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273

Article: Live Review

Norwegian Jazz 101c: JazzNorway In A Nutshell 2011

Read "Norwegian Jazz 101c: JazzNorway In A Nutshell 2011" reviewed by John Kelman


2008 | 2009 | 2010 | 2011 It may be true, at least most of the time, that familiarity breeds, if not exactly contempt, then certainly complacency; but that simply doesn't apply if subject is Norway--and, in particular, its disproportionately large and vibrant music scene. Suffering from an epidemic that most folks would ...

288

Article: Live Review

Jazzahead 2011: April 28 - May 1, 2011

Read "Jazzahead 2011: April 28 - May 1, 2011" reviewed by John Kelman


Jazzahead Bremen, Germany April 28-May 1, 2010 Jazz may be a marginalized genre with shrinking CD sales and, at least in North America, a painfully low profile in popular media, but just a few days at Jazzahead in Bremen, Germany, leave a much different impression. A trade show for all ...

145

News: Recording

Mathias Eick - Skala (ECM Records, 2011)

Mathias Eick - Skala (ECM Records, 2011)

Norwegian multi-instrumentalist Mathias Eick performs in a number contexts, from the hard to classify fusion group Jaga Jazzist to his jazz recordings as a leader and a sideman for ECM Records. This album adds a pop sheen to an interesting group consisting of a wide variety of musicians and musical textures. Eick primarily plays the trumpet ...

272

Article: Album Review

Mathias Eick: Skala

Read "Skala" reviewed by John Kelman


Those who've caught Mathias Eick live, since the release of The Door (ECM, 2008), know that, as strong a first salvo as that debut was, it was no preparation for the power of the Norwegian trumpeter in performance. When his quartet performed at Mai Jazz 2008, with pianist Andreas Ulvo replacing The Door's Jon Balke, it ...

211

Article: Album Review

Iro Haarla Quintet: Vespers

Read "Vespers" reviewed by John Kelman


It's been six years since Iro Haarla released Northbound (ECM)--while not her actual debut as a leader, certainly her first with international exposure--an album of remarkable beauty that cemented the Finnish pianist/harpist/composer's position as the silent voice behind the music of her late husband, drummer Edward Vesala. There's no denying the import of Vesala's work for ...

163

News: Recording

Mathias Eick "Skala"

Mathias Eick "Skala"

Mathias Eick Skala Mathias Eick: trumpet, vibraphone, electric guitar, double bass Tore Brunborg: tenor saxophone Andreas Ulvo: piano Morten Qvenild: keyboards Audun Erlien: electric bass Torstein Lofthus: drums Gard Nilssen: drums Sidsel Walstad: harp Release Date: ...

533

Article: Interview

Magnus Ostrom: Late Night Playing, Humble Playing

Read "Magnus Ostrom: Late Night Playing, Humble Playing" reviewed by Bruce Lindsay


As the drummer with the Esbjörn Svensson Trio (e.s.t.) Magnus Öström became one of the most successful European jazz musicians of the last twenty years. Influenced by a range of musics, his percussion style was a key element of the band's distinctive sound, while the Trio's success over the 15 years of its existence brought it ...

622

Article: Extended Analysis

Motif: Facienda

Read "Motif: Facienda" reviewed by John Kelman


Motif Facienda Jazzland Records 2010 Just because there's nearly a three-year gap between recordings, it doesn't mean an artist hasn't been busy. Norwegian free bop-meister Motif was last heard from in 2008, on the tradition-twisting Apo Calypso (Jazzland), closing yet another gap from the previous Expansion (AIM, 2005). Released in ...

786

Article: Live Review

Polar Jazz: Longyearbyen, Svalbard, February 3-7, 2011

Read "Polar Jazz: Longyearbyen, Svalbard, February 3-7, 2011" reviewed by John Kelman


Polar Jazz / Arctic MoodLongyearbyen,Svalbard, Norway February 3-7, 2011 Flying into Longyearbyen is a surreal experience. It's a two-day trip from North America--one day to get to Oslo, Norway, and the second to make the final trek above the Arctic Circle to the islands of Svalbard, about halfway between the ...

372

Article: Album Review

BMX: Bergen Open

Read "Bergen Open" reviewed by John Kelman


Tradition, in a living, breathing art form, is something that is continually defined, refined and redefined. When drummer Paul Motian--first coming to fame in pianist Bill Evans' mid-1950s trio--trimmed his quintet of the early 1980s into a bass-less trio featuring then-emergent guitar whiz Bill Frisell and equally on-the-rise saxophonist Joe Lovano, its very first recording, It ...


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