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1,692

Article: Interview

John Medeski: Strong as Ever with MMW

Read "John Medeski: Strong as Ever with MMW" reviewed by R.J. DeLuke


The Medeski, Martin & Wood band, one that has amassed followers like a snowball rolling down a mountain of wet snow since its emergence on the scene over 18 years ago, is one of those exceptional organizations that doesn't stick to playing what might be expected by its audiences. They don't play it safe, instead choosing ...

487

Article: Album Review

Lucien Dubuis Trio with Marc Ribot: Ultime Cosmos

Read "Ultime Cosmos" reviewed by Mark Corroto


Lucien Dubuis' Swiss trio has had a long association with guitarist Marc Ribot. He might even have been the inspiration for the reedman, bassist/guitarist Roman Nowka, and drummer Lionel Friedli to form their group. So when the New York guitarist joins them for Ultime Cosmos, there is bound be fireworks. The Lucien Dubuis Trio ...

28

Video

Dark Was The Night (Cold Was The Ground)

Featuring the music of Marc Ribot
Duration: 5:08

"Dark Was The Night (Cold Was The Ground)" by Blind Willie Johnson, here performed by Marc Ribot in the documentary "The Soul of a Man".
626

Article: Multiple Reviews

Foot Job Band and Tongs: between porno, rock and a jazz place

Read "Foot Job Band and Tongs: between porno, rock and a jazz place" reviewed by Mark Corroto


Back in 1980s and early 1990s in New York, musicians were reinventing jazz and the “downtown scene," as it was called, was focused on the The Knitting Factory club. Artists like saxophonists John Zorn, John Lurie and Thomas Chapin, guitarist Marc Ribot and cellist Tom Cora became famous. While they were schooled in the traditional, their ...

1,274

Article: Extended Analysis

David Sylvian: Manafon

Read "David Sylvian: Manafon" reviewed by John Kelman


David Sylvian Manafon samadhisound 2009 Since first emerging as the lead singer of 1980s synth pop group Japan, singer/multi-instrumentalist David Sylvian has turned, in many ways most surprisingly, into one of pop music's most intrepid explorers. As early as his first solo album, the crooner with a distinctive and intentioned vibrato ...

429

Article: Album Review

Manuel Mengis Gruppe 6: Dulcet Crush

Read "Dulcet Crush" reviewed by Mark Corroto


Experiencing the music of trumpeter Manuel Mengis, a standard list of musicians and musical styles heard in his music comes to mind. This is a disservice, because his methodology is quite original. Still the temptation to explain his third disc for hatOLOGY following The Pond (2008) and Into the Barn (2005) in terms of others sounds, ...

420

Article: Album Review

Chad Taylor: Circle Down

Read "Circle Down" reviewed by Troy Collins


In-demand indie rock session player (Sam Prekop, Iron and Wine) and co-founder of the Chicago Underground with Rob Mazurek, drummer Chad Taylor has quickly become an indispensable part of the New York scene since his relocation from Chicago in 2000. His recurrent collaborations with Cooper-Moore, Jemeel Moondoc, and Marc Ribot feature his talents in a wide ...

426

Article: Album Review

Chad Taylor: Circle Down

Read "Circle Down" reviewed by Mark F. Turner


With an insatiable appetite for music on the fringe, drummer Chad Taylor has been an active participant in the creative music environments of both Chicago and New York. In Chicago, he's been a member of Fred Anderson's trio, Sticks and Stones with Matana Roberts, and the Chicago Underground ensembles with Rob Mazurek. In New York, he's ...

275

News: Interview

Jazz Guitarist Joe Morris Does It His Way

Jazz Guitarist Joe Morris Does It His Way

By Tad Hendrickson A jazz artist who balances a sharp ear for melody with an intellect inspired by improvisation's outer reaches, Joe Morris is part of a community of musicians who play what has been called the downtown jazz, avant-garde, free jazz or even just free music scenes. Since he began performing on guitar in 1975, ...

286

Article: Album Review

Eyal Maoz's Edom: Hope and Destruction

Read "Hope and Destruction" reviewed by Eyal Hareuveni


The second release of New York-based Israeli guitarist Eyal Maoz alt-klezmer quartet Edom is a schizophrenic one. On one hand, Maoz faithfully follows Tzadik founder John Zorn's hybridized post-modern pastiche of klezmer and Jewish musical traditions, and musical references that are typical of the label's Radical Jewish Culture series. This is most audible in the manner ...


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