Results for "Manu Dibango"

Manu Dibango

The most widely known musician from the African nation of Cameroon, Manu Dibango was one of the pioneers of world music in the early 1970s and remained one of the most internationally celebrated African musicians into the mid-1990s. Long recognized for combining African, American, European, and techno sounds, Dibango first achieved global fame in 1973 with “Soul Makossa,” through which he popularized makossa music, a Cameroonian form of early-century West African dance music. Born Emmanuel Dibango on February 10, 1934, in Douala, Cameroon, Dibango first discovered his interest in music as a boy at home and in church

Ennio Morricone: Fabled Hoard Of 1970s Library Music Reissued

By CHRIS MAY

Practically unobtainable since their release by RCA Italy in 1972, the ten albums which make up Ennio Morricone and Bruno Nicolai's Dimensioni Sonore: Musiche Per L'Immagine E L'Immaginazione are being reissued by Dialogo on October 30 2020. The new release plugs a chasm in the availability of classic-era library music, which at its best is an ...

Remembering Wallace and Manu

By BOB OSBORNE

On this show we pay tribute to the recently departed Wallace Roney and Manu Dibango. There's a couple of tracks from Manu and selection of highlights from Wallace picking up on work associated with his mentor Miles Davis. I also feature the recent album from guitarist Tomas Janzon in a great quartet, and there's ...

How Do We Keep The Music Playing?

By LA-FAITHIA WHITE

While most of us across the country and overseas have been confined to our homes due to COVID-19, normal life as we once knew, has changed. Typically in April we are celebrating Jazz Appreciation Month outdoors with friends, and attending jazz concerts. Now more than ever, this is a time where we must appreciate and support ...

Oscar Peterson & Charlie Parker

By JOE DIMINO

During this time of COVID-19 and live jazz being silenced, Neon Jazz brings you a new episode honoring the best in today's jazz world. We also honor the legacy of the late Manu Dibango.Playlist Tim Ray “Paint if Black" Excursions and Adventures (Whaling City Sound) 00:00 Host talks 4:34 Oscar Peterson “Just a Sittin' ...

Jazz in the Time of Pandemic

By KARL ACKERMANN

The first week of April 2020: images crystalized the daily news reports; a dystopian Times Square; Piazza Navona in Rome, emptied of tourists, Barcelona's Basílica de la Sagrada Família standing like an abstract ruin, makeshift morgues in hospital parking lots. The jazz world is small but still a microcosm of society with interdependencies that run deep. ...

Cheik Tidiane Seck: Timbuktu: The Music of Randy Weston

By CHRIS MAY

A well-intentioned tribute to the late pianist, composer and pioneer of Maghrebi jazz Randy Weston by the keyboard player Cheikh Tidiane Seck, Timbuktu: The Music of Randy Weston never really gets off the ground. Seck, whose c.v. includes spells with Mali's Super Rail Band de Bamako, Les Ambassadeurs, Salif Keita and Amadou & Mariam, and Senegal's ...

Bergamo Jazz Festival 2019

By LIBERO FARNè

Bergamo Jazz Festival Varie sedi 21-24.3.2019 Il Bergamo Jazz Festival non cessa di rinnovarsi nella continuità. È stato questo il quarto e ultimo anno della direzione artistica di Dave Douglas. Nel 2020 il testimone passerà nelle mani di Maria Pia De Vito. Scelta opportuna non solo perché la cantante napoletana introdurrà la ...

Various Artists: Unusual Sounds: The Hidden History of Library Music

By CHRIS MAY

Library music--aka stock or production music--was first marketed in the 1920s, to be used by “picture palaces" showing silent movies. Its golden age came during the 1960s and 1970s, when it provided off-the-shelf incidental music for radio, television, film and advertising. Ever since Quentin Tarantino included recordings by one of that era's most prolific British library-music ...

Like A Jazz Machine 2017

By IAN PATTERSON

Like A Jazz Machine Centre Culturel Regionel Opderschmelz Dudelange, Luxembourg May 25-28, 2017 Size, as Like A Jazz Machine knows, isn't everything. The audience in the Centre Culturel Regionel Opderschmelz amounts to just four seated rows downstairs, with a small standing section to the rear, and ten rows ...