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Allison Miller: Boom Tic Boom
by Lyn Horton
Opening with a set of cymbal crashes amid a tight-knit kit rumble that segues into the rhythmic pulse, drummer Allison Miller begins her second album with “Cheyenne," one of four original compositions written for this group. Joining Miller in her trio are Myra Melford (piano) and Todd Sickafoose (bass). Violinist Jenny Scheinman does a sprightly guest ...
David Haney Trio: Blue Flint Girl
by Lyn Horton
Pianist David Haney pulls together a trio with two bassists--Michael Bisio and Adam Lane--on Blue Flint Girl. Not only does this unusual instrumentation peak curiosity, but it also leads to an uncommon sound. The beauty of recording for CIMP is that the music grows like a flower. The seeds are planted before the music starts and ...
Rakalam Bob Moses: Father's Day B'hash
by Lyn Horton
Accepting the offer of a fellow instructor at the New England Conservatory for free studio time, drummer Rakalam Bob Moses assembled a band of evolving musicians and longtime collaborator Stan Strickland (tenor saxophonist and clarinetist), to record, on June 16, 2006, Father's Day B'Hash. Moses proposed ideas for saxophonists Strickland, Ommudra Thomas Arabia, Nick Videen, Luis ...
Matthew Shipp: Traversing The Regions of the Mind
by Lyn Horton
On May 17, 2009, at 6 pm, Matthew Shipp walked through the front door of Roulette, a performance venue on the Lower East Side in New York City. His face appeared no more or less expressive than it normally does. He is wont to demonstrate his feelings facially, except through laughter and an occasional smile. On ...
Gato Barbieri: In Search of the Mystery
by Lyn Horton
Argentinean reed man Gato Barbieri began his career in the 1960s, looking to establish a voice that separated him from his native musical language. Having recorded twice in bands led by his mentor, trumpeter Don Cherry, in Paris and with Italian pianist Giorgio Gaslini's large ensemble in Milan prior to this recording, Barbieri decided to go ...
Eri Yamamoto Trio: In Each Day, Something Good
by Lyn Horton
Half of the ten tracks on Eri Yamamoto's In Each Day, Something Good were composed to accompany a 1932 silent film by historic director Yasujiro Ozu, called I Was Born, But... Pianist Yamamoto describes the film, in the liner notes of this sixth album with her trio, as “a film about the unchanging human situation...serious and ...
Joe McPhee: Alto
by Lyn Horton
It takes a certain amount of confidence for a musician to stand alone on a stage or in a recording studio and play an instrument. One of the few masters of jazz reed instruments, Joe McPhee still proceeds to make music as if for the first time. He is a master of the instruments he plays ...
Garrison Fewell: Variable Density Sound Orchestra
by Lyn Horton
For the descriptively-titled Variable Density Sound Orchestra, guitarist Garrison Fewell has assembled a group whose members expertly develop the thematic content central to the pieces on the album. All but one are composed by Fewell, the disc closing with Butch Morris' “Namthini's Shadow." Trumpeter Roy Campbell, Jr. plays with Fewell for the first time here, the ...
Joe McPhee & Fred Lonberg-Holm: Their First Duet, University of Chicago
by Lyn Horton
Joe McPhee and Fred Lonberg-Holm Bond Chapel, University of ChicagoChicago, IL November 9, 2009 Saxophonist Joe McPhee and cellist Fred Lonberg-Holm have long been bandmates in Peter Brötzmann's Tentet, as well as in McPhee's Survival Unit III and in other groups formed during their mutual acquaintance. But never have ...
Jason Lindner: Now Vs. Now
by Lyn Horton
In the debut of the project Now vs. Now, keyboardist and composer Jason Lindner seizes onto a multi-lingual, multi-faceted approach to convey a global message of peace through non-violence. The group includes Panagiotis Andreou on electric bass and drummer Mark Guiliana, providing a core for the multi-ethnic group of artists Lindner has chosen to augment his ...
