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Georgia Cécile's Brand New Timeless Classics
by Peter Jones
While Gregory Porter was waiting backstage during his four-night run at London's Royal Albert Hall in October, some friends in the audience texted him: Your support act is dope! Glasgow-born singer and composer Georgia Cécile is indeed dope, and her talent—developed over the last ten years—is finally being recognized: in 2020 she was nominated ...
Norah Jones: I Dream of Christmas
by Jim Trageser
With Tony Bennett's retirement, the mantle of legitimate straight-ahead pop crooners is now firmly in the hands of subsequent generations: Harry Connick, Jr., Diana Krall and Norah Jones. Not pure jazz singers, of which there are numerous stellar examples, these singers are more in the Bennett-Sinatra-Fitzgerald mold, bringing a jazz sensibility to pop music.
Chris Oatts Quintet featuring Terell Stafford at Chris’ Jazz Café
by Victor L. Schermer
Chris Oatts Quintet featuring Terell Stafford Chris' Jazz Café Live and Streaming Philadelphia, PA September 10, 2021 This was the reviewer's first time at a live performance in a jazz club since the start of the corona virus pandemic a year and a half ago. A ...
Margie Evans, Iconic And Sophisticated Queen Of The Blues, Dies At 81
Margie Evans, a legendary, international Blues and Gospel entertainer, songwriter, music producer, actress, music historian, community activist and motivational spokeswoman, who broke barriers for African American female Blues performers with poise, dignity and sophistication, died on March 19, 2021. In addition to her musicianship, Evans is noted as an activist for parity in music education as ...
La vita e la musica di Makaya McCraven
by Angelo Leonardi
Un ritratto di Makaya McCraven deve necessariamente considerare la mutazione antropologica che è avvenuta nell'ultima generazione di musicisti afroamericani che si spingono oltre la tradizionale sintesi tra jazz e generi popolari, usando creativamente la tecnologia sperimentata nell'ultimo trentennio dai DJ e produttori dell'hip-hop e della club culture. Le musiche di questo tumultuoso torrente ...
Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
Fire Music: When Jazz Speaks Out - Part 1
by Ludovico Granvassu
Music often distills the truth in ways that make it hard to ignore. The history of jazz is intertwined with the struggle for the advancement of the African-American society that birthed it. Many of its masterpieces were inspired by events that marked the civil rights movement, which, in turn, drew inspiration from them. Let's look back ...
A Jazz Immuno-Booster: Part 7
by Ludovico Granvassu
The immuno-booster series continues, and confirms its wide-ranging nature. In this seventh installment the selections range from Stevie Wonder to Mahalia Jackson, passing through Myra Melford, Lyle Mays, Bill Frisell, Charlie Haden, John Coltrane, The Weather Report and Lea Bertucci, who surprisingly seems to take off where Jacobus Gallus left a few hundred years earlier. Mina ...
Jazz and the Dream of Martin Luther King, Jr.
by Douglas Groothuis
Without jazz, there may have been no “I Have a Dream" speech by Martin Luther King Jr. Delivered at the August 28, 1963 March on Washington for Jobs and Freedom, this historic oratory is most known for improvisation--a skill without which there is no jazz--that was not found in his original written text. Moreover, the very ...
Results for pages tagged "Mahalia Jackson"...
Mahalia Jackson
Born:
Mahalia Jackson rose from Deep South poverty to world renown as a passionate gospel singer. Closely associated with the black civil rights movement, Miss Jackson was chosen to sing at the Rev. Dr. Martin Luther King Jr.'s March on Washington rally at the Lincoln Memorial in 1963. "I been 'buked and I been scorned/ I'm gonna tell my Lord/ When I get home/ Just how long you've been treating me wrong," she sang in a full, rich contralto to the throng of 200,000 people as a preface to Dr. King's "I've got a dream" speech. That was truly a historic occasion. The song, which Dr. King had requested, came as much from Miss Jackson's heart as from her vocal cords
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