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1,216

Article: Interview

Theo Travis: From Prog to Jazz and Back Again

Read "Theo Travis: From Prog to Jazz and Back Again" reviewed by Bruce Lindsay


British musician Theo Travis has one of the most varied performing and recording histories to be found among contemporary jazz musicians. A talented saxophonist, flautist and composer, Travis has performed solo, in duos and quartets, in straight ahead jazz combos and in electronic, improvisational groups. He has performed live soundtracks in cinemas, ...

403

Article: Album Review

Theo Travis: Slow Life

Read "Slow Life" reviewed by John Kelman


Between solo albums like Earth to Ether (33 Jazz, 2004) and Double Talk (33 Jazz, 2007), and working with progressive/fusion bands including Porcupine Tree, Gong, The Tangent, and Soft Machine Legacy, Theo Travis has become one of England's hardest working woodwind multi-instrumentalists. A fine player with a broad vernacular--blending the jazz tradition with a deeper understanding ...

510

Article: Album Review

Patrick Moraz / Bill Bruford: In Tokyo

Read "In Tokyo" reviewed by John Kelman


Known as the art rock drummer who ultimately found his way to jazz, Bill Bruford doesn't appear to be letting up. It's been a busy year: the supposedly retired drummer published his thoroughly engaging Bill Bruford: The Autobiography (Jawbone, 2009) and participated in a whack of interviews; he's released what he claims will be his final ...

519

Article: Album Review

Pianocircus featuring Bill Bruford: Skin and Wire

Read "Skin and Wire" reviewed by John Kelman


For his final release of “new" music, percussionist Bill Bruford collaborates with Pianocircus—an all-keyboard ensemble best-known for its unique coverage of largely contemporary classical music, fitting somewhere between Steve Reich and Phillip Glass' systems music and the avante leanings of Estonian Erkki-Sven Tüür and David Lang. With four of Pianocircus' six members alongside Bruford and bass ...

209

Article: Album Review

Anekdoten: Chapters

Read "Chapters" reviewed by John Kelman


The influence of art rock bands like King Crimson continue to be felt into the new millennium, but when progressive rock began to make a comeback in the early 1990s--first in the underground, then in recent times to an even larger audience--albums that had been overlooked back in the day suddenly became hugely influential. Anekdoten began ...

218

Article: Album Review

Ozric Tentacles: The Yumyum Tree

Read "The Yumyum Tree" reviewed by Glenn Astarita


Twenty-five years and still going strong, legendary U.K. prog-rock outfit Ozric Tentacles releases its first studio album since 2006's The Floor's Too Far Away (Magna Carta Records). Interestingly enough, the musicians recently moved to Colorado to hone in on the U.S. festival and jamband scenes. This 2009 date doesn't proclaim anything strikingly new, when ...

873

Article: Album Review

Willie Oteri / Dave Laczko: WD-41

Read "WD-41" reviewed by Glenn Astarita


The conceptual, avant-garde mode of electronics-based implementations receives a slender uplift, thanks to guitarist and effects maestro Willie Oteri's collaboration with trumpeter Dave Laczko. This 2009, download-only, release is a spacey trip; chock full of loops, streaming synth noises, and fractured sojourns into the cosmic void. Oteri's résumé includes collaborations with latter-day King Crimson ...

323

Article: Album Review

Crimson Jazz Trio: King Crimson Songbook Volume 2

Read "King Crimson Songbook Volume 2" reviewed by Bruce Lindsay


With The King Crimson Songbook Volume 1, (DGM Live, 2005), the Crimson Jazz Trio reinvigorated some of the best tunes from one of the most influential progressive rock bands of all. The trio's drummer, Ian Wallace, played with King Crimson in the 1970s and was crucial to the sound of their fourth album, Islands (Island, 1971), ...

346

Article: Album Review

The Aurora Project: Shadow Border

Read "Shadow Border" reviewed by Glenn Astarita


The band members of The Aurora Project started playing as a jamband during the '90s in their native Holland. Shadow Border is the group's second album, following several years of performing at European progressive rock festivals. This studio outing provides a bit of credence to the musicians' extensive affiliations as an entity. With memorable hooks embedded ...

526

Article: Album Review

KTU: Quiver

Read "Quiver" reviewed by John Kelman


There's often considerable difference between live and studio recording, where the facility's greater capacity for control and manipulation can almost become an additional band member. Still, for some the difference is a subtle one. In the case of KTU--a collective that began with half of King Crimson (Warr guitarist Trey Gunn and traps/button man Pat Mastelotto) ...


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