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Musician

Marcus Gilmore

Born:

Marcus Gilmore was inspired to pick up percussion by the music of his grandfather, legendary jazz drummer Roy Haynes, who gave him his first set of drums at the age of 10. He took naturally to jazz as well as classical theory and percussion. Already one of New York's most in-demand young drummers at age 22, he has performed around the world with some of today's best known jazz artists, including Chick Corea, Gonzalo Rubalcaba, Natalie Cole, Clark Terry, Nicholas Payton, Christian Scott, John Patitucci, Wynton Marsalis and the J@lc Orchestra, Cassandra Wilson, Terence Blanchard, Steve Coleman, Ravi Coltrane, Dave Douglas, Vijay Iyer, Roy Hargrove and many others.

Album

Orange Afternoons

Label: Greenleaf Music
Released: 2011
Track listing: The Gulf; Valori Bollati; Solato; Orologi; Orange Afternoons; Frontier Justice.

Album

Got The Keys To The Kingdom: Live At The Village Vanguard

Label: Edition Records
Released: 2023
Track listing: You Gotta Move; Nozani Na; Blood Count; Klactoveedsedstene; Olha Maria; Got The Keys To The Kingdom.

Album

Refract

Label: Self Produced
Released: 2023
Track listing: Onset I; Onset II; Tape Loop A; Affectionate, Painful; Inward, Curve; Tape Loop B - I; Tape Loop B - II; Tape Loop B - III; Eighth Pose; Stir; Release; Little Known; Tape Loop C - I; Tape Loop C - II; Tape Loop C - III; Tape Loop D.

1

Article: Radio & Podcasts

Hamiet Bluiett, A Coltrane Interview, Natural Info. Society, Veronica Swift

Read "Hamiet Bluiett, A Coltrane Interview, Natural Info. Society, Veronica Swift" reviewed by David Brown


Welcome friends and neighbors to The Jazz Continuum. Old, new, in, out... wherever the music takes us. Each week, we will explore the elements of jazz from a historical perspective. This week, let's celebrate the birth anniversary of Hamiet Bluiett; check out John Coltrane ending his time with Miles in an interview from Stockholm 1960; and ...

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Article: Radio & Podcasts

Lucy Woodward, Cautious Clay, Collettivo Immaginario, Jason Moran & More

Read "Lucy Woodward, Cautious Clay, Collettivo Immaginario, Jason Moran & More" reviewed by Ludovico Granvassu


Lucy Woodward returns with a powerful single paving the way for a full-length album not to be missed, and for a playlist under the sign of electro-acoustic creativity, Brazilian influences and fearless imagination.Happy listening!Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Lucy Woodward “Big Bones" Big Bones--Single ...

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Article: Liner Notes

Lage Lund: Idlewild

Read "Lage Lund: Idlewild" reviewed by C. Andrew Hovan


An open and revealing format for any artist, the jazz trio offers rewards on many levels. Left in veracious hands, there is a spacious pocket that can be filled by any number of rhythmic and harmonic ideas, not to mention a freedom in melodic phrases which don't have to be constrained by strict chordal structures. On ...

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Article: Record Label Profile

Edition Records: A Guide To The First Fifteen Years

Read "Edition Records: A Guide To The First Fifteen Years" reviewed by Ian Patterson


Edition Records celebrates its 15th anniversary in 2023. The label founded in Cardiff in 2008 by keyboardist Dave Stapleton has come a long way in that time. Initially conceived of as a means to release his own music and that of his friends, Edition Records went from being a cottage industry to a position as one ...

23

Article: Album Review

Chris Potter: Got The Keys To The Kingdom: Live At The Village Vanguard

Read "Got The Keys To The Kingdom: Live At The Village Vanguard" reviewed by Ian Patterson


The title references an old gospel song, but for Chris Potter the keys in question could be those to the Village Vanguard. This is the saxophonist's third live recording from jazz's most storied club, not counting those with Paul Motian. For musicians and fans alike, this is hallowed turf. But it's not just about playing at ...

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Article: Album Review

Chris Potter: Got The Keys To The Kingdom (Live At The Village Vanguard)

Read "Got The Keys To The Kingdom (Live At The Village Vanguard)" reviewed by Chris May


There is a lot of heavy ordnance going off during this album. Indeed, the incoming only lets up once, and then briefly, during a performance of Billy Strayhorn's “Blood Count" at the halfway point. For the rest of the sixty-one minutes playing time, the watchword is eruptive. But no PPE is required. The barrage is benign. ...


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