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Peter Brötzmann: I Surrender Dear
by Mark Corroto
You can forgive yourself if you get the feeling that you're a bit of a voyeur while listening to I Surrender Dear, the solo recording by saxophonist Peter Brötzmann. This sense of eavesdropping is due to the intimate sounds and the great man's choice of music. This intimacy is not something you generally associate with Brötzmann's ...
Flin van Hemmen: Casting Spells & The Coves
by Mark Corroto
If you live in the US you might have seen a television commercial for a mortgage company that utilizes Bob Dylan's composition “The Man In Me." Did the advertising firm choose this song because music gives us a sense of a shared experience? Certainly. Was the experience from the original Dylan recording New Morning (Columbia, 1977), ...
David S. Ware Quartet: Théâtre Garonne, 2008
by Mark Corroto
In 2008, when this live concert was recorded, saxophonist David S. Ware was ill, but concert goers would have no idea of this fact. He has been suffering, since 1999 from kidney failure and eventually had a kidney transplant in 2009. Ware and the latest configuration of his quartet traveled to Toulouse, France, just a few ...
Various Artists: New Improvised Music from Buenos Aires
by Mark Corroto
The answer to the musical question: where does improvised music thrive? Everywhere. Have you heard Lebanese trumpeter Mazen Kerbaj's recordings on Al Maslakh Records or free jazz from the Istanbul based unit Konstrukt? All that is required for improvised music to thrive are seeds planted by visiting musicians, or access to a radio. Actually, it is ...
Avram Fefer Quartet: Testament
by Mark Corroto
After a blindfold listening test, maybe the greatest compliment you can give Testament is to guess the leader's name to be drummer Chad Taylor, or maybe bassist Eric Revis, guitarist Marc Ribot or saxophonist Avram Fefer himself. This misapprehension is attributed to the equal footing each of the four musicians is given on the recording. Partly ...
Made To Break: F4 Fake
by Mark Corroto
If you count their three download-only releases from 2016, F4 Fake by Ken Vandermark's Made To Break is the band's ninth release since forming in 2011. This is significant because like his quintet Vandermark 5, which existed from 1996 until 2010, this quartet and his ensemble Marker are the main drivers for the trailblazing composer. Not ...
Zlatko Kaućić Quintet: Morning Patches
by Mark Corroto
Is there another dimension beyond the 3rd? Past length, breadth, and depth? And if so, can we perceive this fourth dimension? We're talking about sound and where a decent set of speakers creates an imagined material sound space. When you tap into a recording like Morning Patches from the Slovenian percussionist Zlatko Kaučič's Quintet, there appears ...
Albert Ayler: Quartets 1964: Spirits To Ghosts Revisited
by Mark Corroto
When did you first encounter saxophonist Albert Ayler's music? Not 'hear' because hearing was just part of the experience. Call it the shock of the new or just the discovery of a totally original sound, Ayler's music was a revelation. That first encounter will probably always be one of those “where were you when you first ...
Joao Lencastre: Parallel Realities
by Mark Corroto
Portuguese drummer João Lencastre titled his release Parallel Realities because upon initial listening you might get a notion this music is tether-less free improvisation. But upon further spins, an order appears from the farrago. How that order is generated is, well, the magician's art of pulling a rabbit from his hat. Parallel Realities follows ...
Petros Klampanis: Irrationalities
by Mark Corroto
You'd expect a strong pulse on Irrationalities by bassist Petros Klampanis. What comes as a beautiful surprise is the diversified approach he utilizes in his compositions and performance. Not that we don't hear a variety of approaches on he previous outings. Both Chroma (Minos-EMI, 2017) and Minor Dispute (Inner Circle Music, 2015) concentrated on a chamber sound ...
