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Album

Table of Changes

Label: Intakt Records
Released: 2016
Track listing: Spirings; Waterwisp; Roofless; Night Passing; Windy City; Assembly; Ev'rytime We Say Goodbye; Table of Changes.

5

Article: Album Review

Barry Guy / Marilyn Crispell / Paul Lytton: Deep Memory

Read "Deep Memory" reviewed by John Sharpe


Bassist Barry Guy took a key role in pianist Howard Riley's groundbreaking trio in the late 60s, early 70s. And while that early experience has in no way defined him, it means it perhaps comes as less of a surprise that he has increasingly turned to the format in the latter part of his career. One ...

14

Article: Album Review

Tisziji Munoz: Alpha Nebula Expanded: The Monster Peace

Read "Alpha Nebula Expanded: The Monster Peace" reviewed by Dave Wayne


The visionary guitarist Tisziji Munoz was introduced to the listening public in the late 1970s as a sideman on a now impossibly rare Pharoah Sanders album (Pharoah, India Navigation, 1977). This was followed by his debut as a leader, Rendezvous With Now (India Navigation, 1978). After a decade-long gap in recording activity, Munoz began releasing albums ...

9

Article: Album Review

Mark Dresser Seven: Sedimental You

Read "Sedimental You" reviewed by Karl Ackermann


In the early stages of his career, bassist/composer Mark Dresser was working with the likes of Anthony Braxton, Marilyn Crispell, and Gerry Hemingway. His long track record of working in composition and improvisation has made him one of the most respected artists in creative music. On Sedimental You, Dresser surrounds himself with a top tier ensemble ...

219

Article: Album Review

Yelena Eckemoff Quartet: Leaving Everything Behind

Read "Leaving Everything Behind" reviewed by Dave Wayne


With all of the worldwide hue and cry concerning immigration, precious little is said about the lives of immigrants themselves, the sacrifices they've made and the risks they've taken in order to start their lives anew; free of whatever hardships and oppression they endured in their native country. In the news, entire lives are boiled down ...

9

Article: Multiple Reviews

Five New From Konvoj Records

Read "Five New From Konvoj Records" reviewed by Mark Corroto


If you are a free jazz fanatic, you probably look for those out-of-print vinyl offerings from labels like Hat Hut, FMP, Sonet, and El Saturn Records. Sadly, you would have to be either independently wealthy or Mats Gustafsson to acquire the rarest of the rare music. But take heart, there are small labels producing the free ...

Article: Album Review

Richard Poole, Marilyn Crispell, Gary Peacock: In Motion

Read "In Motion" reviewed by Maurizio Zerbo


In Motion è un disco sorprendente, con cui la Marilyn Crispell oltrepassa il proprio orizzonte espressivo di riferimento. Sin dal brano iniziale, si ha la sensazione di ascoltare qualcosa di diverso rispetto ai suoi precedenti percorsi iconoclastici. Cambia l'aura, in continua oscillazione tra trame formali ed informali, tra fraseggio lirico e flusso ritmico fluttuante. Rimangono inalterati ...

Article: Multiple Reviews

Quartet (Santa Cruz) 1993

Read "Quartet (Santa Cruz) 1993" reviewed by Alberto Bazzurro


Anthony Braxton Quartet (Santa Cruz) 1993 HatOlogy Valutazione: * * * * ½ Riedizione scissa in due volumi dell'omonimo doppio CD edito a tiratura limitata nel 1997, quest'opera fotografa in maniera esemplare la fase estrema del grande quartetto che Anthony Braxton diresse a cavallo fra gli anni Ottanta e Novanta, ...

Article: Album Review

Marilyn Crispell, Gerry Hemingway: Table of Changes

Read "Table of Changes" reviewed by Angelo Leonardi


Dal tour europeo dell'estate 2013 è tratta questa selezione di libere improvvisazioni eseguite Marilyn Crispell e Gerry Hemingway. I due hanno collaborato a lungo nel quartetto di Anthony Braxton tra gli anni ottanta e i novanta, iniziando a esibirsi in duo dal 1992. Se si eccettua la ballad “Ev'rytime We Say Goodbye" l'album raccoglie ...

6

Article: Profile

Barry Guy: Back to the Drawing-Board (Part 3)

Read "Barry Guy: Back to the Drawing-Board (Part 3)" reviewed by Duncan Heining


Part 1 | Part 2 | Part 3 One of the things which may strike the listener on hearing the London Jazz Composers' Orchestra for the first time is just how much volume Guy is able to draw from just seventeen to twenty players. Some other big bands sound almost insipid in comparison. There ...


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