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Nilson Matta's Brazilian Voyage: Copacabana
by Howard Mandel
Everyone wants to go to Brazil, and one of the easiest, most pleasant ways of doing so is to listen to bassist Nilson Matta's Brazilian Voyage. The third album organized by Matta, a native of Sao Paolo who moved to Rio in 1970 and the U.S. in 1985, conjures the vistas and moods of a country ...
Paul Tynan & Aaron Lington: Bicoastal Collective: Chapter Six
by Gary Carner
If you ask yourself: What is the definition of meaningtul contemporary jazz? What do well-crafted jazz tunes played by stellar musicians sound like? How do you combine fresh music ideas with the heritage of jazz as we know it? How do you inject various harmonic layers into jazz compositions and still make it sound accessible? What's ...
Nicole Mitchell and Michel Edelin: The Ethiopian Princess Meets the Tantric Priest
by Howard Mandel
Nicole Mitchell and Michel Edelin are two of the most creative flutists in music of any sort today, brilliant improvisers with highly developed sensitivities to sound who share a passion for collaborating in real time. Yet their personal approaches to playing one of the oldest instruments in the world represent two far ends of an esthetic ...
Butch Morris: Current Trends in Racism in Modern America
by Howard Mandel
When a full house of ardent downtown music followers flocked to the old Kitchen, a performance loft on Broome Street in Manhattan's artsy Soho district on the cold night of February 1, 1985 to hear Current Trends in Racism in Modern America by Lawrence Douglas “Butch" Morris--I don't recall if it was advertised as “Conduction No. ...
Ark Ovrutski: 44/33
by Howard Mandel
Wherever a jazz musician starts their professional journey, he or she must come to grips with what one must do to create a personal approach based on technique, imagination and feeling. Composer and bassist Ark Ovrutski likes to say that since the age of 20 he has been an “international homeless traveller." But with the release ...
Ryan Kisor: Awakening
by C. Andrew Hovan
A man of few words, Ryan Kisor chooses to let his horn do the speaking and obviously it has said volumes over the years when you consider that the trumpeter is one of a select few musicians who has managed to sustain a viable career past the heydays of the jazz renaissance of the '80s and ...
Kahil El'Zabar: What It Is!
by Howard Mandel
Behold and behear: What It Is!, the 58th recording to feature composer-drummer/percussionist-bandleader-music director and interdisciplinary arts activist Kahil El'Zabar. The album debut of a six-year-old band comprising three Generation Next players who've emerged from the school of Chicago's renowned AACM (Association for the Advancement of Creative Musicians) with chops benefitting from 59-year-old Kahil's mentorship, What It ...
Ryan Kisor: Power Source
by C. Andrew Hovan
Taking full advantage of what might be termed his “second wind," Ryan Kisor has grown into one of the most mature trumpeters of his generation. Back in 1990 when he impressed his elders by taking the prize at the Thelonious Monk Institute trumpet competition, things appeared promising and a major record label deal even came through ...
David Kikoski: Surf's Up
by C. Andrew Hovan
It seems that the show tunes of the '30s, '40s, and '50s have served as fodder for several generations of jazz musicians, either providing their own melodies for subsequent development or lending their harmonic framework for the jazz writer to use as a basis for an original tune. Most recently, we've seen attention begin to shift ...
Ravita Jazz: Oriana
by Bill Milkowski
On his second outing as a leader, bassist-composer Phil Ravita recruited a close-knit crew of musicians that he's worked with in the Mid-Atlantic region since their time together in grad school at the University of Maryland, College Park. “We've known each other since 2007," he said of bandmates Greg Small on piano and Nucleo Vega on ...
