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Massimo Cavalli
Born:
Born in Italy in 1969. He moved to live in Portugal in 1996. Studied jazz double bass at Oporto University where he got his degree in 2006 and his master’s degree in jazz in 2011. He has a PhD degree in jazz performance by the Évora University. He worked and played with artists such as: Dave Liebman, Jean Pierre Como, Antonio Faraò, Benoît Sourisse, André Charlier, Perico Sambeat, Ferdinando Faraò, Eric Séva, Laurent Filipe, Melissa Walker, Barry Wallenstein, Fernando Tordo, Amelia Muge, Susana Félix, Alexandre Diniz, Jacinta & Michael Bluenstein, Ricardo Pinheiro, Ala dos Namorados, Fiçcões, Joel Xavier e Didier Lockwood, Politonia, João Luzio, Mafalda Arnauth, Mafalda Veiga e João Pedro Pais, Alexandre Frazão, Mário Delgado, Bruno Santos and Jorge Moniz among others
Jazz em Agosto 2019
by Stefano Merighi
Jazz em agosto Lisbona 1-4.8.2019 Resistenza e narrazioni. Questo in sintesi il filo conduttore dell'edizione 2019 di Jazz em Agosto, in corso di svolgimento come sempre presso la fondazione Gulbenkian a Lisbona. Un'edizione “militante," dunque, sebbene non così originale come in altre occasioni, vista la ripresa di ...
European Jazz Conference Lisbon 2018: Portuguese showcases
by Henning Bolte
Centro Cultural de Belém (CCB); Livraria Ler Devagar European Jazz Conference Lisbon 2018 Lisbon, Portugal September 13-15, 2018 European Jazz Conference Lisbon 2018: Portuguese showcases This year's annual European Jazz Conference, a convention organized by the European Jazz Network, took place at Centro Cultural de Belém (CCB) in the Portuguese capital ...
European Jazz Conference 2018
by Ian Patterson
European Jazz Conference 2018 Centro Cultural de Belém Lisbon, Portugal September 13-15, 2018 It was on the very edge of South-Western Europe, in Lisbon, that the European Jazz Conference celebrated its fifth annual gathering. The three hundred plus delegates from thirty five countries who convened in the Centro Cultural de ...
Jazz em Agosto 2018
by Petra Cvelbar
For the first time in its history, the entire Jazz em Agosto programme was organised around a single musician. And the choice could hardly fall on a more striking name--both for the history of the festival and for the fundamental course of music he helped shape in the last decades: John Zorn, an artist with a ...
Funchal Jazz Festival 2018
by Ian Patterson
Funchal Jazz Festival 2018 Santa Catarina Park Madeira, Portugal July 12-14, 2018 A stunning tableau greets visitors to the Funchal Jazz Festival entering by the main gate, at the top of Santa Catarina Park. The first thing that catches the eye are the spectacular trees that define the park's boundaries. ...
Clean Feed 2018
by Mark Corroto
Since it's inception in 2002, Lisbon, Portugal's Clean Feed Records has released nearly 500 recordings. Last year the total was 64. Keeping up with their output might be the best way to follow innovative jazz and improvised music in the 21st century. Besides releasing music by masters such as Peter Brotzmann, Joe McPhee, Ivo Perelman, Elliott ...
35th Edition Of Jazz Em Agosto - John Zorn Special Edition
Jazz em Agosto celebrates its 35th edition this year with a program entitled “John Zorn Special Edition”, for 10 days, from 27 July to 5 August, at the Calouste Gulbenkian Foundation. For the first time in the festival’s history, the entire program of Jazz em Agosto is organised around a single musician, the North- American John ...
Results for pages tagged "Lisbon"...
Javier Subatin
Born:
Javier Subatin was born in Buenos Aires in 1985 and he is now living in Lisbon. In Buenos Aires, at the age of ten, he felt the calling for music and guitar playing. When he was 14 he started composing music for guitar and different ensembles and his curiosity about music led him to study jazz guitar, improvisation and composition with several teachers. In 2005 he completed the first year of the Bachelor on Electroacoustic Composition at the Quilmes University and in 2008 he got a Bachelor’s degree in popular music with a specialization in Tango guitar. Between 2012 and 2013 he studied music production at INARTEC
Joao Barradas: A New Place For The Accordion In Jazz?
by Chris Mosey
In the 1940s Art van Damme swung sweetly on the accordion with cover pictures of beautiful girls sipping cocktails. Then, in the 1950s, the ebullient Angelo DiPippo introduced the instrument to hipsters at the Newport jazz festival before going on to play in the wedding sequence of the first Godfather movie.
