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Solo Pianists from Japan
by Jerome Wilson
These are two recent solo piano releases from Japanese players. One is the latest dispatch from a prolific musician. The other is a farewell statement from a deceased artist. Satoko Fujii Hazuki Libra 2021 Satoko Fujii has been amazingly prolific in the last few years, releasing a ...
Masabumi Kikuchi: Hanamichi The Final Studio Recording
by Pierre Giroux
Masabumi Kikuchi is not the kind of jazz pianist who just strikes the keys to produce a sound. He has a Zen-like approach to the instrument by making it an extension of himself, and thus both constructs and hears the music produced as a different form factor. There are and were other contemporary pianists such as ...
Returned to Forever: The Chick Corea's Songbook, Part 2
by Ludovico Granvassu
We continue our journey through the Chick Corea Songbook (part 1). For decades he was one of the contemporary ambassadors of American jazz, inspiring fans and other musicians all over the world. In this part of the programme, we'll feature renditions of his work by musicians from abroad and from the USA, and from across musical ...
Japanese Iconoclasts - Part 1
by Ludovico Granvassu
In addition to offering a safe haven and an enthusiastic audience for international jazz players, Japan has a vibrant local scene which features musicians that approach jazz without necessarily being encumbered by its tradition, and infuse it with their own cultural traditions and generally post-modern attitude. So let's dive into the fun and varied ...
Results for pages tagged "Masabumi Kikuchi"...
Masabumi Kikuchi
Born:
Masabumi "Poo" Kikuchi was a Japanese jazz pianist of legendary stature with a vast discography that ran the gamut from straight-up post-bop and vanguard classical to fusion recordings, solo synthesizer dates, and even digital dub. He toured and recorded with artists as diverse as Sonny Rollins, Lionel Hampton, Terumasa Hino, Sadao Watanabe, and drummer Paul Motian, among others. Kikuchi was born in Tokyo in October of 1939. He studied music at the Tokyo Art College High School and, upon graduating, immediately formed his own trio. Soon after, he won a spot in Hampton's Japanese touring band
Kresten Osgood Quintet: Kresten Osgood Quintet Plays Jazz
by Dan McClenaghan
One way of getting a handle on a jazz artist's style is a perusal of their “played with," “recorded with" resume. Danish drummer Kresten Osgood has collaborated in the recording studio with the likes of pianists Paul Bley and Masabumi Kikuchi, bassist Mark Dresser and saxophonist Sam Rivers--free-flying iconoclasts all. The drummer/bandleader lives up to that ...
The Gil Evans Orchestra: Hidden Treasures - Monday Night Sessions, vol 1
by Jack Bowers
Even though the name Gil Evans has a hallowed ring these days, the late composer / arranger's music remains for many aficionados an acquired taste. On the other hand, while that is the Gil Evans Orchestra performing on Hidden Treasures, Volume 1, the lion's share of the music brought to light isn't his--Evans wrote only two ...
Gil Evans Orchestra: Hidden Treasures - Monday Night Sessions, vol 1
by Angelo Leonardi
A tre decenni dalla morte del suo leader, esce il 7 dicembre il nuovo disco della Gil Evans Orchestra finalmente registrato in studio. Com'è noto, sia gli ultimi album della band con l'arrangiatore ancora in vita, sia il postumo Tribute To Gil (Soul Note 1989), con la formazione orfana, erano registrazioni live, spesso acusticamente carenti. Per ...
Yoko Miura, Gianni Mimmo: Departure
by Neri Pollastri
Ennesimo lavoro di grande spessore da parte di Gianni Mimmo, stavolta in duo con la pianista giapponese Yoko Miura. La musica è come suo solito improvvisata, anche se qua e là fanno capolino temi presi a spunto della creatività istantanea, le atmosfere, pur nella cifra tipica della ricerca e oscillante tra rarefazione e intensa concitazione, piuttosto ...
Jeong Lim Yang: Déjà Vu
by Troy Dostert
On her excellent debut record, Déjà Vu, bassist Jeong Lim Yang proves that there's more than one way to make a first impression on a listener. Rather than taking the obvious route with up-tempo workouts or deviously complex compositions, Yang is content to carve out plenty of open space for her music to breathe. Her graceful ...
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