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Linda Oh: Persevering Against the Odds
by Mark F. Turner
In an arena that is overwhelmingly dominated by her male counterparts, bassist Linda May-Han Oh is going to be a force with which to be reckoned. Her auspicious, self-produced debut, Entry (2009), was lauded by critics, and was one of pianist Vijay Iyer's top picks for 2009. Born in Malaysia and living in New York, Oh ...
Bassist Linda Oh Interviewed at All About Jazz
In an arena that is overwhelmingly dominated by her male counterparts, bassist Linda May-Han Oh is going to be a force with which to be reckoned. Her auspicious self-produced debut, Entry (2009), was lauded by critics, and was one of pianist Vijay Iyer's top picks for 2009. Her technical know-how is solidified by visceral, emotive and ...
Patrick Cornelius: Fierce
by Dan Bilawsky
Fierce isn't the most inviting album title in the world. People with a penchant for gauging albums based on single-word descriptors could be scared off here, but they'd be missing out on some bold performances that are creative and, yes, occasionally fierce. Some of the most striking music coming out these days seems ...
New Voices: Sarah Manning, John Escreet, Kneebody
by J Hunter
Jazz is like the human body. It needs fresh air, constant activity and a steady stream of nutrients to stay hale and hearty. Conversely, if all the genre does is sit in a comfy chair and try to live on what came before, it becomes sedentary, incurious and--ultimately--self destructive. Fortunately, the young keep jazz active and ...
Freihofer's Jazz Festival 2010: 33rd Edition is Strong
by R.J. DeLuke
2010 Freihofer's Jazz FestivalSaratoga Springs, NYJune 26-27, 2010 Watching Kendrick Scott's Oracle band in the warmth and sunshine of the Saratoga Performing Arts Center recently brought into focus everything that's good about the two-day event created by legendary impresario George Wein in 1978 and carried on more than capably by Danny Melnick's ...
Sarah Manning: Shattering The Glass Ceiling
by David A. Orthmann
Listening to Sarah Manning speak at length is nearly as absorbing as her music. She's intelligent, direct, witty, and serious-minded. As Manning waxes eloquent on topics ranging from the impact of three special mentors, to the benefits of being a well-rounded person, to issues surrounding woman's empowerment, you realize that she relishes every aspect of her ...
Sarah Manning: Dandelion Clock
by Raul d'Gama Rose
It takes a long time for the delightful shock of first hearing Sarah Manning's emphatic, almost blasé, voice--rich, tunefully accented and almost bronzed, as full as a sudden blast of sunshine. The first sounds of her alto saxophone are so indelibly burned in the memory that virtually everything else becomes a blur except undulating glissandos of ...
Sarah Manning: Dandelion Clock
by Woodrow Wilkins
It may take years of listening before a music enthusiast can identify the sound of a musician, distinct and separate from others who play the same instrument. David Sanborn, Bob Mintzer and Jay Beckenstein are just a few examples of saxophonists whose voices are easily distinguished. Sarah Manning hopes to join their ranks. Manning ...
Sarah Manning: Dandelion Clock
by Bruce Lindsay
The cover of Dandelion Clock, Sarah Manning's third album as leader, shows the saxophonist in soft focus, lying on a bed of fallen autumn leaves and lightly cradling her alto. It's standard smooth jazz cover art--but appearances can be deceptive, for Manning is one of the hardest-blowing and intense of musicians while her talents as a ...
Sarah Manning: Dandelion Clock
by Dan Bilawsky
Abstraction and accessibility isn't an easy match, but alto saxophonist Sarah Manning weds the two with fine results on Dandelion Clock. Manning's desire to create “a working, stable group that through rehearsals and philosophy lives and breathes on stage as a musical unit," is largely achieved with this quartet, featuring bassist Linda Oh, pianist Art Hirahara ...
