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Marcus Gilmore

Marcus Gilmore was inspired to pick up percussion by the music of his grandfather, legendary jazz drummer Roy Haynes, who gave him his first set of drums at the age of 10. He took naturally to jazz as well as classical theory and percussion. Already one of New York's most in-demand young drummers at age 22, he has performed around the world with some of today's best known jazz artists, including Chick Corea, Gonzalo Rubalcaba, Natalie Cole, Clark Terry, Nicholas Payton, Christian Scott, John Patitucci, Wynton Marsalis and the [email protected] Orchestra, Cassandra Wilson, Terence Blanchard, Steve Coleman, Ravi Coltrane, Dave Douglas, Vijay Iyer, Roy Hargrove and many others.

ARTICLE: ALBUM REVIEW

Lakecia Benjamin: Pursuance: The Coltranes

Read "Pursuance: The Coltranes" reviewed by Mike Jurkovic

Maybe it's the nuances she's picked up sharing stages with Rashied Ali, Stevie Wonder and Alicia Keys, or a deep intuition not only into jazz, but also into James Brown and Sly and the Family Stone. Perhaps it's her Washington Heights sidewalk sense that, no matter the game, you play and play alike. Or that you ...

ARTICLE: INTERVIEW

Charles Rumback: Singing Structures of Rhythm

Read "Charles Rumback: Singing Structures of Rhythm" reviewed by Jakob Baekgaard

Versatility, personality and musical empathy are qualities that a modern drummer needs, and Charles Rumback has them in abundance. Based in Chicago, Rumback has accompanied adventurous singer/songwriters like Caleb Willitz, Steve Dawson and Ryley Walker, played jazzy electronica with Colorlist and explored the classic format of the piano trio with bassist John Tate and pianist Jim ...

ARTICLE: ALBUM REVIEW

Various Artists: Newvelle Muri

Read "Newvelle Muri" reviewed by Karl Ackermann

Swiss drummer/percussionist and composer, Stephan Diethelm lived in Zimbabwe for several years and was musically influenced by the African rhythms he heard. He had appeared on four albums when he launched the Muri Series, an ongoing succession of concerts that began in 2002, sometimes called Musig im Pflegidach. Pflegidach is a monastery that dates to the ...

ARTICLE: LIVE REVIEW

ELLNORA: The Guitar Festival

Read "ELLNORA: The Guitar Festival" reviewed by John Ephland

Krannert CenterELLNORA: The Guitar Festival Champaign/Urbana, IL September 5-7, 2019 It takes place every other year; every odd year. Going back to 2005, ELLNORA: The Guitar Festival, held in the University of Illinois' Champaign-Urbana' one-stop-shop Krannert Center, has been celebrating the works of an amazing array of plectrists from all walks ...

ARTICLE: LIVE REVIEW

2019 Detroit Jazz Festival

Read "2019 Detroit Jazz Festival" reviewed by C. Andrew Hovan

Detroit Jazz Festival Hart Plaza Detroit, Michigan August 30-September 2, 2019 According to the official count, the 40th edition of the largest free jazz festival in North America drew a record crowd numbering some 325,000. Boasting four stages as part of the festival footprint, there seemed to be a reduction in ...

ARTICLE: LIVE REVIEW

Jazz In Marciac 2019

Read "Jazz In Marciac 2019" reviewed by Martin McFie

Jazz In Marciac Marciac, France July 30, 2019 to August 4, 2019 How does a remote village in South West France end up hosting an international jazz festival for 42 years? The logistics come later, but the answers to most questions about Jazz in Marciac lie in the superb quality ...

ARTICLE: LIVE REVIEW

Gilmore Keyboard Festival

Read "Gilmore Keyboard Festival" reviewed by John Ephland

Gilmore Keyboard Festival Kalamazoo, Michigan April 25 to May 12, 2018 Thursday night is always the second night of the biennial Gilmore Keyboard Festival. Thursday night is also the first night for jazz, the festival putatively a classical music rollout with jazz confections, albeit well-considered, strewn throughout this 22-day cultural jewel based ...

ARTICLE: LIVE REVIEW

Vijay Iyer at SFJAZZ

Read "Vijay Iyer at SFJAZZ" reviewed by Harry S. Pariser

Vijay Iyer SFJAZZ San Francisco, CA January 18, 19, 21, 2018 Vijay Iyer told a San Francisco audience at Herbst Theater that it is amazingly difficult to tour in the United States, by way of explaining why he did not perform in his former hometown more often. But, ...

ARTICLE: LIVE REVIEW

Never Alone: Reflections on the 2018 Winter Jazzfest

Read "Never Alone: Reflections on the 2018 Winter Jazzfest" reviewed by Tyran Grillo

Ornette Coleman once said that sound has no parents. But that doesn't mean we can't be its children. On that point, jazz has always been something of a parental force, connecting progenies of representation across geographic and cultural borders. Its relationship to struggle has, however, at times been overshadowed by debate. On the one hand, jazz ...


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