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Album

Free At Last

Label: ECM Records
Released: 2019
Track listing: Side I: Rat Now; Balladina; 1-3-234; Side II: Rock My Soul; Willow Weep For Me; Boo; Side III: 1-3-234; Balladina; Side IV: Boo; Willow Weep For Me.

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Article: Year in Review

John Kelman's Best Releases of 2019

Read "John Kelman's Best Releases of 2019" reviewed by John Kelman


Well, Chronic Fatigue Syndrome continues to be a challenge, as it has been since mid-2014. 2019 represents, in fact, the worst year when it comes to the actual number of articles written. Still, I've been finding an increasingly satisfying niche in the arena of in-depth, detailed and extensive/exhaustive (exhausting, for you as much as I!!) articles. ...

18

Article: Album Review

Mal Waldron: Free At Last

Read "Free At Last" reviewed by Karl Ackermann


The sensitivity reflected in much of Mal Waldron's music was a deep aspect of his psyche. The Harlem-born pianist, who died in Brussels, Belgium, in 2002, worked downtown with saxophonist Ike Quebec at Café Society in the early 1950s and went on to record on several Charles Mingus recordings including Pithecanthropus Erectus (Atlantic), Jazz Composers Workshop ...

2

Article: Live Review

Manfred Eicher - L'uomo che fa accadere la musica: ECM 50 a Flagey, Bruxelles

Read "Manfred Eicher - L'uomo che fa accadere la musica: ECM 50 a Flagey, Bruxelles" reviewed by Mario Calvitti


ECM 50 Centro Culturale Flagey Bruxelles, Belgio 21-24.11.2019 Nell'anno in cui ricorre il cinquantesimo anniversario della fondazione della casa discografica tedesca ECM sono stati numerosi in Europa e America i festival musicali dedicati alla celebrazione ufficiale dell'evento. Uno dei più importanti è sicuramente stato quello svoltosi alla fine di Novembre a ...

8

Article: Live Review

"ECM Records at 50" at Lincoln Center

Read ""ECM Records at 50" at Lincoln Center" reviewed by Tyran Grillo


ECM Records at 50 Rose Theater, Lincoln Center New York, NY November 2, 2019 On the 1st and 2nd of November 2019, Jazz at Lincoln Center commemorated the 50th anniversary of ECM Records with two nights of musicians—many longtime associates, some newer additions—from the label's roster. More than that, it was ...

Article: Album Review

Massimo Falascone Seven: Méliès

Read "Méliès" reviewed by Neri Pollastri


Avevamo avuto occasione già due volte di vedere dal vivo e recensire il progetto Méliès del Massimo Falascone Seven, ispirato alle opere di Georges Méliès, cineasta e illusionista vissuto a cavallo tra l'Otto e il Novecento, uno dei padri del cinema e inventore degli effetti nel cinema e della cinematografia fantastico-fantascientifica. La seconda volta, in occasione ...

4

Article: Radio & Podcasts

Jazz Singers in the 1950s – Sarah Vaughan, Helen Merrill, Dinah Washington and Abbey Lincoln (1954 - 1962)

Read "Jazz Singers in the 1950s – Sarah Vaughan, Helen Merrill, Dinah Washington and Abbey Lincoln (1954 - 1962)" reviewed by Russell Perry


Many jazz singers of the 1950s continued the tradition of recording with major instrumentalists who were given the space to improvise, feeding off the collaboration. In 1954, EmArCy records matched three of their singers, representing the wide range of their offerings--Sarah Vaughan, Dinah Washington and Helen Merrill--with jazz ensembles featuring their rising star, trumpeter Clifford Brown. ...

Article: Album Review

Jeanne Lee, Ran Blake: The Newest Sound You Never Heard

Read "The Newest Sound You Never Heard" reviewed by Alberto Bazzurro


Jeanne Lee e Ran Blake si conoscono a cavallo fra anni Cinquanta e Sessanta ai corsi del Bard College di New York, affacciato sul fiume Hudson. Si producono per la prima volta in duo in occasione di un concorso all'Apollo Theater, che vincono, cosicché, sul finire del 1961, incidono un primo album, The Newest Sound Around, ...

1

Article: Radio & Podcasts

This Will Make You Laugh - Famous Jazz Fathers and Their Children

Read "This Will Make You Laugh - Famous Jazz Fathers and Their Children" reviewed by Mary Foster Conklin


The Fathers Day broadcast included new releases from Ayelet Rose Gottlieb, Roxy Coss, Anat Cohen and Camila Meza, with birthday shout outs to the songwriters Irene Higgenbotham, Ivan Lins and Cy Coleman, pianists Geri Allen, Monika Herzig and Daryl Sherman, vocalists Nancy King, Alicia Olatuja, and harpist Carol Robbins, among others. Plus we hear from some ...

17

Article: Album Review

Paul Bley / Gary Peacock / Paul Motian: When Will The Blues Leave

Read "When Will The Blues Leave" reviewed by Karl Ackermann


Had Paul Bley, Gary Peacock and Paul Motian recorded together more consistently, they would have been considered among the best piano trios in modern jazz history. The three first recorded on the ECM collection Paul Bley with Gary Peacock (1970), a compilation from the 1960s where three of the eight tracks had Billy Elgart on drums. ...


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