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Noah Preminger: Dark Was The Night, Cold Was The Ground
by Mark Corroto
Saxophonist Noah Preminger got this backwards. His latest release, Dark Was The Night, Cold Was The Ground should have preceded the 2015 recording Pivot: Live At The 55 Bar. Same quartet of trumpeter Jason Palmer, bassist Kim Cass, and drummer Ian Froman. Same theme, the Delta Blues. The reverse order observation is a historical one. Where ...
Yves Theiler Trio: Dance In A Triangle
by Mark Corroto
Although a piano trio has a leader, the better ones behave as an equilateral triangle. That is, they “go Dutch." In the case of the Yves Theiler Trio, we could say the music on Dance In A Triangle “goes Swiss." The pianist, Yves Theiler, composed all the music here, but it is improbable that ...
New Zion w/ Cyro Baptista: Sunshine Seas
by Mark Corroto
The third release by Jamie Saft's New Zion Trio expands the concepts he launched with his previous efforts, Fight Against Babylon (Veal Records, 2011), and Chaliwa (Veal Records, 2013). His reggae/dub-meets-piano trio explorations expand with the inclusion of Brazilian percussionist Cyro Baptista. This rhythm trance music casts a much larger net, one of universal spirituality, beyond physical matter ...
Something old, something new, something reissued, something Brötzmann blew.
by Mark Corroto
Can the entire history of a musical genre be encoded in one man's DNA? If that is possible, then reading the DeoxyriboNucleic Acid molecules in saxophonist Peter Brötzmann's body would yield all the information a musical scientist studying the development of free jazz would require. Since the 1960s, he has been in the center of the ...
Twenty One 4Tet: Live At Zaal 100
by Mark Corroto
I'm assuming that the Twenty One 4Tet recording Live At Zaal was conceived as a one-off deal, with Portuguese trumpeter Luís Vicente visiting Amsterdam-based players John Dikeman, Wilbert De Joode and Onno Govaert. This concert, from September 2015, finds Vicente combining his impressive craftsmanship with three like-minded players. Then again, it might be just ...
Keir Neuringer/Rafal Mazur: Diachronic Paths
by Mark Corroto
The aptly named release Diachronic Paths by the free improvising duo of Keir Neuringer and Rafal Mazur continues the transformation discourses of their evolving musical language. One that is based on their dialogue of discovery. Keir Neuringer, a Philadelphia-based saxophonist lived in Kraków and The Hague for a time and established a strong relationship ...
Jemeel Moondoc/Hilliard Greene: Cosmic Nickelodeon
by Mark Corroto
Saxophonist Jemeel Moondoc and bassist Hilliard Greene have quite a bit to talk about in their encounter Cosmic Nickelodeon. Their shared forays into free jazz, Moondoc first with Cecil Taylor, then as a leader collaborating with William Parker and Roy Campbell, and Greene with Charles Gayle give context to this session. Moreover, the pair come together ...
Roy Nathanson: Nearness And You, Duets and Improvisations
by Mark Corroto
On saxophonist Roy Nathanson's 2009 disc Subway Moon (Yellowbird), he covers the R&B song “Love Train" a huge hit for The O'Jays in 1973. Nathanson's version was a relaxed take on the age old wish for world peace. By decelerating the music he accelerated the intimacy. He utilizes the same device on Nearness Of You, an ...
Andy Jaffe Nonet +4: Arc
by Mark Corroto
It is difficult to get past the opening, and title track, to Andy Jaffe's Nonet recording Arc. The reason being, it is a flawless piece of music as it is written, arranged and performed. There is just something about this little waltz that is cinematic, in both the sense that it feels like the soundtrack to ...
Per Gärdin/Rodrigo Pinheiro/Marco Franco/Travassos: Oblique Mirrors
by Mark Corroto
Listening to the free improvisation recording, Oblique Mirrors brings to mind a most memorable line from the film The Usual Suspects, where Kevin Spacey as Roger “Verbal" Kint says, “The greatest trick the Devil ever pulled was convincing the world he didn't exist. And like that, poof. He's gone." Maybe its the evanescent nature ...
