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Article: Live Review

Live From Birmingham: Orquesta Buena Vista Social Club, Mark Holub, George Clinton & Polar Bear

Read "Live From Birmingham: Orquesta Buena Vista Social Club, Mark Holub, George Clinton & Polar Bear" reviewed by Martin Longley


Orquesta Buena Vista Social Club Symphony Hall April 13, 2015 Rarely does a gig prompt such an ambivalent response as this 'adiós' show by the very veteran Buena Vista posse. Musical vibrations were typically very positive within their extensive set-list of Cuban songs, covering all moods, from up-tempo near-salsa ...

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Article: Live Review

Enjoy Jazz Festival 2014

Read "Enjoy Jazz Festival 2014" reviewed by Adriana Carcu


Enjoy Jazz Festival Heidelberg, Mannheim, Ludwigshafen, Germany October 2 -November 15, 2014 Here are the festival numbers: 80 shows in almost seven weeks on 25 stages, performed by 250 musicians from 35 countries. Beyond the numbers there are many names: quite a few well known, a fair amount of established artists ...

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Article: Album Review

Jeremy Lyons: Vestige

Read "Vestige" reviewed by Ian Patterson


It's been a good year for Jeremy Lyons. In March, the Belfast tenor saxophonist's dectet opened the Brilliant Corners 2014 jazz festival with a resounding set before an enthusiastic home audience. Here, stripped back to the more intimate surroundings of a quartet, Lyons' debut as leader brings together seasoned pros from the UK jazz scene on ...

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Article: Live Review

Live From Old York: Mark Lockheart, King Courgette, La Mer Trio & YO1 Festival

Read "Live From Old York: Mark Lockheart, King Courgette, La Mer Trio & YO1 Festival" reviewed by Martin Longley


Mark Lockheart's Ellington In Anticipation The National Centre For Early Music April 25, 2014 The music of Duke Ellington might represent an oft-traversed path across the jazz firmament, but the English saxophonist and composer Mark Lockheart can justify such persistent attentions. During the last decade, this tenor man has ...

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Article: Album Review

Polar Bear: In Each And Every One

Read "In Each And Every One" reviewed by Bruce Lindsay


Polar Bear is back. Not just with a bang, but with a whole array of other sounds, including the occasional whimper. In Each And Every One brings together 11 tunes from the pen of drummer Sebastian Rochford--from the gently bucolic to the downright macabre. There's also an early front runner for the Best Song Title Of ...

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Article: Album Review

Slowly Rolling Camera: Slowly Rolling Camera

Read "Slowly Rolling Camera" reviewed by Bruce Lindsay


A band name--and album title--like Slowly Rolling Camera gives little if anything away about the nature of the music to be experienced on this, the debut album from the UK-based quartet. Good--for surprises can be fun. Once the music becomes familiar--the beautiful, imaginative and ambitious compositions become firmly fixed in the mind--the surprise is revealed to ...

Album

Ellington in Anticipation

Label: Subtone Records (uk)
Released: 2013
Track listing: It Don't Mean a Think (If It Ain't Got That Swing); My Caravan; Come Sunday; Jungle Lady; Take the A Train; Azure; Uptown; Creole Call Love; Beautiful Man; Mood Indigo; Indian Summer.

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Article: Interview

Kenny Wheeler: The Making of "Mirrors"

Read "Kenny Wheeler: The Making of "Mirrors"" reviewed by Ian Patterson


It often comes as a surprise to people when they discover that trumpeter/flugelhornist/composer Kenny Wheeler is not British. Well, not British born, for although born in Toronto, Canada, in 1930, Wheeler has spent the last 60 years living in England, which surely makes him as English as Ploughman's Lunch or a pint of bitter. The recording ...

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Article: Album Review

Mark Lockheart: Ellington in Anticipation

Read "Ellington  in Anticipation" reviewed by John Kelman


Ellington in Anticipation isn't Mark Lockheart's first album to employ an expanded lineup; the Polar Bear/Blue Touch Paper saxophonist collaborated with Germany's WDR Big Band on 2010's Days Like These (Fuzzy Moon) and first cut his teeth in Loose Tubes, the now-legendary large UK collective of then-up-and-comers that included pianist Django Bates, saxophonist Iain Ballamy and ...

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Article: Opinion

Death, Rebirth & New Revolution

Read "Death, Rebirth & New Revolution" reviewed by Ian Patterson


The death knell has often been sounded for jazz and many would argue that the last revolution in jazz took place as the '60s handed the baton to the '70s, with the electronic-influenced jazz typified by trumpeter Miles Davis' ground breaking albums In a Silent Way (Columbia, 1969) and Bitches Brew (Columbia, 1970). Many believe that ...


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