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6

Article: Album Review

Fabric Trio: Murmurs

Read "Murmurs" reviewed by John Sharpe


While it would be an exaggeration to suggest that there was a house style for the adventurous Lithuanian No Business imprint, the European saxophone trio nonetheless forms a significant strand in its output. Recent winning entries in the format have included sets from the Anglo Polish Riverloam Trio, Thomas Borgmann's excellent US-German unit, and Evan Parker's ...

6

Article: Album Review

Musson - Noble - Sanders: Tatterdemalion

Read "Tatterdemalion" reviewed by Glenn Astarita


Tatterdemalion: the album title refers to someone who wears tattered clothing, a simile that may parallel the unadorned and rather raucous proceedings enacted by this trio's thoroughly “free" approach to jazz improvisation. You won't find pieces that intimate a sea of tranquility. It's more about an in-your-face type workout featuring saxophonist Rachel Musson's hardcore expressionism. However, ...

3

Article: Multiple Reviews

Fataka blossoms!

Read "Fataka blossoms!" reviewed by John Eyles


Although the Fataka label only issued its first two CDs in autumn 2012, it has already established such a high standard that any new release carries strong expectations. Its first four releases featured renowned British and American improvisers playing European free improv of the highest quality. All four came clad in nondescript dun-coloured sleeves inside which ...

4

Article: Multiple Reviews

Babel Label: More Songs from the Tower of Sound

Read "Babel Label: More Songs from the Tower of Sound" reviewed by Jakob Baekgaard


In a time of financial crisis in the world in general and in the music business in particular, the natural thing to do would be to cut down the number of releases and concentrate on safe and palatable productions that cater to a major audience with a predefined taste. However, Oliver Weindling's Babel Label has always ...

6

Article: Interview

Lauren Kinsella: In Between Every Line

Read "Lauren Kinsella: In Between Every Line" reviewed by Ian Patterson


It may be that the voice is the most difficult instrument to improvise with, judging by the relatively small number of improvising vocalists out there. Jazz singers who scat are common enough, but only the best are able to breathe life into a style that has become rather formulaic over the past century. Lauren Kinsella (the ...

Album

Daylight

Label: Emanem
Released: 2012
Track listing: Ropelight; Flicker; Glowstick.

5

Article: Year in Review

John Sharpe’s Best Releases of 2012

Read "John Sharpe’s Best Releases of 2012" reviewed by John Sharpe


Here are ten new releases which stood out this year: Wadada Leo Smith Ten Freedom Summers Cuneiform Without a doubt, Ten Freedom Summers is the crowning achievement of trumpeter Wadada Leo Smith's distinguished career to date. Years in the making, the complete sequence of 19 ...

4

Article: Album Review

John Butcher: Bell Trove Spools

Read "Bell Trove Spools" reviewed by John Eyles


In saxophonist John Butcher's extensive discography, there are examples of many contexts, from solo through duos--including the recently released Daylight (Emanem, 2012), with drummer Mark Sanders, and At Oto (Fataka, 2012), with pianist Matthew Shipp--and trios, up to larger ensembles including Butcher's own seven-piece group, which recorded Somethingtobesaid (Weight of Wax, 2008). Taken together, they paint ...

3

Article: Live Review

Mikolaj Trzaska / Paul Dunmall: London, England, October 15, 2012

Read "Mikolaj Trzaska / Paul Dunmall: London, England, October 15, 2012" reviewed by John Sharpe


Mikolaj Trzaska / Paul DunmallCafe OtoLondonOctober 15, 2012Three for the price of one? How could you resist. London boasts a sizeable Polish population, and it seemed like a large part of them had braved the cool Monday evening to visit Cafe Oto for a visit by Gdansk-born reedman Mikolaj Trzaska. But ...

5

Article: Album Review

Mikolaj Trzaska / Olie Brice / Mark Sanders: Riverloam Trio

Read "Riverloam Trio" reviewed by John Sharpe


Mikolaj Trzaska (pronounced “Miko-why Chass-kuh") is not a name which drops off even the most assiduous jazz fan's lips. But on the evidence of this recording, it will become increasingly familiar outside his native Poland. Already the reedman has featured alongside American multi-instrumentalist Joe McPhee on the excellent Magic (Not Two, 2009), with reedman Ken Vandermark's ...


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