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Jazzwax List: Lou's Organists
Lou Donaldson was one of the first alto saxophonists to perform and record consistently with a Hammond B3 behind him. He used the sound extensively on the road in the '50s while touring across the country and developed a new jazz-funk approach in the '60s. Here's a list of the groovy organists who have recorded with ...
Bobby Zankel: Peaceful Jazz Warrior
by Victor L. Schermer
For many decades, Philadelphia has been home to a cadre of multi-generational jazz musicians who go on year-after-year composing, arranging and performing some of the best, highest level music to be heard anywhere. This tradition is exemplified in no better way than by alto saxophonist, composer and bandleader Bobby Zankel. Zankel apprenticed with legendary ...
Lou Donaldson in the WSJ
I typically do not post on Saturdays, but I wanted to let you know that my profile of Lou Donaldson appears today in the “Greater New York" section of the Wall Street Journal. If you have access to WSJ.com, you'll find my article here. The first three paragraphs... Few musicians today can claim to have changed ...
Ximo Tebar: Merging Sounds Into a Jazz Style
by Josep Pedro
Musician, producer and director of his own music school, Ximo Tebar stands out as the main jazz figure in Valencia, Spain. His music and talent, however, have also given him an international stature as an excellent guitarist and composer. His frequent collaborations with some of the finest musicians in the jazz scene, the stylistic variety of ...
Champian Fulton: The Breeze and I
by Jerry D'Souza
For anyone unfamiliar with her music, Champian Fulton is a delightful surprise--a waft of fresh air; a ray of sunshine that can brighten the darkest day. Fulton is a versatile pianist and singer who ingrains herself into the sentiment of a song. She has depth, emotional pitch and depth that rise to a high ...
One Track Mind: Lou Donaldson "Peepin'" (1967)
By PicoOne of my favorite funk-jazz albums of all time isn't by a crossover act like the Crusaders or Herbie Hancock's Headhunters, but by a living giant of a jazz alto sax blower. I'm talking about Lou Donaldson. Starting out as a very good Charlie Parker disciple leading bebop sessions on par ...
Giacomo Gates: An Unconventional Backstory
by Sean Dietrich
Giacomo Gates brings a rich, full-bodied timbre to the vocal jazz table. His pure vocalese approach has earned him lauds among critics, who hail him a champion artist in the modern jazz genre. He's been performing alongside the most recognized artists in the industry, using only his voice to produce a broad range of spectral color. ...
Interview: Lou Donaldson (Part 3)
Between mid-1955 and the start of 1957, Lou Donaldson did not record for reasons he outlines below. Instead, he booked a long string of urban clubs across the country and toured them back and forth while fronting a quintet that included organist Big John Patton. Along the way, Lou became creatively comfortable with the sax-organ sound, ...
Interview: Lou Donaldson (Part 2)
Jazz writers aren't in complete agreement about the first hard-bop recording. Many point to Miles Davis' Walkin', recorded in April 1954. Others choose recordings from slightly later. I'd have to say that the first hard-bop date--where the trumpet and saxophone operate in unison with an r&b feel, backed by big steady, swinging beat--would have to be ...
Interview: Lou Donaldson (Part 1)
Lou Donaldson helped invent two major jazz movements. In 1952, he led a Blue Note recording that became one of the earliest hard bop sessions. The date included Blue Mitchell, Horace Silver, Percy Heath and Art Blakey. Seven months later he recorded with trumpeter Clifford Brown. Then in 1957, Lou began recording a series of albums ...
