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11

Article: Live Review

Molde International Jazz Festival 2013

Read "Molde International Jazz Festival 2013" reviewed by John Kelman


Molde International Jazz Festival Molde, Norway July 15-20, 2013It may have been his last year as festival director, but Jan Ole Otnæs sure went out on a high, not just because his programming was as impeccable as ever, but because he made it a year with a very specific philosophy. ...

9

Article: Live Review

Vossa Jazz 2013

Read "Vossa Jazz 2013" reviewed by John Kelman


Vossa JazzOslo, NorwayMarch 22-24, 2013Every festival hopes to have a signature, that certain something that differentiates it from all the rest and makes it a desired destination, but few have as many things going for it as the annual Vossa Jazz Festival, now in its 40th year. It certainly may seem ...

8

Article: Extended Analysis

Birds

Read "Birds" reviewed by Ian Patterson


Norwegian saxophonist/composer Marius Neset's prowess as a powerful, inventive saxophonist is well noted, yet his trajectory as a composer has been equally fascinating to behold. His debut as leader, the impressive Suite for the Seven Mountains (Calibrated, 2008), demonstrated early compositional ambition with the use of violin, viola and cello. Neset's ongoing involvement in Jazz Kamikaze ...

Article: Album Review

Marius Neset: Birds

Read "Birds" reviewed by AAJ Italy Staff


BOOM! Se tutti gli album si aprissero con un brano come questo “Birds" sarebbe ogni giorno primavera! Ricomponendoci per quanto possibile, scriviamo oggi per festeggiare lo splendido nuovo lavoro del sassofonista norvegese Marius Neset, già descritto da più fonti come il miglior talento sassofonistico norvegese dopo Jan Garbarek e - comunque - dagli anni Sessanta a ...

23

Article: Meet the Staff

Meet John Kelman

Read "Meet John Kelman" reviewed by AAJ Staff


I currently live in: Ottawa, Canada I joined All About Jazz in: 2004 What made you decide to contribute to All About Jazz? After deciding to start writing about music in about 2001, and starting at smaller websites, I was approached by All About Jazz in late 2003, with the question: “We've ...

7

Article: Live Review

Take Five Europe: January 28-February 2, 2013

Read "Take Five Europe: January 28-February 2, 2013" reviewed by John Kelman


Take Five EuropeBore PlaceSevenoaks Weald, Kent, UKJanuary 28-February 3, 2013While solid jazz education for aspiring musicians is increasingly accessible, few programs tackle the harsh realities facing the emerging musician of the 21st century. With the dissolution of major labels, and a shift in revenue that often makes having a publicist and/or ...

6

Article: Year in Review

Ian Patterson's Best Releases of 2012

Read "Ian Patterson's Best Releases of 2012" reviewed by Ian Patterson


With more and more music being produced independently, it's harder each year to find the time to listen to a lot of it, never mind review it. The following baker's dozen represents some, though not all of my favorite music of 2012. Jenny Scheinman Mischief and Mayhem Self Produced

4

Article: Year in Review

Eyal Hareuveni's Best Releases of 2012

Read "Eyal Hareuveni's Best Releases of 2012" reviewed by Eyal Hareuveni


A list of some of the new releases that enriched life in 2012. In no particular order... Peter Brötzmann Chicago TentetWalk, Love, SleepSmalltown Superjazz A long time ago I lost count of how many albums I have by Peter Brötzmann. Or how many I still want ...

6

Article: Album Review

Espen Berg: Noctilucent

Read "Noctilucent" reviewed by Eyal Hareuveni


It is rare to encounter an artist whose debut already radiates such sheer beauty, but pianist/composer Espen Berg--who has collaborated with fellow Norwegians such as saxophonist Marius Neset and the Trondheim Jazz Orchestra--explains, in his liner notes, that he began to plan and experiment with his solo playing eight years ago. Over the years he has ...

7

Article: Album Review

Daniel Herskedal and Marius Neset: Neck Of The Woods

Read "Neck Of The Woods" reviewed by Ian Patterson


Saxophone and tuba duos have something in common with hens' teeth, so tubaist Daniel Herskedal and saxophonist Marius Neset's collaboration is already noteworthy for its pioneering spirit alone. Herskedal and Neset--former students of Copenhagen's Rhythmic Conservatory and band mates in pianist Django Bates StoRMChaser--have, however, crafted music so sublime that it's a wonder tubiasts and saxophonists ...


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