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Rubber Meets the Road
by Michael Ricci
Dear fellow contributor, We made several refinements and additions to the website in October and we are looking for your feedback and assistance moving forward. Please read on...Index 1. Expansion Plans--We Need Your Help 2. Welcome Aboard!3. CD Reviews Wanted4. Books to ...
Greg Ward: Phonic Juggernaut
by Mark Corroto
Greg Ward's trio Phonic Juggernaut can be loud, it also can be fast, but it can never be described as out of control. The twenty-something saxophonist's take on the modern jazz sax/bass/drums lineup adheres to the traditions of jazz, not as a regressive act but as a forward-thinking, innovative sound. This Chicagoan-turned-New Yorker can ...
Trophies: Become Objects of Daily Use
by Mark Corroto
Alessandro Bosetti is repeating. Just as he phrased it on his previous Royals (Monotype, 2010), he is “gloriously repeating." The Italian musician, composer and sound artist continues his loop compositions with the assistance of Japanese fretless guitarist Kenta Nagai and Australian drummer Tony Buck. Bosetti's method--rapidly becoming a signature sound--is to map the ...
Otomo Yoshihide Quartet: Allurements of the Ellipsoid
by Mark Corroto
The minimalist improvisation of Otomo Yoshihide's Quartet, assembled for the 2005 Donaueschinger Music Festival, delivers a thoroughly abstract sound that could never be described as obtuse. This coming together of heavyweight improvisers yielded two discs--one, a studio session and the other, a live performance--recorded over three days. Those familiar with the genius of Yoshihide's ...
Daunik Lazro: Some Other Zongs
by Mark Corroto
To designate saxophonist Daunik Lazro the French Joe McPhee--or, perhaps, the French equivalent to Evan Parker--is to illustrate not only the proficiency he has with his instrument, but his formidable improvisational skills. For his second solo release, Some Other Zongs, he sticks solely to the finicky and often blunt baritone saxophone--an instrument which, in the hands ...
Agusti Fernandez: El Laberint de la Memoria
by Mark Corroto
An improviser's take on 20th century Spanish classical music might seem like odd subject matter for a worldclass free jazz pianist like Agustí Fernández, but El Laberint de la Memòria ("The Labyrinth of Memory") testifies to the artist's imagination and facility. In addition to being a member of several of Evan Parker's ensembles, recent ...
Flaten/ Kornstad/ Christensen: Mitt Hjerte Altid Vanker I: Live At Oslo Jazz Festival
by Mark Corroto
If folk music is music of “the people," then certainly adding the designation of “jazz" is a redundancy. When a jazz trio such as that of bassist Ingebrigt Håker Flaten, saxophonist Håkon Kornstad and drummer Jon Christensen performs traditional Norwegian folk music, it is both reaffirming the oral (or aural) tradition of the music and the ...
Gerry Hemingway Quintet: Riptide
by Mark Corroto
Over the past 25 years, the lineup of drummer/percussionist Gerry Hemingway's quintet might have changed, but his central organizing concepts have remained constant. Like a working dog, specifically a shepherd, he always seems to be organizing chaos and safeguarding melody. Well, that is, when he isn't inciting the tumult.The most recent variation of his ...
Jeff Lederer: Sunwatcher
by Mark Corroto
Sunwatchers is a most auspicious debut by saxophonist Jeff Lederer. The reed man chose to reanimate the spirit of Albert Ayler for this session, and along with Ayler's ghost came that of late-John Coltrane spirituality and experimentation.Lederer can been heard as the saxophone behind the creative bands of Ted Kooshian's cartoon and TV show ...
Pear: extemp’ore
by Mark Corroto
The improvising duo of Pear--keyboardist Nick Pierone and percussionist Rick Milne-- plays a fanciful game of six degrees of separation on extemp'ore. The opening “Dewey Miles" is a piece of cake, with the sampled voice of Miles Davis whispering “play what you hear" to some Betty, or maybe Jean-Pierre in the backseat. Pierone's piano ...
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