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Why Everybody Digs Bill Evans
by Mark Sabbatini
Arguably the greatest jazz pianist of the 1960s and '70s, Bill Evans is generally acknowledged as the most influential pianist since Bud Powell and a primary influence on players such as Keith Jarrett and Chick Corea. Evans co-wrote Kind Of Blue with Miles Davis and some consider the pianist's Sunday At The Village Vanguard the best ...
Lyle Mays: Lyle Mays
by John Kelman
Lyle MaysLyle MaysGeffen Records1986 Today's Rediscovery falls under the category of “where is he now?" I first heard of keyboardist Lyle Mays in 1977, when Gary Burton's quartet (with guest Eberhard Weber), played at the Glebe Collegiate High School auditorium in my home town of Ottawa, Canada. After the show, speaking ...
Video: Bill Evans in Iowa, 1979
Two months after appearing on Marian McPartland's Piano Jazz radio show in November 1978, Bill Evans hit the road. Right after the new year, the pianist was in Iowa with his trio—bassist Marc Johnson and drummer Joe La Barbera—at the Maintenance Shop in Ames. During their run, the trio was taped for Public Television. You can ...
Take Five With Rik Wright
by AAJ Staff
Meet Rik Wright: A graph of Rik Wright's influences would read like a wave, running a gamut from jazz to rock and back again. As a guitarist he has taken on influences, often subconsciously, as varied as Andy Summers of The Police and John Abercrombie. Compositionally speaking, Wright hangs with a different crowd altogether, mingling ...
Eric Vloeimans' Oliver's Cinema: Eric Vloeimans' Oliver's Cinema
by Dan Bilawsky
Dutch trumpeter Eric Vloeimans isn't afraid to try different things. In fact, he seems to relish the opportunity to work in a variety of settings. Vloeimans tangled with pianist John Taylor, bassist Marc Johnson, and drummer Joey Baron on Bitches and Fairy Tales (Challenge Records, 1999); he went the electric route with a quartet known as ...
35th Annual Tri-C JazzFest Cleveland
by C. Andrew Hovan
Playhouse Square Tri-C JazzFest Cleveland Cleveland, Ohio June 26-28, 2014 For the first time in 35 years, Cuyahoga Community College's annual jazz festival received a major makeover via the shift from a two week event in April to a three day happening in June. Also key to this paradigm shift ...
Thomas Maintz / Scott Colley / Johnathan Blake: Present
by Jakob Baekgaard
There's a certain trend that has developed on the Danish jazz scene and it keeps growing stronger. In recent years, many Danish jazz musicians have travelled to New York to make a record with some of the top musicians in the city. Danish guitarist Jakob Bro has done it several times, recently with his record December ...
Martin Wind: Appreciating Bill Evans
by R.J. DeLuke
Bassist Martin Wind had already gigged with American jazz musicians prior to moving to New York City in 1996 to advance his musical studies. Though classically trained, Wind is highly versatile, having played in orchestras, small jazz groups, crossing genres on the electric bass prior to departing his native Germany. Now, years later, he ...
Dino Saluzzi Group: El Valle de la Infancia
by John Kelman
In his 32-year relationship with ECM Records, Argentinean bandoneonist Dino Saluzzi has explored many paths--paths upon which he has rarely traveled more than once, even if there were certain road marks common to them all. A pair of trio recordings with his son, guitarist José Maria Saluzzi, employed two different bassists--Marc Johnson on 1997's Cité de ...
Wolfgang Muthspiel: Driftwood
by John Kelman
Since studying at Berklee College of Music and returning to his home in Austria--though not before releasing a number of American-based recordings either on his own or as a member of bands led by people like Gary Burton, Marc Johnson and Patricia Barber--guitarist Wolfgang Muthspiel has largely been focusing on his career through Material Records, the ...
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