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Jazzfestival Saalfelden 2017
by Stefano Merighi
Fotografare lo stato dell'arte nell'ambito del jazz e delle musiche limitrofe è compito che il festival di Saalfelden svolge assai bene ormai da decenni. Non solo la rassegna austriaca non rinuncia ad alcuna delle sue prerogative estetiche (apertura massima rispetto agli stili contemporanei, volontà di anticipare tendenze, capacità di realizzare prime esecuzioni mondiali), ma anzi, trova ...
Forget Old Europe: 15 European Jazz Musicians You Need To Know About
by Enrico Bettinello
Since the first half of the 20th century, the Old Continent has played a pivotal role both in welcoming and supporting jazz artists from the United States. Over the following decades it has expressed generations of passionate musicians with increasingly original languages and ever greater improvisatory skills. In the 21st century there are countless ...
James Blood Ulmer: Baby Talk
by Mark Corroto
It was a predestined meeting. This collaboration between the legendary guitarist James Blood Ulmer and the band The Thing. Ulmer, who cut his teeth with the soul jazz organists Hank Marr, Larry Young and Big John Patton before collaborating with Ornette Coleman's electric free jazz/funk harmolodic music, expanded upon Coleman's ideas, incorporating rock music with players ...
Ground Music Festival 2017
by Vincenzo Roggero
Ground Music Festival Franciacorta e Val Trompia 23.6-2.7.2017 La nascita di un nuovo festival dedicato alla musica improvvisata è sempre da accogliere con grande attenzione ed entusiasmo soprattutto se arriva non per volontà di qualche occasionale investitore o interessato amministratore ma dalla passione, dalla competenza, dalla voglia di mettersi in gioco e ...
Mats Gustafsson
by Vincenzo Roggero
If Mats Gustafsson's approach to music were to be described with a single adjective, it would have to be intense." This applies to him both as a musician, as illustrated by over three decades of playing with stalwarts of the free and creative jazz scenes on both sides of the Ocean (Ken Vandermark, Peter Brötzmann, Joe ...
Mats Gustafsson
by Vincenzo Roggero
1. Hank Mobley, Hank Mobley (Blue Note, 1957). Il disco jazz definitivo?! È tutto perfettamente bilanciato in questa supersession. Il sax tenore è poetico e la tromba di Art Farmer non è mai stata così lirica ed emozionante. Art Blakey è un genio dello swing e la foto di copertina è una delle mie ...
Albert Ayler Quartet: Copenhagen Live 1964
by Mark Corroto
It's almost as if the phenomenon that was saxophonist Albert Ayler was just a dream. Nearly fifty years after his death, listeners (and musicians, for that matter) are still catching up to him, and realizing his gift. His life, like that of Charlie Parker, ended at age 34. But where Parker (an originator of bebop) developed ...
Evans, Fernandez, Gustafsson: A Quietness of Water
by Vincenzo Roggero
Tre fuoriclasse dell'improvvisazione più o meno radicale (qui molto radicale) in un incontro senza rete che l'assenza di batteria e contrabbasso rende ancora più rischioso e audace. Potremmo sintetizzare così A Quietness of Water album che conferma, se mai ce ne fosse bisogno, l'attenzione posta dalla polacca Not Two Records verso le musiche non convenzionali.
Atomic: Six Easy Pieces
by Karl Ackermann
Founded in 2000, the Swedish/Norwegian group Atomic has remained true to their uncommon blend of American and European influences over the years. With only one lineup change since their inception, the quintet continues to pay homage--in equal parts--to the post 1960s era in the US, and the inherent innovations of Europe's northern-most region. With Six Easy ...
DKV Trio / The Thing: Collider
by John Sharpe
Recorded live at Krakow Jazz Autumn in 2014, Collider unites two of the hardest hitting contemporary outfits in an off the wall summit. It's notable that all the members of the DKV Trio and The Thing, except bassist Ingebrigt Haker Flaten, have a history of working with the Peter Brötzmann Chicago Tentet, the large improvising collective ...





