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JC Hopkins Biggish Band: Underneath a Brooklyn Moon
by Mark F. Turner
Whether you call the locale uptown or downtown, pianist JC Hopkins and his biggish band play it in fine New York City style on their debut, evoking the sounds of both smoky lounges and larger halls of yesteryear. The California-born Hopkins moved to New York and began this heartfelt project, which combines a larger jazz ensemble ...
Greg Osby: Channel Three
by Mark F. Turner
Progressive jazz enthusiasts have to admire an artist who is willing to take chances. From early beginnings with the creative music outlet of the M-BASE collective and popular music which included early hip hop, to becoming one of today's most individualistic jazz artists, saxophonist Greg Osby has continued to create music that is grounded yet is ...
Adam Rogers: Apparitions
by Mark F. Turner
Kurt Rosenwinkel, Ben Monder, and Liberty Ellman are just a few of the notable modern day guitarists who are making own their marks in technique and ability. Adam Rogers also falls into this category, but the question remains for any artist: how does one distinguish his own identity? Rogers' new release may not sound altogether different ...
Erik Truffaz: Saloua
by Mark F. Turner
A disciple of Miles Davis' fusion/electric years, trumpeter Erik Truffaz has provided his own sounds of fusion for many years and quite impressively by cultivating many influences into this not so new wave of jazz that younger artists are now discovering. His new release, Saloua, finds him back with a signature style that uses everything from ...
Live Recordings 2005
by Mark F. Turner
The ambience and energy of live jazz is best experienced in person, but if you can't make the event to see your artist of interest, then these new recordings may be the next best thing. From varied settings, locals, and ensembles they give an audible glimpse of what live jazz has to offer. Terry Gibbs
Myron Walden: This Way
by Mark F. Turner
There have been many notable jazz saxophone pairings recalling the great collaboration of John Coltrane and Cannonball Adderley on Kind of Blue (Legacy, 1959), including several very recent recordings with younger players like John O'Gallagher's Axiom, where the altoist is matched with tenor Tony Malaby. The duality and contrast of reed tones propelled by the unique ...
Mark Weinstein: Algo Mas
by Mark F. Turner
This unique recording has an uplifting spirit that blends traditonal Afro-Cuban clave rhythms and vocals with elements of jazz, rock, contemporary dance, and world music. Not to sound overly descriptive, but this music is thick with Old and New World persona; to those familiar with New York-based flautist Mark Weinstein, this should come as no surprise. ...
Bill Charlap: Plays George Gershwin: The American Soul
by Mark F. Turner
Pianist Bill Charlap continues to mine precious gems from the American songbook on this release dedicated to the music of lauded songwriter and composer George Gershwin. A lyrical pianist in his own right with a clear penchant for classic swing in a modern context, Charlap has an affinity with songs from yesterday (both of his parents ...
Terence Blanchard: Flow
by Mark F. Turner
Flow may be Terence Blanchard's most adventurous recording to date, and that's saying a lot for the prolific trumpeter, composer, and bandleader whose career has covered membership with Art Blakey's Jazz Messengers, producing top jazz recordings, and scoring music for many films. Though he's been highly successful, the inner fire of discovery still burns brightly on ...
Drew Gress: 7 Black Butterflies
by Mark F. Turner
Music that reveals beauty even in the Rhinoceros... To say that Drew Gress may be one of today's premier bassists/composers is a bold statement, but one with considerable merit. The veteran player has profoundly enhanced numerous recordings by names like Uri Crane, Don Byron, and Ravi Coltrane with his distinct sound, dynamic playing, ...





