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Jonas Hellborg: Good People, In Times Of Evil
by Mark Corroto
Is Jonas Hellborg the Swedish Bill Laswell? Maybe. The bassist has a grounded, driving funk/world/jazz attack like Laswell and his music mixes Eastern and Middle Eastern influences for color. But unlike Laswell, Hellborg’s music rarely overshadows the flavors he introduces. His reserved, yet slamming signature is once again displayed on this trip to a very urban ...
Lawrence 'Butch' Morris: Holy Sea
by Mark Corroto
When I consider Lawrence D. 'Butch' Morris' Conductions I always think about Ornette Coleman's 1960 recording Free Jazz and its double-gated LP cover reproducing a Jackson Pollock painting. Ornette seemed to be tossing sounds in the recording studio like (it was thought) Pollock splashed paints in his artist studio. What we come to learn about Jackson ...
Talking Pictures with Jorrit Dijkstra: Humming
by Mark Corroto
The more I listen to non-American creative jazz recordings, the more I learn just how much of the 1990’s version of the ‘New Wave’ was fueled by European improvisers. John Zorn’s freedom and musical games found its roots in England’s Company projects and Amsterdam music scene. Our fascination with all things Klezmer and Balkan are rooted ...
Mel Torme/Marty Paich Dek-'tette: In The Studio And In Concrt
by Mark Corroto
As a fan of today’s free jazz, I must admit an unashamed devotion to several artists considered square (O.K. draw the box with your fingers). Growing up with my parents favorites Dean Martin, Tony Bennett, and Mel Torme their music made an indelible impression somewhere deep in my brain. Long after my parents stopped buying 78s ...
Joe Venuti/Tony Romano: Never Before...Never Again
by Mark Corroto
In today’s world, getting this many Italian-Americans together in one place probably violates some racketeering laws. But back in the early 1950s, come to think of it, was probably a crime too! Violinist Joe Venuti (1903-1978) achieved lasting jazz fame for his duets with guitarist Eddie Lang in the 1920s and 1930s. He worked with Louis ...
Matthew Shipp: New Orbit
by Mark Corroto
I was scribbling notes while driving and listening to Matthew Shipp’s latest. Nothing any neurotic American jazz fan hasn’t done. It was my first go round with his new quartet and just before I changed three lanes, so as not to miss my exit, I scribbled “early-Jarrett and late-Corea meet Miles and Gil Evans in a ...
Lee Konitz: Some New Stuff
by Mark Corroto
Recently, I’ve rediscovered the music of Lee Konitz. Actually never lost, I just kind of never favored his sound. Till now. Maybe he has mellowed, or I’ve aged, but to my ears he has set aside attitude to favor beauty. Konitz, a Lennie Tristano disciple, has for years been undeservedly labeled with a cool-school moniker. His ...
Judi Silvano: Song I Wrote Or Wish I Did
by Mark Corroto
The title ‘jazz vocalist’ conjures some scary images as we begin the twenty-first century. Gone are the giants of song, Holiday, Torme, Fitzgerald, Vaughn, Hartman, and Carter. The current crop, for the most part, are pop singers who manipulate their voice into some strange and contrived ways (and I’m not naming names). What is missing is ...
Tomato Box: Talisman
by Mark Corroto
From nowhere comes the radically creative music of Tomato Box. (Madison Wisconsin, nowhere?) Yes Virginia, Madison Wisconsin is nowhere close to New York geographically (it’s not too long of a drive from Chicago, just pack some coins for the automated toll booths and some Old Style beer). But Wisconsin’s Tomato Box is all over Downtown sonically. ...
Charlie Parker: The Complete Savoy & Dial Studio Recordings 1944-1948
by Mark Corroto
Tracking the genuine Charlie ‘Yardbird’ Parker has proven to be an elusive task. But the journey has been a rewarding experience, never mind the fact I never arrived at my destination. Note to so-called ‘Bird experts,’ I don’t claim to present any valuable insights into Charles Parker, Jr. born August 29, 1920, died March 12, 1955. ...


