphant concert at Town Hall that was less comeback than reaffirmation. It was even the dawn of his second great period, full of recordings that stood tall with his epochal 1920's output, and the subsequently-assembled Louis Armstrong and his All Stars would immediately ...
Marty Sheller: The Name Behind The Sound You All Know, Part 1
by Skip Heller
There are certain musicians who embody eras, even if they're not the player with their picture on the cover. In our contemporary musical climate, Greg Leisz comes to mind. Since 1991, he has popped up on hundreds of acclaimed albums, and without ever really changing his style, he has become centrifugal beyond the considerations of genre ...
Various Artists: Impulse Records: Music, Message & The Moment
by Chris May
Those of us for whom Impulse has been as important a part of our cultural lives as Blue Note, perhaps even a more important one, will not be satisfied until the label reissues its entire catalogue on remastered CDs and audiophile vinyl. In the meantime, it would be churlish to do anything other than applaud such ...
Gary Bartz NTU Troop: Live In Bremen
by Chris May
In the early 1970s there was fusion and there was NTU Troop. After paying his dues in bands led by Charles Mingus, Max Roach and Art Blakey, Bartz made a splash in 1969 with his sophomore album, Another Earth (Milestone), a genius blend of spiritual jazz, space jazz and down and dirty blues. On it, Bartz ...
