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Lisa Maxwell's Jazz Orchestra: Shiny!
by Angelo Leonardi
Esce in questi giorni, dopo una lunga gestazione, il debutto da leader di Lisa Maxwell, talentosa compositrice e arrangiatrice nota nell'ambiente del jazz statunitense e negli studios di registrazione. Lisa ha orchestrato e diretto colonne sonore per film e serie televisive, collaborato anche come sassofonista con gruppi rock (Guns 'n' Roses, Lenny Kravitz, Carole King), jazz ...
Results for pages tagged "Lisa Maxwell"...
Lisa Maxwell
Born:
The Beginning Chubby Checkers, dancing with my 2 older sisters and baby brother to “Do the Twist”. Roy Orbison, “Pretty Woman”, The Beach Boys, Julie Andrews, “The Sound of Music”, Gordon McCrae, “Oh What a Beautiful Morning”, The Supremes, The Beatles, Laura Nyro, Joni Mitchell Bonnie Raitt, J Geils, BB King, Charlie Musselwhite, Howlin’ Wolf, JJ Cale, J. Geils, Taj Mahal, John Mayall. I especially loved the blues. So goes a brief history of some of those that influenced me the most and the deepest early on and up to the point that I started to find my own voice
Happy
By Lisa Maxwell
Label: Self Produced
Released: 2011
Track listing: I'll Take Romance; You Can't Lose a Broken Heart; Sunday in New York;
The Folks Who Live on the Hill; It Might As Well Be Spring; Someone To
Watch over Me; My Heart Goes with You; This Is Always; Going Out of My
Head; Blue Moon; Under a Blanket of Blue; June Night; Skylark; A
Wonderful Guy.
Lisa Maxwell with the Keith Ingham Quartet: Happy
by C. Michael Bailey
Lisa Maxwell's debut, Return to Jazz Standards (Self Produced, 2010), was well-received when released, marking the New York singer's recovery and comeback from a vocal cord disorder that sidelined her for several years earlier in the decade. Maxwell returns with Happy, a recital of not-so-standard standards, supported by Maxwell's coach, pianist Keith Ingham, and his fine ...
Lisa Maxwell: Return to Jazz Standards
by C. Michael Bailey
Singing jazz standards will never go out of style; the songbook is too fertile, the audience too willing, and the erstwhile jazz vocalists (at least women) too plentiful. The result is a market clotted with a legion of releases where the signal-to-noise ratio is not favorable for the independent artists. But some worthy examples do rise ...
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