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6

Article: Album Review

Kirk Whalum: Humanité

Read "Humanité" reviewed by Chris Mosey


The saxophone solo on Whitney Houston's “I Will Always Love You" was the work of Kirk Whalum. He played too at the memorial concert for African American astronaut Ronald McNair, killed when the space shuttle Challenger blew up during take-off in January 1986. He's no great shakes as a vocalist but Humanité features guest appearances in ...

8

Article: Album Review

The Soul Rebels: Poetry In Motion

Read "Poetry In Motion" reviewed by Chris Mosey


The Soul Rebels is an eight-piece, New Orleans brass ensemble that employs elements of soul, jazz, funk, hip-hop, rock and pop. The group has been described by the Village Voice as “the missing link between Public Enemy and Louis Armstrong." The band aims to provoke. The title of this album derives from a ...

12

Article: Multiple Reviews

Erroll Garner: The Octave Remastered Series: Part 1

Read "Erroll Garner: The Octave Remastered Series: Part 1" reviewed by Peter J. Hoetjes


Part 1 | Part 2Most people's appreciation for Erroll Garner begins and ends with Concert By The Sea (Columbia, 1955), the pianist's career-defining performance for an audience of U.S. Infantrymen at the Sunset School in Carmel, California, just ten minutes away from the filming location of Clint Eastwood's jazz-tinged thriller featuring “Misty," his most ...

3

Article: Album Review

Erroll Garner: Octave Remastered Series

Read "Octave Remastered Series" reviewed by Chris Mosey


In 1958 jazz pianist Erroll Garner became embroiled in a bitter legal battle with Columbia Records over money and the fact that the company had released an album of his early work against his wishes. He cancelled his contract with the company and started recording instead for his own label, Octave, making up on lost income ...

7

Article: Album Review

Veronica Swift: Confessions

Read "Confessions" reviewed by Mike Jurkovic


A born be-bopper, it's literally impossible not to love the energy that 25 year old Veronica Swift brings to her game. Soulfully infused with an infectious passion for jazz past and future, she is building a grand foundation for a long and colorful career, guaranteeing plenty of great performances and listenings along the way.

8

Article: Album Review

Veronica Swift: Confessions

Read "Confessions" reviewed by Chris Mosey


Times change. In the Me Too era it is clearly politically incorrect for a female singer to sidle up to the microphone and huskily breathe “My Heart Belongs To Daddy" like Julie London used to do. Or even, for that matter, to lustily proclaim “Diamonds are a Girl's Best Friend" like Marilyn Monroe. But a residue ...

6

Article: Album Review

Jesse Palter: Paper Trail

Read "Paper Trail" reviewed by Chris Mosey


Carole King and her then husband Gerry Goffin once wrote a song titled “Will You Still Love Me Tomorrow?" It was condemned in some quarters as being likely to encourage promiscuity and this gave King and Goffin a certain cachet. The song was originally recorded in 1960 by the African American girl group The Shirelles and ...

7

Article: Album Review

Herlin Riley: Perpetual Optimism

Read "Perpetual Optimism" reviewed by Chris Mosey


Herlin Riley, a drummer from New Orleans, is a member of the Lincoln Center Jazz Orchestra, led by Wynton Marsalis. Indeed, he played a large part in developing the drum parts for the Pulitzer Prize-winning album by Marsalis, Blood on the Fields (Columbia, 1997). On his own album, Riley leads a mainstream quintet ...

5

Article: Album Review

Joey DeFrancesco: In The Key Of The Universe

Read "In The Key Of The Universe" reviewed by Doug Collette


Joey DeFrancesco has stretched himself regularly throughout the course of thirty-plus albums. Just since Project Freedom (Mack Avenue, 2017) he's collaborated very productively for two albums with the Irish soulman Van Morrison--You're Driving Me Crazy (Sony Legacy, 2018) and The Prophet Speaks (Caroline, 2018). And, on In The Key of the Universe, the organist/trumpeter reaffirms his ...

8

Article: Album Review

Julian Lage: Love Hurts

Read "Love Hurts" reviewed by Doug Collette


By the release of Modern Lore (Mack Avenue, 2018), Julian Lage had fully established his very own style of modern jazz, one arising directly from his approach to the electric guitar. Justifiably proud of what he's accomplished to date, yet not content to rest on his laurels, Lage stretches himself on Love Hurts, simultaneously freshening the ...


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