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121

Article: Album Review

Baron/Denzler/Guiionnet/Rives: Propagations

Read "Propagations" reviewed by Mark Corroto


Fans and readers of the popular books by neurologist Dr. Oliver Sacks know that the brain reacts to sounds in numerous ways. From his book Musicophilia (Knopf, 2007), we learn of a woman who has seizures from the folk music of her country, and of comatose patients that are reanimated by song. Sacks tells us that ...

328

Article: Album Review

Eri Yamamoto: Duologue

Read "Duologue" reviewed by Mark Corroto


Let's agree that pianist Eri Yamamoto's days of being described as a talent deserving wider recognition are now over. With Duologue, she now takes her rightful place as a headliner and leader. This release for AUM Fidelity is one of two discs coming in 2008. Redwoods, a trio disc, will follow this ...

376

Article: Album Review

Luis Lopes: Humanization 4tet

Read "Humanization 4tet" reviewed by Mark Corroto


Another treasure trove of music is to be found in Clean Feed recording artist Luis Lopes. The guitarist's first recording even surprised label chief Pedro Costa as he artfully explains in the liner notes. Who knew? Like so many of Clean Feed's discs, American listeners discover new sounds and new musicians with nearly every ...

244

Article: Album Review

Jessica Jones Quartet: Word

Read "Word" reviewed by Mark Corroto


Jazz has always had its own poetry. Not just the music, but the language. Recall hearing Cab Calloway or Louis Armstrong give an introduction from the bandstand or the cadence of Lester Young and Slim Gaillard's words. Jazz has always had its own idiom. It is poetry, and it is easy enough to understand that poetry ...

274

Article: Album Review

Jason Adasiewicz: Rolldown

Read "Rolldown" reviewed by Mark Corroto


The sons of the sons of sons of the Chicago sound are expanding an ever mushrooming jazz scene. Please thank whatever god(s) to whom you voice your appreciation for these gifts of new music. Vibraphonist Jason Adasiewicz has been heard in numerous projects including Guillermo Gregorio Trio, Rob Mazurek's Exploding Star Orchestra, and bands ...

199

Article: Album Review

Shot x Shot: Let Nature Square

Read "Let Nature Square" reviewed by Mark Corroto


The band Shot x Shot excels in the art of group improvisation. A term tossed about too often without consideration for the words, 'group' and 'improvisation.' This, their second recording, follows the self titled 2006 live date from St. Mary's church at the University of Pennsylvania. It had a ghostlike sound, a sort of ...

483

Article: Album Review

Poolplayers: Way Below The Surface

Read "Way Below The Surface" reviewed by Mark Corroto


Sublimely titled, there is indeed something Way Below The Surface happening on this fifty-eight minutes of music making. There, just beyond your vision (perhaps in your ears) flows a current of thought, emotion and meaning.Readers might find this description vague as to details, but Poolplayers intentionally conceal the bright lines and themes evident in ...

297

Article: Album Review

JD Allen Trio: I AM I AM

Read "I AM I AM" reviewed by Mark Corroto


Face it, if you play the tenor saxophone you're going to have to deal with the legacy of John Coltrane's sound. You can hear it in the playing of Branford Marsalis, Pharoah Sanders, and even Sonny Rollins. It is believed that Rollins was so influenced by Trane, that his style was forever changed in the 1960s. ...

322

Article: Album Review

Spring Heel Jack: Songs And Themes

Read "Songs And Themes" reviewed by Mark Corroto


At the turn of this new century the duo of John Coxon and Ashley Wales, know as Spring Heel Jack took the words to heart of Jeffrey Lebowski, commonly known as “the dude" when he proclaimed, “this aggression will not stand, man!" The pair turned from their hyper-programmed drum 'n' bass origins to a ground breaking ...

335

Article: Album Review

Barry Guy/Mats Gustafsson/Raymond Strid: Tarfala

Read "Tarfala" reviewed by Mark Corroto


I've read interviews with jazz musicians that have told of their first hearing John Coltrane's LP A Love Supreme (Impulse!,1964) and their seemingly inability to turn over the vinyl and play the second side, fearing that it would not compare to the first side. This listener had a similar experience listening to the first (and title) ...


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