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5

Article: Album Review

Carlos Henriquez: Dizzy Con Clave

Read "Dizzy Con Clave" reviewed by Dan Bilawsky


In closing out the liner essay to this savory set recorded live at Dizzy's Club Coca-Cola, bassist Carlos Henriquez succinctly summarizes one of many important points worth noting about the legendary honoree: “Dizzy Gillespie is and always will be the American bridge to Afro-Cuban music," he states. But it need be noted that he doesn't just ...

Album

The Planets

Label: Mavo Records
Released: 2018
Track listing: Sun Prelude I; I Mercury-The Messenger; Sun Prelude II; II Venus-Peace;, Intro to Earth; IIIEarth-History of Us; IV Mars-Ancient Warrior; Sun Prelude III; V Jupiter-Joyous Thunder; VI Saturn-The Wise One; VII Uranus-Morphing Skies; VIII Neptune-Prophet of the Seas; Bonus Tracks: Llora; Mona Lisas and Mad Hatters.

48

Article: Radio & Podcasts

Newk with Bud, a Trip in the Way-Back Machine & More

Read "Newk with Bud, a Trip in the Way-Back Machine & More" reviewed by Marc Cohn


We start with our usual dose of twenty-first century music (Marsico should be better known in the States!). And there's a quiz for you in tracks two and three; so pay attention! Then, it's 19-year-old Sonny Rollins with Bud Powell from '49, followed by a walk in the Fall air where the original French ...

Article: Album Review

Bohemian Trio: Okònkolo

Read "Okònkolo" reviewed by Neri Pollastri


Raffinata formazione in equilibrio tra camerismo e jazz, musica cubana ed europea, questo trio nasce per iniziativa del pianista Orlando Alonso e del sassofonista Yosvany Terry, entrambi cubani diplomati al conservatorio e con studi alla Juilliard, quando nel 2012 sentono l'esigenza di mettere a punto un progetto che fosse la sintesi dei molti stimoli e interessi ...

8

Article: Album Review

Dafnis Prieto Big Band: Back to the Sunset

Read "Back to the Sunset" reviewed by Troy Dostert


The astonishingly talented and prolific drummer Dafnis Prieto has done a lot since moving to the States from his native Cuba in 1999. He's made a host of sideman appearances with musicians of widely varying stripes, including Peter Apfelbaum, Michel Camilo, Steve Coleman, Marilyn Lerner, Brian Lynch, Henry Threadgill, Chucho Valdés, and John Zorn. He won ...

6

Article: Album Review

Dafnis Prieto Big Band: Back to the Sunset

Read "Back to the Sunset" reviewed by Jack Bowers


The alliance of Latin music and American jazz ripened on these shores more than seventy years ago, nourished by pioneers such as Mario Bauza, Chano Pozo, Dizzy Gillespie, Machito, Tito Puente and others. It has been carried forward and enhanced since then by a succession of remarkable innovators including in recent years the Cuban-born drummer Dafnis ...

2

Article: Album Review

Manuel Valera: The Planets

Read "The Planets" reviewed by Mike Jurkovic


Cuban-born pianist Manuel Valera is not unknown to jazz-heads who make it their business to listen and champion. But, since his acclaimed 2004 debut Forma Nueva, a couple of Grammy nods, and last year's quietly brilliant The Seasons, Valera's name and exciting blend of culture, tradition, and progression has spread deservedly like wildfire through the larger ...

Album

The Seasons

Label: Mavo Records
Released: 2017
Track listing: Opening; In the Eye of the Beholder; Tres Palabras; Hopeful; In My Life; MOV I-Spring; MOV II- Summer; MOV III-Fall; MOV IV-Winter; What Is This Thing Called Love; Hallelujah.

17

Article: Album Review

Tom Guarna: The Wishing Stones

Read "The Wishing Stones" reviewed by John Kelman


An unfortunate reality for too many musicians--even those who are well-known--is that most of their audiences are aware of but a portion of their true work...their fullest capabilities. Recordings only tell part of the story, since artists often tour with groups that are never documented. And even those tours, for those fortunate enough to experience them, ...

7

Article: Album Review

Berta Moreno: Little Steps

Read "Little Steps" reviewed by Troy Dostert


When first seeing the title of Berta Moreno's debut record, one might be tempted to interpret it as a self-effacing gesture. Perhaps the tenor saxophonist is acknowledging her debt to the giant steps of the master of the tenor, John Coltrane himself? Upon further investigation, however, Moreno makes clear in her notes to the album that ...


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