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About Makram Aboul Hosn
Instrument: Bass, acoustic
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Makram Aboul Hosn
Makram Aboul Hosn is a frequent performer in the Beirut music scene. You could find him on different stages playing Jazz, Rock, Classical, and Arabic music with different groups all within the same week. Makram plays both electric and upright bass in a variety of styles. He writes Classical works for small chamber ensembles, and Jazz compositions for small and large ensembles of improvisers. His first album "Parallel" is a spontaneous duet recording session with pianist Jeremy Siskind, and it features one of Makram's compositions "Debbie's Waltz", a romantic classical sounding piece with a brilliant improvisation from Jeremy
Joe Locke: Makram
by Neil Duggan
One of the leading vibraphone specialists of the 21st century, Joe Locke has won multiple awards and performed with artists as diverse as the Beastie Boys and Ron Carter. It's not just his musicianship on the vibraphone that sets him apart. He is a highly versatile arranger, incorporating soul and international influences. Named after the Lebanese ...
Transmigration
Label: Self Produced
Released: 2021
Track listing: Betcha Sting; WWMD; Intro to Modjadji; Modjadji; Ever Recurring Story of September; Papa Bear; Someday My Prince
Will Come; Mine Or Blues; Let Me Finish.
Melanie Charles, Leo Sidran, Irène Schweizer, Ofentse Moses Sebula & Other New Releases
by Ludovico Granvassu
Leo Sidran and Kat Edmonson's latest single introduce the Art of Conversation in jazz. Irène Schweizer & Hamid Drake, and Javier Santiago & Melanie Charles continue it as a dialogue; Keith Brown and Garage a Trois as a trialougue; Dina Ramirez, Roberto Negro, Erik Fratzke as a quadralogue; Jacques Schwarz-Bart, Makram Aboul Hosn, Ofentse Moses Sebula ...
Makram Aboul Hosn: The Spirit Lives
by Ian Patterson
Music does not have the power to right the wrongs of the world, but when it works its magic, it can soothe troubled souls and uplift battered spirits like few other things. Lebanese bassist/composer Makram Aboul Hosn's second album, Transmigration (Self Produced, 2021) is proof of that. It is a fine album, steeped in ...
Makram Aboul Hosn: Transmigration
by Ian Patterson
It is testament to bassist/composer Makram Aboul Hosn's tenacity that Transmigration has seen the light of day at all. Awarded a grant from the Arab Fund for Arts and Culture at the end of 2019, the Lebanese bassist had been all set to record the album in Europe with an international line-up. Then Covid-19 struck, adding ...
Clifton Anderson, Reggie Quinerly & Allan Harris
by Joe Dimino
We devote a full hour of Neon Jazz to the music and artists of 2021. A lot of music was backlogged from 2020, but it was time to take a long look at the artists who are making 2021 a special year for jazz. We start off with NYC trombonist Clifton Anderson and make our way ...
Lebanon: Jazz And The Revolution
by Ian Patterson
When people's anger and frustration spill onto Beirut's streets, music is one of the first things to suffer. Every few years, it seems, roads are blocked, and crowds swell the downtown areaangry at Syrian intervention or political assassination, enraged by Israeli attack, sick to the teeth of inadequate garbage collection. There's always something to ...