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Sebastian Gille: Anthem
by Dan McClenaghan
The most famous and venerable German record label is ECM Records, Manfred Eicher's brainchild, founded in 1969 and still going strong with now more than twelve hundred recordings in its catalog. But there is a German upstart, Pirouet Records, which has been in the business of offering up its own musical vision since the early 2000s, ...
Giovanni Pessi / Susanna Wallumrod: If Grief Could Wait
by C. Michael Bailey
Giovanni Pessi, Susanna Wallumrod, Marco Ambrosini, Jane AchtmanIf Grief Could WaitECM2012 Manfred Eicher's Edition of Contemporary Music label (aka ECM) has three creative foci: “classical" music, jazz and folk music. The last of these is often overlooked in discussions of ECM, but folk music, particularly that of ...
Giovanna Pessi / Susanna Wallumrod: If Grief Could Wait
by John Kelman
There was a time when hard lines existed between genres, but they seem long gone when tenor John Potter and electronic composer Ambrose Field can create a very 21st century take on 15th century musical frameworks with Being Dufay (2009), while Norwegian keyboardist Jon Balke conjoins baroque string ensemble and Fourth World progenitor, trumpeter Jon Hassell ...
Tim Berne: Snakeoil
by John Kelman
Tim Berne Snakeoil ECM Records 2012 When artists who've already built lengthy careers elsewhere over a period of years (sometimes decades) come to record for Germany's ECM Records, there is occasional trepidation amongst some of their longstanding fans. This is, after all, not just about facilitating the release of recordings; ...
Enrico Rava: To Be Free or Not To Be Free
by Ian Patterson
Freedom, it could be argued, is most deeply understood by those who have been somehow constrained against their will, or who have been prisoners of their own skewed vision of what it means to be free. Trumpeter Enrico Rava knows the meaning of musical freedom; he was part of the free-jazz scene of the 1960s and ...
NEA Jazz Master Jack DeJohnette Week Begins at All About Jazz with Extensive Interview and More!
Approaching 70 later this year makes 2012 a special time for Jack DeJohnette. One of five artists to receive the 2012 National Endowment for the Arts (NEA) Jazz Masters Fellowship only makes it more so for the veteran drummer/pianist, who has appeared on hundreds of recordings over the past 45 years, including landmark sessions with artists ...
Jack DeJohnette: Time and Space
by John Kelman
It begins with the sound of a resonating bell, followed by a gently cascading piano solo that gradually assumes shape and form, hovering around two chords and creating an inviting ambiance that resolves with another ringing of the bell, segueing gently into the groove-heavy “Salsa for Luisito." The track is “Enter Here," and the album is ...
Stefano Bollani: And Now For Something Completely Different
by Ian Patterson
Impersonating singer Paolo Conte and other Italian cultural icons comes as naturally to pianist Stefano Bollani as interpreting the music of Antonio Carlos Jobim, Michael Jackson, Brian Wilson, or Maurice Ravel--or indeed, writing novels. To say that Bollani is multitalented is a bit like saying Art Tatum could play the piano a bit. Oh, and Bollani ...
Sinikka Langeland: The Land That Is Not
by John Kelman
Four years after her relentlessly beautiful ECM debut, Sinikka Langeland returns with the equally breathtaking The Land That Is Not. Following Starflowers (2007), the Norwegian singer/kantele player took a detour with Maria's Song (ECM, 2009), an intimate recording of folk songs and compositions by J.S. Bach that expanded upon territory visited on Påsketona (Nordic Sound, 2004). ...
Cuneiform Records: Growing Progressive Music for 27 Years
by Mark Redlefsen
Twenty seven years is a long time for a niche progressive music label such as Cuneiform Records not just to survive, but to remain inventive and, in the best sense, ambitious. Steve Feigenbaum founded Cuneiform back in 1984, and with his wife, Joyce, runs it from Silver Springs, Maryland. Hosting bands such as Universe Zero, digging ...
