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Article: Live Review

2013 Enjoy Jazz Festival

by John Kelman
November 24, 2013

Enjoy Jazz 2013 Heidelberg/Mannheim/Ludwigshafen, Germany November 6-14, 2013 It's always a treat to return to Heidelberg for Enjoy Jazz. As a very intended contrast to most jazz festivals, that compress a lot of music into a very short time, Enjoy Jazz's founding premise, when it was first conceived 15 years ago by ...

Article: Extended Analysis

39 Steps

by John Kelman
October 8, 2013

John Abercrombie has rarely played with pianists, at least in his own groups and throughout his extensive discography as a leader for ECM Records that began with the immediate classic, 1975's Timeless. Other than a brief reunion with that record's group for 1984's Night, the veteran guitarist has, in fact, only recorded with one other piano-based ...

Article: We Travel the Spaceways

The Dude Abides

by Mark Corroto
October 4, 2013

To paraphrase Jeffrey Lebowski, aka The Dude (or El Dudarino, if you are not into the brevity thing), “I've had a rough night, and I hate the fucking Grateful Dead, man." Actually, The Dude said the “Eagles" (and I guess I'm obliged to agree with him), but for me the Dead seem to always get under ...

Article: Album Review

Ralph Alessi: Baida

by John Kelman
September 14, 2013

With 2013 heading into fall, it's a good time to take stock of a label that has all too often been (falsely) accused of minimizing the country where jazz began. Excluding reissues, this year's ECM regular series releases represent about thirty percent American leadership; given jazz's increasingly global nature, hardly a bad number--and better still, when ...

Article: Live Review

Molde International Jazz Festival 2013

by John Kelman
July 29, 2013

Molde International Jazz Festival Molde, Norway July 15-20, 2013It may have been his last year as festival director, but Jan Ole Otnæs sure went out on a high, not just because his programming was as impeccable as ever, but because he made it a year with a very specific philosophy. ...

Article: Album Review

Gary Peacock / Marilyn Crispell: Azure

by John Kelman
July 1, 2013

Who leads a project is often nothing more than a matter of optics. Bassist Gary Peacock's name may come first on the cover of Azure, but there's no doubt that this is a collaborative affair, with pianist Marilyn Crispell an equal participant; the two even co-produced the recording, with label head Manfred Eicher nowhere to be ...

Article: Album Review

Charles Lloyd / Jason Moran: Hagar's Song

Read "Hagar's Song" reviewed by Enrique Turpin

by Enrique Turpin
May 3, 2013

No habrá que pasar por alto que la grabación de Hagar's Song no está producida por Manfred Eicher, sino por el propio Charles Lloyd junto con su mujer y mánager Dorothy Darr. El asunto debió de surgir de un modo natural, mientras el matrimonio observaba tal vez una de las fantásticas puestas de sol que se ...

Article: Live Review

Craig Taborn Trio: Columbus, Ohio April 27, 2013

by Mark Corroto
May 1, 2013

Craig Taborn TrioWexner Center For The ArtsColumbus, OhioApril 27, 2013Traveling to support the release of Chants (ECM, 2013), pianist Craig Taborn's Trio, with bassist Thomas Morgan and drummer Gerald Cleaver, made an appearance at The Ohio State University's Wexner Center for The Arts. As label head/producer Manfred Eicher's artists are want ...

Article: Extended Analysis

Paul Motian: Paul Motian (Old & New Masters Edition)

by John Kelman
April 17, 2013

In a time when leadership roles are being thrust increasingly upon young musicians who may have the chops, the technique and the theory, but not the experience, drummer Paul Motian could be considered a lesson in patience, in waiting for the right time, in holding off for the precise moment of readiness.It's not that ...

Article: Extended Analysis

Craig Taborn: Chants

by John Kelman
April 16, 2013

While he's been making himself a ubiquitous presence on the jazz scene for the past two decades--playing with everyone from saxophonists Tim Berne, David Binney and Chris Potter (on the equally stellar The Sublime And (Thirsty Ear, 2003), Graylen Epicenter (Mythology, 2011) and The Sirens (ECM, 2013), respectively), to bassists Michael Formanek and Scott Colley (whose ...