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Mitch Woods: A Night in New Orleans
by Jim Trageser
One of the most charmingly energetic pianists working on the blues side of the aisle, Mitch Woods' playing seamlessly takes in everything from boogie woogie to jump blues to New Orleans R&B, with broad streaks of jazz stride thrown in. On his latest release, Woods eschews his usual backing band, The Rocket 88s, for ...
Rick Vito And Corey Harris, Alvin Youngblood Hart & Guy Davis: Blues Brothers Indeed
by Doug Collette
Not all blues musicians play blues material exclusively. In fact, some of the most notable practitioners in the genre enhance their reputations by traveling far afield for eclectic selections that freshen their fundamental point(s) of reference. Rick Vito's Slidemaster is just such an effort, while by contrast, the triumvirate of Corey Harris, Alvin Youngblood Hart and ...
Mud Morganfield, Duwayne Burnside and Candice Ivory: Blues Triad
by Doug Collette
Posers abound around the contemporary blues universe, but none of these three is among them. On the contrary, Mud Morganfield, Duwayne Burnside and Candice Ivory all transcend cliche in their work, doing the tradition proud in his/her own distinct fashion. As a direct descendant of a blues icon Muddy Waters, Morganfield carries the heaviest load, but ...
Canned Heat and The Fabulous Thunderbirds: All Blues
by Doug Collette
Legitimate practitioners of the blues realize full well their vocation is a life-long enterprise, neither a passing fad to be followed nor a mere whim to be pursued. It is thus simple to recognize the authentic figures in the field in contrast to the posers: the histories of the former encompass decades, not just years or ...
Rory Block: Positively 4th Street - A Tribute To Bob Dylan
by Doug Collette
Artists sufficiently motivated to offer homage to Bob Dylan can still end up sounding more foolish than brave. With Positively 4th Street--A Tribute To Bob Dylan, veteran contemporary folksinger Rory Block places herself in the latter category and with no little panache too. Apart from guitarist Cindy Cashdollar's baritone guitar solo etching “Not Dark ...
Taj Mahal: The Blues Is Eternal
by Doug Collette
Over the course of his fifty-plus years of active musicology, Taj Mahal has explored all manner of roots music, but he always returns to his main influences in the blues. His delving into reggae and Caribbean styles has not only illuminated the links connecting the genres, but also increasingly honed a feel for sharp musicianship that ...
Popa Chubby: Live at G. Bluey's Juke Joint NYC
by Doug Collette
When we last heard from Popa Chubby, he was on his own, producing, recording and mixing at Chubbyland, his upstate New York music compound, making the most of his time in the lock-downs of the COVID pandemic on Emotional Gangster (Dixie Frog Records, 2022). Now the man born Ted Horowitz is in his preferred element, back ...
Savoy Brown: Blues All Around
by Doug Collette
In keeping with this Savoy Brown album title, Blues All Around, Juan Junco's front cover photo looks like one of those rare painting that captures the essence of its subject. It is a ghostly apparition of an image, with the late guitarist/vocalist/songwriter Kim Simmonds shown wringing notes from a Gibson Flying-V, immersed in the emotion(s) of ...
Autumn 2022
by Doug Collette
Blues Deluxe is a regular column comprised of pithy takes on recent blues and roots-music releases of note, spotlighting titles in those genres that might otherwise go unnoticed under the cultural radar. Grant Dermody Behind The Sun Self Produced 2022 This roughly fifty-minute excursion into the blues, Grant ...
Sass Jordan & Dana Fuchs: Two Chanteuses' Blues
by Doug Collette
When performed with style, grace and depth of feeling, singing the blues is a wonder to behold. But when such virtues are replaced by histrionics, affectation and musical self-indulgence, the performers and the performances fall flat. In building their respective careers of no little renown, Sass Jordan and Dana Fuchs have both proven they can deliver ...
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