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Jazzahead 2011: April 28 - May 1, 2011
by John Kelman
Jazzahead Bremen, Germany April 28-May 1, 2010 Jazz may be a marginalized genre with shrinking CD sales and, at least in North America, a painfully low profile in popular media, but just a few days at Jazzahead in Bremen, Germany, leave a much different impression. A trade show for all ...
Mathias Eick - Skala (ECM Records, 2011)
Norwegian multi-instrumentalist Mathias Eick performs in a number contexts, from the hard to classify fusion group Jaga Jazzist to his jazz recordings as a leader and a sideman for ECM Records. This album adds a pop sheen to an interesting group consisting of a wide variety of musicians and musical textures. Eick primarily plays the trumpet ...
Mathias Eick: Skala
by John Kelman
Those who've caught Mathias Eick live, since the release of The Door (ECM, 2008), know that, as strong a first salvo as that debut was, it was no preparation for the power of the Norwegian trumpeter in performance. When his quartet performed at Mai Jazz 2008, with pianist Andreas Ulvo replacing The Door's Jon Balke, it ...
Iro Haarla Quintet: Vespers
by John Kelman
It's been six years since Iro Haarla released Northbound (ECM)--while not her actual debut as a leader, certainly her first with international exposure--an album of remarkable beauty that cemented the Finnish pianist/harpist/composer's position as the silent voice behind the music of her late husband, drummer Edward Vesala. There's no denying the import of Vesala's work for ...
Mathias Eick "Skala"
Mathias Eick Skala Mathias Eick: trumpet, vibraphone, electric guitar, double bass Tore Brunborg: tenor saxophone Andreas Ulvo: piano Morten Qvenild: keyboards Audun Erlien: electric bass Torstein Lofthus: drums Gard Nilssen: drums Sidsel Walstad: harp Release Date: ...
Magnus Ostrom: Late Night Playing, Humble Playing
by Bruce Lindsay
As the drummer with the Esbjörn Svensson Trio (e.s.t.) Magnus Öström became one of the most successful European jazz musicians of the last twenty years. Influenced by a range of musics, his percussion style was a key element of the band's distinctive sound, while the Trio's success over the 15 years of its existence brought it ...
Motif: Facienda
by John Kelman
Motif Facienda Jazzland Records 2010 Just because there's nearly a three-year gap between recordings, it doesn't mean an artist hasn't been busy. Norwegian free bop-meister Motif was last heard from in 2008, on the tradition-twisting Apo Calypso (Jazzland), closing yet another gap from the previous Expansion (AIM, 2005). Released in ...
Polar Jazz: Longyearbyen, Svalbard, February 3-7, 2011
by John Kelman
Polar Jazz / Arctic MoodLongyearbyen,Svalbard, Norway February 3-7, 2011 Flying into Longyearbyen is a surreal experience. It's a two-day trip from North America--one day to get to Oslo, Norway, and the second to make the final trek above the Arctic Circle to the islands of Svalbard, about halfway between the ...
BMX: Bergen Open
by John Kelman
Tradition, in a living, breathing art form, is something that is continually defined, refined and redefined. When drummer Paul Motian--first coming to fame in pianist Bill Evans' mid-1950s trio--trimmed his quintet of the early 1980s into a bass-less trio featuring then-emergent guitar whiz Bill Frisell and equally on-the-rise saxophonist Joe Lovano, its very first recording, It ...
Tampere Jazz Happening 2010: Days 3-4, November 6-7, 2010
by John Kelman
Day 1 | Day 2 | Days 3-4 Tampere Jazz HappeningTampere, FinlandNovember 4-7, 2010 While most festivals aim to keep the energy, commitment and creativity levels high, few succeed at starting with a high bar and raising it continuously throughout the course of the event. While the first two days of ...
