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Merzbow/Mats Gustafsson/Balázs Pándi/Thurston Moore: Cuts of Guilt, Cuts Deeper
by Mark Corroto
The Cuts Quartet is a sort of assembled supergroup. But we are not talking Traveling Wilburys or Audioslave here. Groups where the sum is certainly less than the parts. No, the amalgam of Japanese noise artist Merzbow (aka Masami Akita), Swedish saxophonist Mats Gustafsson (Fire! Orchestra, The Thing), American guitarist Thurston Moore (Sonic Youth), and Hungarian ...
Chris Lightcap's Bigmouth: Epicenter
by Mark Corroto
Chris Lightcap is a bassist's bassist. As a sideman to leaders such as Regina Carter, Matt Wilson, Joe Morris, Marc Ribot, and Craig Taborn, his rock-solid timekeeping can be quite inconspicuous. He is a sort of steadfast superglue that leaders and composers hold in high regard. As a leader and composer, there is another ...
Detroit Bop Quintet: Two Birds
by Mark Corroto
On December 21st 1947 Charlie Parker, Miles Davis, Duke Jordan, Tommy Potter, and Max Roach recorded four Parker compositions for Savoy at United Sound Systems recording studio in Detroit, Michigan. Parker's Quintet was in town for two weeks, performing and backing Sarah Vaughan at the El Sino Club. It appears that Parker hustled to lay down ...
Jeff Cosgrove/Frank Kimbrough/Martin Wind: Conversations With Owls
by Mark Corroto
The opening track to drummer Jeff Cosgrove's third release under his own name is The Owl, listening to his composition brings to mind poet Carl Sandburg's words, “The fog comes/on little cat feet/It sits looking/over harbor and city/on silent haunches/and then moves on." The composition is not what you might expect from a drummer led recording. ...
Matthew Shipp: To Duke
by Mark Corroto
Unlocking the language of an avant-garde musician like Matthew Shipp can be a tough task for those new to creative music, and also for those new to the pianist's approach. He has developed a method of music making that draws from classical music, free jazz, and the energies of electronic music. With a discography pushing into ...
John O'Gallagher: The Honeycomb
by Mark Corroto
What if jazz was rock-and-roll? Not the corporate-halftime show-American Idol rock, but the dangerous music your parents (maybe grandparents) were afraid of. Remember, there was a time when jazz was threatening. Charlie Parker and Dizzy Gillespie startled listeners with their revolutionary 'bebop,' before Ornette Coleman and Albert Ayler caused fist fights and mini-riots. Jazz has since ...
Ben Wolfe: The Whisperer
by Mark Corroto
You can always gauge a bassist-led recording by the players he attracts on the bandstand or in the studio. Proof of this premise is Ben Wolfe's latest, The Whisperer. Just like Charles Mingus had his Jaki Byard, Booker Ervin, and Dannie Richmond, and Dave Holland his Craig Taborn, Kevin Eubanks, and Eric Harland, Wolfe is also ...
Jonas Kullhammar: Gentlemen
by Mark Corroto
Swedish saxophonist Jonas Kullhammar continues to capture the late-fifties and early-sixties Blue Note sound. That magic golden age of jazz, when legends roamed roamed the earth, and recorded their music at Rudy Van Gelder's studio. His music conjures names like Joe Henderson, Sonny Rollins, and John Coltrane. The twelve compositions recorded here are the ...
Juan Pablo Carletti/Tony Malaby/Christopher Hoffman: Niño/Brujo
by Mark Corroto
A funny thing happened on the way to a free jazz trio session. What's funny is that leader Juan Pablo Carletti brought seven unique compositions for his trio to perform. The Argentinian-born, New York-based drummer recruited tenor saxophonist Tony Malaby and cellist Christopher Hoffman for this recording. An inconspicuous drummer-led session. Carletti's last decade ...
Joachim Badenhorst: Forest // Mori
by Mark Corroto
Clarinetist Joachim Badenhorst probably doesn't know who Ray Johnson is, or was. He died 20 years ago. Johnson, the father of Mail Art, created a network of artists and patrons beginning in the1960s through his correspondences. He called them 'correspondances.' His mailings created a worldwide democratic system for art. Mail Art peaked pre-internet, in ...
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