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2019: The Year in Jazz
by Ken Franckling
The year 2019 was robust in many ways. International Jazz Day brought its biggest stage to Australia. An important but long-shuttered jazz mecca was revived in a coast-to-coast move. ECM Records celebrated a golden year. The music and its makers figured prominently on the big screen. The National Endowment for the Arts welcomed four new NEA ...
Celebrate the 2019 NEA Jazz Masters with the National Endowment for the Arts Free Tickets to the April 15 Tribute Concert Available Now!
The National Endowment for the Arts will honor the 2019 NEA Jazz Masters—recipients of the nation’s highest honor in jazz—at a series of free events this April, held in collaboration with the John F. Kennedy Center for the Performing Arts in Washington, DC. These events—a concert with performances by stars of the jazz and music world, ...
Flame Keepers: National Jazz Museum in Harlem
by Karl Ackermann
On 129th Street, in the heart of Harlem, Loren Schoenberg emerges from a crowded back room with an unusual looking recording. Aluminum discs like the one he holds, were the first instant, electrical means of recording. Invented in 1929 they were a means of allowing radio stations to record and archive live programs that could be ...
Jon Batiste: Staying Human
by Bob Kenselaar
Jon Batiste was named the bandleader of The Late Show with Stephen Colbert (related news). This interview was originally published in January 2013. Nearly everything about Jonathan Batiste is steeped in New Orleans--from the way he talks, walks, and claps his hands to the way he plays the piano, composes, and leads his Stay ...
Chris Smith: At The Intersection Of Scholarship, Performance and Pedagogy
by David A. Orthmann
In the introduction to his book Jazz Matters (University Of California Press, 2010), David Ake writes about bringing “together the practical side of making jazz, the pedagogical side of teaching it, and the academic side of writing about it." (p. 12) “Nothing but good," Ake adds, “can come if we increase the numbers of scholars who ...
Pointing Fingers... And Naming Names
by Jack Bowers
As the countdown continues toward the last Big Band Report in June, the time has come to point fingers and name names--in other words, to compile a short list of contemporary jazz musicians who have risen above the norm to help make life more pleasurable for one devoted listener. These are, mind you, personal choices, and ...
Jonathan Batiste: New York, NY, December 12, 2012
by Bob Kenselaar
Jonathan Batiste and the Stay Human Band National Jazz Museum in Harlem Metropolitan Community United Methodist Church New York, NY December 12, 2012Go to any of the major New York City jazz venues and you'll sometimes get the feeling you're in church. The crowds are polite and ...
Christian McBride: Knocking on the Door
by Bob Kenselaar
Christian McBride was talking about the Grammy he received in October, 2011 for his big band album, The Good Feeling (Mack Avenue, 2011)--his first Grammy as a leader and third overall. While the bassist certainly appreciated getting the nod from his peers and from the Recording Academy, he said he gets just as much of a ...
Nova Jazz Orchestra / Christian McBride Big Band / NYJO
by Jack Bowers
Nova Contemporary Jazz OrchestraWho Sez You Can't Dance to Bebop?Nova Jazz2010 When last heard from, Minnesota's dauntless Nova Jazz Orchestra was performing alongside the legendary Stan Kenton Orchestra--well, not actually “alongside," but as part of the Tantara label's ongoing two-disc salute to Kenton, Double Feature, Vol. 2. ...
Loren Schoenberg: From Benny Goodman to The Savory Collection
by AAJ Staff
Saxophonist, band-leader and writer Loren Schoenberg, now Executive Director of the National Jazz Museum in Harlem, spent an interesting childhood and teenager-hood growing up in New Jersey in the 1970s, meeting and befriending both Teddy Wilson and Hank Jones, and ultimately becoming employed by Wilson's famous '30s boss, Benny Goodman. Schoenberg was first an assistant to ...
