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Results for "Louis Moholo"
Irene Schweizer - Pierre Favre: Live in Zurich
by Giuseppe Segala
Come dice Ekkehard Jost nel suo fondamentale volume Europas Jazz (Fischer Verlag, 1987), “Negli anni attorno al 1970, in un fase storica relativamente breve, il Jazz europeo trovò se stesso." Gli elvetici Irène Schweizer e Pierre Favre sono tra coloro che contribuirono fortemente all'identità europea di una musica che fino a quel momento aveva vissuto quasi ...
Torino Jazz Festival 2014
by Alberto Bazzurro
Varie sedi--25.04-1.05.2014 Benché bersagliata da intemperanze meteorologiche d'altro canto non nuove, in questa sede, la terza edizione del Torino Jazz Festival (seconda sotto la direzione artistica di Stefano Zenni) ha visto una partecipazione di pubblico che definiremmo oceanica, al punto che--per esempio--si è rivelato praticamente impossibile accedere ai concerti in giro per i ...
Pino Minafra: musicista militante
by Libero Farnè
Negli ultimi anni Pino Minafra non ha trovato uno spazio adeguato sulle riviste specializzate e questa trascuratezza nei suoi confronti non si giustifica se si considera la sua attività sempre vulcanica e fortemente orientata; non solo, ma basta avere l'occasione di incontrarlo e stuzzicarlo un po' perché la sua voce si alzi animosa, corrosiva e costruttivamente ...
Wadada Leo Smith: I'm A Dreamer
by John Sharpe
As dreamers go trumpeter Wadada Leo Smith lies at the more serious end of the spectrum. Not for him dreams that fade with the daylight, as evidenced by the realization of his epic Civil Rights inspired Ten Freedom Summers (Cuneiform, 2012). Smith actually composed the first piece of what developed into a 21 piece magnum opus ...
Cape Town Jazz Festival 2013
by Dan Bilawsky
Cape Town Jazz Festival 2013Cape Town, South AfricaApril 5-6, 2013Music has the power to transport those on the receiving end to another place, but the terms of travel are usually figurative in nature. For four North American journalists, however, the figurative took fantastic form with an offer to visit Cape Town, soak in ...
Working Week: Working Nights
by Bruce Lindsay
Many contemporary music and cultural commentators disparage the UK's '80s pop scene as a time seemingly in thrall to new technologies, and whose throwaway commercial hits are long forgotten--and rightly so. Is that really how it was though? Others look far more fondly on the decade's music, remembering its brief dalliance between pop culture and jazz ...
"Stonephace" Stabbins: Transcendental
by Bruce Lindsay
On his thirteenth birthday Larry “Stonephace" Stabbins, already a promising saxophonist, bought John Coltrane's Africa/Brass (Impulse!, 1961). The impact was immediate and long-lasting, as Stabbins writes in the liner notes to Transcendental. By the early'70s he was an established player on the UK jazz scene. Forty years on, the sound of Africa/Brass still influences Stabbins and ...
Freeform in the U.K.
by Sammy Stein
Freeform and improvised jazz is having a hard time at the moment. Venues have to make tough choices between pleasing what is a smaller cohort of customers and bringing new, maybe transient, but paying clients who are attracted by big names, standards and music they know. Customers have less cash in these difficult economic times, so ...
Chris McGregor: In His Good Time
by Chris May
Founder of South African group the Blue Notes and, later in London, the Brotherhood of Breath, pianist Chris McGregor (born in the Transkei to Scottish missionary parents) was among the first musicians to take what became known as “township jazz" beyond South Africa, when he and the Blue Notes went into voluntary exile in 1964. Like ...
The Fire, Regardless
by Nic Jones
If considered together a couple of recent archival releases (The 100 Club Concert 1979 (Reel Recordings, 2012), by saxophonist Elton Dean's Ninesense and Mike Osborne Trio The Birmingham Concert (Cadillac, 2012), by the Mike Osborne Trio) and one reissue (Wilderness of Glass ((Awake, 2012), by Triton) remind us of how creative improvised music happens, regardless of ...
