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Mark Lomax II's 400: An Afrikan Epic at Lincoln Theatre
by Mark Corroto
Mark Lomax II Lincoln Theatre 400: An Afrikan Epic Premier Columbus, OH January 26, 2019 Dr. Mark Lomax II had a problem. He was to premier his creation 400: An Afrikan Epic to a sold out audience at the historic Lincoln Theatre in Columbus, Ohio, but to do so, he ...
James Brandon Lewis: An Unruly Manifesto
by Mark Corroto
The revolution will not be televised. Those words by Gil Scott-Heron from 1970 are more relevant to today's jazz revolution than any time since the mid-1990s, when conservatively-dressed youngsters mimicked the post-bop of the 1960s and were promoted as liberators. More recently, the touted saviors rehash a quasi-spiritual fusion that stands in for à la mode ...
Joe McPhee/John Butcher: At The Hill Of James Magee
by Mark Corroto
The music of saxophonists Joe McPhee and John Butcher has habitually been centered on place. By that I mean environment, the situation and setting for sound creation. We can go all the way back to McPhee's Tenor (Hat Hut, 1977), his ghostly recording laid down in a farmhouse in Adlemsried, Switzerland, or, more recently, the astonishing ...
Kresten Osgood Quintet: Kresten Osgood Quintet Plays Jazz
by Mark Corroto
Danish drummer Kresten Osgood achieves the musical equivalent of pay-it-forward with Kresten Osgood Quintet Plays Jazz. His ensemble of up-and-coming Copenhagen musicians delivers convincing renditions of some archetypal compositions, plus three originals by the leader. The choice of music on these two discs exposes the quintet to many types of possible criticism. Listeners familiar ...
Most Read Album Reviews: 2018
by Michael Ricci
All About Jazz tracks how often an album review is read, and the reviews listed below represent our most popular in 2018. After The Fall Keith Jarrett / Gary Peacock / Jack DeJohnette by Karl Ackermann Published: February 13, 2018 Music IS ...
Ingrid Laubrock: Two Works For Orchestra With Soloists
by Mark Corroto
Large ensemble recordings are just not attempted these days. That is unless one is blessed with Lincoln Center's budget or you happen to be Anthony Braxton or maybe Maria Schneider. Further, to assemble a large cast of 47 musicians plus two conductors for a recording that features written classical music, free improvisation conduction, and superstar soloists ...
Marion Brown/Dave Burrell: Live at the Black Musicians' Conference, 1981
by Mark Corroto
One of the benefits of our digital music world is the ability to drive deeply into the jazz narrative. By that I mean, preserving the story of important musicians, the ones whose story was omitted from the Ken Burns' CliffsNotes history of jazz. Without a few labels and several producers, musicians like Bobby Naughton, Clifford Thornton, ...
The Way Ahead: Bells, Ghosts and other Saints
by Mark Corroto
Perry Farrell, of the rock band Jane's Addiction, might have said/sung it best in 1988, on the track Ted, Just Admit it..." when he whispered Nothing's Shocking." Indeed, nothing is in the 21st century. Marcel Duchamp's painting Nude Descending a Staircase, No. 2" (1912) is mostly admired today, and certainly not the trigger for a riot. ...
Josh Sinton's Predicate Trio: Making Bones, Taking Draughts, Bearing Unstable Millstones Pridefully, Idiotically, Prosaically
by Mark Corroto
Considerate isn't an adjective you generally apply to creative new jazz recordings these days. Vanguard musicians are accustomed to employing the shock and awe required to get attention and satisfy their constituents. Maybe that is why Making Bones, Taking Draughts, Bearing Unstable Millstones Pridefully, Idiotically, Prosaically is such a breath of fresh air. Josh Sinton's Predicate ...
Mark Corroto's Top Ten (Ok Fifteen) of 2018
by Mark Corroto
Another trip around the sun. In the AllAboutJazz universe, the stars were especially bright this year. Which is a good thing, unless you are like me, trying to pare down a huge list of favorites to just ten. At that task, I've failed once again. So here are my 15 favorite recordings of 2018 in no ...


