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Kenny Wheeler / Norma Winstone / London Vocal Project: Mirrors
by Ian Patterson
That trumpeter/flugelhornist/composer Kenny Wheeler is challenging himself at 80 is surely inspirational. Mirrors represents his first recording where poems provide the music's source, though he composed the music over 20 years ago. The project was then commissioned for five solo voices in 1998, but the combination of Wheeler, singer Norma Winstone and the London Vocal Project, ...
Gareth Lockrane: Doing That Grooveyard Thing
by Duncan Heining
Few musicians have developed successful careers in jazz playing just flute. You might think of Herbie Mann, Hubert Laws and Bobbi Humphrey, but only Jeremy Steig, Paul Horn and James Newton spring immediately to mind as artists who have achieved credibility with both fans and critics in their work. We can now add 36 year-old British ...
Pete Oxley and Nicolas Meier: Travels To The West
by Bruce Lindsay
Guitar duos may not be quite as rare as hen's teeth in the world of jazz, but they're far from common. Yes, there are classic pairings such as Bucky Pizzarelli and George Barnes, or John Abercrombie and Ralph Towner; but given the instrument's ubiquity it's perhaps surprising that there aren't more such partnerships around. On Travels ...
Colin Towns: Rule Book? What Rule Book?
by Ian Patterson
Since the 1970s, internationally renowned English composer/arranger/pianist/keyboard player Colin Towns has enjoyed an extremely varied musical existence. In that time, he has composed and arranged music in just about every setting imaginable, from heavy rock groups to jazz ensembles both small and large, and from theater to film and ballet. Little wonder, then, that his first ...
Loose Tubes: Sad Afrika
by John Kelman
Loose TubesSäd AfrikaLost Marble2012With virtually none of its discography available on CD--and the only one, Open Letter (EG, 1988), shamefully out-of-print--it's no mean accomplishment that Britain's Loose Tubes has remained, if not exactly legendary, then at least firmly etched into the minds of those aware of them. Of ...
Nikki Iles: Meditation and Collaboration
by Bruce Lindsay
Pianist and composer Nikki Iles describes herself as one of the “not- so-young-anymore generation" of British jazz musicians--a fair comment, in chronological terms, from a musician born in the mid-'60s. But more importantly, she's a musician of experience, expertise and talent, viewed with great respect by players across the world. Iles' self-description does seem to be ...
Blue Touch Paper: Stand Well Back
by John Kelman
Blue Paper Touch Stand Well Back Provocateur Records 2011 Based on his recent work, creating impressive big band tribute projects including Visions of Miles--The Electric Period of Miles Davis (In+Out, 2009) and John Lennon--In My Own Write (Provocateur, 2011), it might be understandable to think of Colin Towns as an ...
It's Our Generations
by Bruce Lindsay
It's been a strange summer here in the UK. To be fair, that description can be applied with no trace of irony to almost any British summer--and the summer of 2011 seems to have been a strange one for much of the world. But this is a JazzLife UK article, and parochial concerns are paramount, thus ...
Jazz no Parque: July 15-17, 2011
by John Kelman
Mário Laginha e Convidados Jazz no Parque Fundação Serralves July 16, 2011 An invite to Porto, Portugal in the middle of the summer, to catch a single performance--a world premiere, at that--and spend some time soaking up the landscape and culture? Hard enough to resist under any circumstances, but when the ...
Billy Jenkins: Jazz Gives Me The Blues
by Chris May
Billy JenkinsJazz Gives Me The BluesVOTP Records2011 If the title Jazz Gives Me The Blues suggests that London guitarist/vocalist Billy Jenkins is hacked off with jazz, you would be right. Kind of. What Jenkins objects to is the gentrification and institutionalization of jazz, once--a quantum leap from ...
