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147

Article: Album Review

Arto Lindsay: Invoke

Read "Invoke" reviewed by Mark Corroto


Arto Lindsay’s music has always been deserving of Duke Ellington’s ‘beyond category’ classification. For a guitarist who has never learned to play his guitar, he has been making music since the “no wave” 1970s in the noisy band DNA, the 80s in Lounge Lizards, the Golden Palominos, and Lindsay’s pop band Ambitious Lovers. His music has ...

157

Article: Album Review

Barry Guy: Symmetries

Read "Symmetries" reviewed by Mark Corroto


Bassist Barry Guy has stepped away from his London Jazz Composers Orchestra to perform in small group settings and perform solo. His associations with the old and the new of the avant-garde have him collaborating with among many, Evan Parker and Mats Gustafsson. His solo recordings for bass, date back to 1976 with Statements V-XI For ...

305

Article: Album Review

Peter Br: For Adolphe Sax

Read "For Adolphe Sax" reviewed by Mark Corroto


With all the historical references to the 1967 recording For Adolphe Sax aside, this session burns with a passion for life and indefatigalbe vigor for musicmaking, as fresh as any working unit in jazz today. The systematic rediscovery and rerelease of long out-of-print free jazz by Atavistic's Unheard Music Series reassembles a roadway linking creative musicians ...

147

Article: Album Review

Giardullo/McPhee/Bisio/Tabbal: Shadow & Light

Read "Shadow & Light" reviewed by Mark Corroto


The session Joe Giardullo planned for September 11, 2001 never happened. As the musicians assembled about 100 miles from the horrible destruction in New York, they contemplated scrubbing the recording. Giardullo had planned to model this recording after Dave Holland’s Conference Of Birds (ECM 1972) record with Barry Altschul, Sam Rivers and Anthony Braxton. The day ...

158

Article: Album Review

Ron Miles: Heaven

Read "Heaven" reviewed by Mark Corroto


You would not typically pair a trumpeter and guitarist in a jazz setting. Come to think of it, they aren’t typically paired in any other musical setting. Maybe that’s why these duets by Ron Miles and Bill Frisell are so refreshing. Heaven is trumpeter Ron Miles’ fourth release as a leader and third ...

262

Article: Album Review

Jeff Gauthier: Mask

Read "Mask" reviewed by Mark Corroto


The “Goat" in violinist Jeff Gauthier's Goatette is the nickname he was tagged with as a child. His band Goatette, together since 1991, adds guitarist Nels Cline for this recording. Gauthier has been a regular collaborator with Nels and his drummer brother Alex Cline since the late-1970s in the ensemble Quartet Music, with deceased legendary bassist ...

155

Article: Album Review

Warren Byrd/David Chevan: This Is The Afro-Semitic Experience

Read "This Is The Afro-Semitic Experience" reviewed by Mark Corroto


This Is The Afro-Semitic Experience, well maybe and I then ask where do you file it? Jazz? Jewish music? Or perhaps Gospel/Klezmer/Nigunim/Spiritual/Swing? I prefer under Duke Ellington’s good music/bad music categorization. This project of bassist David Chevan and pianist Warren Byrd brings together the musical traditions of Jewish-Americans and African-Americans to create a ...

335

Article: Album Review

Jane Bunnett/Stanley Cowell/Dewey Redman: Spirituals & Dedications

Read "Spirituals & Dedications" reviewed by Mark Corroto


The spirituals from Spirituals & Dedications are traditional songs from the Christian church. The dedications here are to the immensely spiritual men of our modern musical times. Flutist and soprano saxophonist Jane Bunnett and her husband/producer/trumpeter Larry Cramer assembled two often overlooked and under appreciated musicians, Stanley Cowell and Dewey Redman, to breathe sanctified life into ...

133

Article: Album Review

Various Artists: Freedom In The City 2001 Large Groups/Small Groups

Read "Freedom In The City 2001 Large Groups/Small Groups" reviewed by Mark Corroto


I have to disagree with my Buddhist, musician friend Pilcher. He believes that the proper way to listen to free improvisation recordings is to replicate the spontaneity of the performance by only spinning the disc once! Pilcher understands the experience should be fleeting, with only the memory sense? impression as a reference. He argues, you only ...

85

Article: Album Review

Naked City: Live Vol. 1 Knitting Factory 1989

Read "Live Vol. 1 Knitting Factory 1989" reviewed by Mark Corroto


John Zorn’s Naked City band circa 1989 was truly the spark in the revolution known as Downtown music. The saxophonist and composer was working in multiple worlds of free improvisation, cartoon, film, and hardcore. His combination of the three latter bridged the music of Raymond Scott, Ennio Morricone and Napalm Death. The studio recording Naked City ...


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