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Wes Montgomery: In the Beginning
by Luca Canini
Anche i giganti hanno cominciato da piccoli. Lontani dai riflettori e dalle luci delle capitali del jazz, sui palchi più o meno scalcagnati di una città qualunque. Indianapolis, nel caso di Wes Montgomery. Prima della fama, prima di cambiare per sempre il concetto di sei corde applicato all'improvvisazione, è nel cuore del Midwest che il chitarrista ...
Playing It Forward: A Pair From Vibraphonist Anthony Smith
by Dan Bilawsky
There are two ways to look at the vibraphone: as an instrument with constructional properties that limit those who stand before it or as a portal to possibility that challenges players to rise above those limitations. Anybody with a pragmatic bone in their body understands and accepts the former as a truth of sorts, as yarn ...
Top Ten Guitarists Who Left Us Too Soon
by Alan Bryson
Ranking musicians is a hopelessly flawed endeavor. It's about as meaningful as having a list of the top ten best tasting foods. Taste is highly individualized, influenced by mood, familiarity, and the way in which multiple variables interact. One person's escargot is someone else's slice of Chicago style pizza. I just took a break and searched ...
Steve Herberman, Hristo Vitchev, Rick Stone and Harvey Valdes
by Dom Minasi
Welcome back to Guitarists Rendezvous, our third installment in a series that introduces readers to emerging or established guitarists who fly just under the radar of public recognition. Each will field the same four questions and we've included audio and video so you can sample their music. This installment includes a diverse group ...
Wes Montgomery: In The Beginning-Early Recordings from 1949-1958
by Hrayr Attarian
Guitarist Wes Montgomery, despite his tragically short life, was very prolific and immensely impactful. Equally adept at sophisticated instrumental virtuosity and lighter, more commercially appealing sounds, Montgomery influenced majority of guitar players who appeared on the jazz scene during the 1960s and after. Montgomery cut his first record Fingerpickin' for Pacific Jazz in 1958 ...
Oran Etkin: What's New? Reimagining Benny Goodman
by Dan Bilawsky
Those looking to preview some of the most interesting jazz offerings due to arrive in any given year know that New York's Winter Jazzfest is the place to do it. For more than a decade, this annual January happening has had its finger on the pulse of the jazz world, giving the press, the fans, and ...
Sinne Eeg & Thomas Fonnesbæk: Eeg-Fonnesbæk
by Dan Bilawsky
Danish vocalist Sinne Eeg is basically an unknown to American jazz listeners, but she's considered a vocal treasure on the other side of the pond. Three of her seven previous albums--Waiting For Dawn (Cope Records, 2007), Don't Be So Blue (Red Dot Music/EMI, 2010), and Face The Music (Stunt Records/Sundance Music, 2014)--have taken home Danish Music ...
Ron Aprea: On John Lennon, Jazz Legends, And Life In Music
by Dan Bilawsky
Picture this: The year is 1974 and you've just gotten off the road with Lionel Hampton. The phone rings, and on the other end of the line is an old buddy of yours. After a little small talk, he asks if you're available for a recording session. You indicate that you're free and ask him about ...
Sneak Peek For Thomas Chapin Film At Litchfield Jazz Fest
Join the Litchfield Jazz Festival's tribute to Thomas Chapin, tomorrow and Saturday at the Goshen Fairgrounds, in Goshen, Conn. for a musical concert featuring Chapin's music and a sneak peak of a new jazz film about him. Tomorrow evening August 7, the Litchfield Jazz Orchestra will salute Thomas Chapin as part of the festival's gala opening ...
Lee Smith: My Kind of Blues
by Victor L. Schermer
After nearly 40 years as a working bassist, Lee Smith has become a Philadelphia legend, playing gig after gig with just about everyone, including the Delphonics, Mongo Santamaria, Dizzy Gillespie, Roland Kirk, Lionel Hampton, and a host of Philadelphians, including Larry McKenna, Tom Lawton, Bootsie Barnes, Odean Pope, and the list goes on and on. In ...
