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Results for "Lou Donaldson"
Lou Donaldson: Blues Walk – 1958
by Marc Davis
There's a tendency among some jazz purists to poo-poo Lou Donaldson. Not flashy enough, they say. Not groundbreaking. Too bluesy, too simple. Predictable. Derivative. A notch below the best Blue Note saxmen. A craftsman, not an artist. Aw phooey! I like Lou Donaldson and I don't mind anyone knowing. It has always ...
Abdullah Ibrahim & Ekaya at the Michigan Theater
by C. Andrew Hovan
Abdullah Ibrahim & Ekaya Michigan Theater University Musical Society 22nd Annual Jazz Series Ann Arbor, Michigan October 21, 2015 The opportunities to hear some of the remaining jazz legends outside of their home environs are becoming increasingly rare these days. In the case of pianist Abdullah Ibrahim, it is downright ...
Fred Hersch Trio at The Village Vanguard
by Dan Bilawsky
Fred Hersch Trio Village Vanguard New York, NY October 26, 2015 While sitting in wait before a set at New York's Village Vanguard, the eyes are inevitably drawn to the various photos, posters, and odds and ends lining the walls--images and items that may seem random and incongruous to the ...
Pat Bianchi Trio: A Higher Standard
by Dan Bilawsky
Fiery displays, lyrical expressions, bluesy statements, punchy interludes, torrential downpours of notes, and space-conscious thoughts all come to the surface on this well-crafted trio date from rising star organist Pat Bianchi. While Bianchi has drawn a lot of attention for his sideman work with such high profile artists as saxophone legend Lou Donaldson, ...
Sweet Lu Olutosin: Sweet Lou's Blues
by Geannine Reid
Lu Olutosin, aka 'Sweet Lu,' is an innovative vocalist based in the Washington D.C. area. Olutosin served for thirty five years in the Military as a Police Officer and archived the rank of Colonel. Upon retiring from the Military, Olutosin found that his calling to be a jazz vocalist was still as strong as it was ...
Telmo Fernandez Organ Trio: The Soul Jazz Beat Vol. 1
by Bruce Lindsay
The Telmo Fernández Organ Trio is a bit of a throwback--to the classic hard bop organ trios of yore. The title of the trio's first album, The Soul Jazz Beat Vol. 1, tells it like it is--a soulful, jazzy, collection that's high on melody and groove, a head-shaking and hip-swinging sort of album, low on pretention ...
Funk Jazz: '60s-'70s
by Douglas Payne
Somewhere between the soul-jazz of the early sixties (often called funk" in its day) and the disco of the mid-seventies, funk jazz was born. Rock was already crossing over into jazz. And it just made sense that rock would inject soul jazz with a greater sense of urgency and a stronger feel for the groove.
Jason Stillman: Prelude
by Jack Bowers
Alto saxophonist Jason Stillman's Montreal-based quartet makes its recorded debut on Prelude, a sunny and engaging blend of Stillman originals and jazz standards whose spacious boundaries provide ample room for ardent blowing, especially by Stillman and pianist Josh Rager. Although the group has been a working unit for more than five years, Stillman waited until the ...
Brian Charette: Alphabet City
by Bruce Lindsay
Alphabet City is organist Brian Charette's ninth album, titled for the part of Manhattan where he lives (in the building which featured on the cover of Led Zeppelin's Physical Graffiti, apparently). He's alongside guitarist Will Bernard and drummer Rudy Royston, both familiar names on numerous other releases for Posi-tone Records: a standard, though high quality, organ ...
Art Blakey and the Jazz Messengers: Moanin’ – Blue Note 4003
by Marc Davis
Jazz fans will argue forever over the best version of The Jazz Messengers. Was it the group with Wayne Shorter and Lee Morgan that made A Night in Tunisia in 1960? The 1954 edition with Horace Silver, Clifford Brown and Lou Donaldson that made A Night at Birdland? (Which isn't technically a Jazz Messengers album, but ...

